Devilish jungle-dub-techno and 2-step ballistics from René Pawlowitz (Shed, Wax) in Hoover mode. Ordarrrrrrrr!
Following in the slipstream of his wicked outing as The Higher for XL, the Hoover tracks are a more aerodynamically tucked and efficient, synching razor-cut breaks, reverberant dub chords, guttural sub and sparing diva stabs on the A-side, whereas the B-side steps off like a freshly trimmed and faded El-B, Menta or Steve Gurley pushing the tempo to 160bpm, or even Errorsmith and I-Sound’s Disco Consultant alias when the piano chords come clambering in, before delivering a scything roundhouse of mentasms, Photek-style drums and even samples of John bloody Bercow seckling the rabble over more pianos. Who says Germans don’t have a sense of humour?
Unmissable for that one at the least!
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Devilish jungle-dub-techno and 2-step ballistics from René Pawlowitz (Shed, Wax) in Hoover mode. Ordarrrrrrrr!
Following in the slipstream of his wicked outing as The Higher for XL, the Hoover tracks are a more aerodynamically tucked and efficient, synching razor-cut breaks, reverberant dub chords, guttural sub and sparing diva stabs on the A-side, whereas the B-side steps off like a freshly trimmed and faded El-B, Menta or Steve Gurley pushing the tempo to 160bpm, or even Errorsmith and I-Sound’s Disco Consultant alias when the piano chords come clambering in, before delivering a scything roundhouse of mentasms, Photek-style drums and even samples of John bloody Bercow seckling the rabble over more pianos. Who says Germans don’t have a sense of humour?
Unmissable for that one at the least!
Devilish jungle-dub-techno and 2-step ballistics from René Pawlowitz (Shed, Wax) in Hoover mode. Ordarrrrrrrr!
Following in the slipstream of his wicked outing as The Higher for XL, the Hoover tracks are a more aerodynamically tucked and efficient, synching razor-cut breaks, reverberant dub chords, guttural sub and sparing diva stabs on the A-side, whereas the B-side steps off like a freshly trimmed and faded El-B, Menta or Steve Gurley pushing the tempo to 160bpm, or even Errorsmith and I-Sound’s Disco Consultant alias when the piano chords come clambering in, before delivering a scything roundhouse of mentasms, Photek-style drums and even samples of John bloody Bercow seckling the rabble over more pianos. Who says Germans don’t have a sense of humour?
Unmissable for that one at the least!
Devilish jungle-dub-techno and 2-step ballistics from René Pawlowitz (Shed, Wax) in Hoover mode. Ordarrrrrrrr!
Following in the slipstream of his wicked outing as The Higher for XL, the Hoover tracks are a more aerodynamically tucked and efficient, synching razor-cut breaks, reverberant dub chords, guttural sub and sparing diva stabs on the A-side, whereas the B-side steps off like a freshly trimmed and faded El-B, Menta or Steve Gurley pushing the tempo to 160bpm, or even Errorsmith and I-Sound’s Disco Consultant alias when the piano chords come clambering in, before delivering a scything roundhouse of mentasms, Photek-style drums and even samples of John bloody Bercow seckling the rabble over more pianos. Who says Germans don’t have a sense of humour?
Unmissable for that one at the least!
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Devilish jungle-dub-techno and 2-step ballistics from René Pawlowitz (Shed, Wax) in Hoover mode. Ordarrrrrrrr!
Following in the slipstream of his wicked outing as The Higher for XL, the Hoover tracks are a more aerodynamically tucked and efficient, synching razor-cut breaks, reverberant dub chords, guttural sub and sparing diva stabs on the A-side, whereas the B-side steps off like a freshly trimmed and faded El-B, Menta or Steve Gurley pushing the tempo to 160bpm, or even Errorsmith and I-Sound’s Disco Consultant alias when the piano chords come clambering in, before delivering a scything roundhouse of mentasms, Photek-style drums and even samples of John bloody Bercow seckling the rabble over more pianos. Who says Germans don’t have a sense of humour?
Unmissable for that one at the least!