Wickedly offbeat techno pressure from Alex Tsiridis on Blawan & Pariah’s label
So ye, after just finding out that we’ve been playing Rhyw’s last EP for his and Mor Elian’s Fever AM at the wrong speed in clubs for months now (sounds fucking class at 100bpm, though!), the ‘Honey Badger’ EP hauls ass at a pacier clip with four cuts of skudgy techno pressure that we imagine will also swill a good crowd on the wrong or right speeds, too.
‘Honey Badger’ whips it on a scudding techno title with razor-cut edit stutters to unknot your knobbly knees, and ’Sharknado’ in particular sounds like sped up futurist dembow-dancehall, adjacent current NAAFI cuts. ‘Kirkhusa’ comes on a tangier, broken acid swivel with squirrelly synth details, and ‘Foamcore’ works out like his Voam labelmate Peder Mannerfelt on a sort of busy soca/UKF-techno flex.
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Wickedly offbeat techno pressure from Alex Tsiridis on Blawan & Pariah’s label
So ye, after just finding out that we’ve been playing Rhyw’s last EP for his and Mor Elian’s Fever AM at the wrong speed in clubs for months now (sounds fucking class at 100bpm, though!), the ‘Honey Badger’ EP hauls ass at a pacier clip with four cuts of skudgy techno pressure that we imagine will also swill a good crowd on the wrong or right speeds, too.
‘Honey Badger’ whips it on a scudding techno title with razor-cut edit stutters to unknot your knobbly knees, and ’Sharknado’ in particular sounds like sped up futurist dembow-dancehall, adjacent current NAAFI cuts. ‘Kirkhusa’ comes on a tangier, broken acid swivel with squirrelly synth details, and ‘Foamcore’ works out like his Voam labelmate Peder Mannerfelt on a sort of busy soca/UKF-techno flex.
Wickedly offbeat techno pressure from Alex Tsiridis on Blawan & Pariah’s label
So ye, after just finding out that we’ve been playing Rhyw’s last EP for his and Mor Elian’s Fever AM at the wrong speed in clubs for months now (sounds fucking class at 100bpm, though!), the ‘Honey Badger’ EP hauls ass at a pacier clip with four cuts of skudgy techno pressure that we imagine will also swill a good crowd on the wrong or right speeds, too.
‘Honey Badger’ whips it on a scudding techno title with razor-cut edit stutters to unknot your knobbly knees, and ’Sharknado’ in particular sounds like sped up futurist dembow-dancehall, adjacent current NAAFI cuts. ‘Kirkhusa’ comes on a tangier, broken acid swivel with squirrelly synth details, and ‘Foamcore’ works out like his Voam labelmate Peder Mannerfelt on a sort of busy soca/UKF-techno flex.
Wickedly offbeat techno pressure from Alex Tsiridis on Blawan & Pariah’s label
So ye, after just finding out that we’ve been playing Rhyw’s last EP for his and Mor Elian’s Fever AM at the wrong speed in clubs for months now (sounds fucking class at 100bpm, though!), the ‘Honey Badger’ EP hauls ass at a pacier clip with four cuts of skudgy techno pressure that we imagine will also swill a good crowd on the wrong or right speeds, too.
‘Honey Badger’ whips it on a scudding techno title with razor-cut edit stutters to unknot your knobbly knees, and ’Sharknado’ in particular sounds like sped up futurist dembow-dancehall, adjacent current NAAFI cuts. ‘Kirkhusa’ comes on a tangier, broken acid swivel with squirrelly synth details, and ‘Foamcore’ works out like his Voam labelmate Peder Mannerfelt on a sort of busy soca/UKF-techno flex.
12" with full pic sleeve.
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Wickedly offbeat techno pressure from Alex Tsiridis on Blawan & Pariah’s label
So ye, after just finding out that we’ve been playing Rhyw’s last EP for his and Mor Elian’s Fever AM at the wrong speed in clubs for months now (sounds fucking class at 100bpm, though!), the ‘Honey Badger’ EP hauls ass at a pacier clip with four cuts of skudgy techno pressure that we imagine will also swill a good crowd on the wrong or right speeds, too.
‘Honey Badger’ whips it on a scudding techno title with razor-cut edit stutters to unknot your knobbly knees, and ’Sharknado’ in particular sounds like sped up futurist dembow-dancehall, adjacent current NAAFI cuts. ‘Kirkhusa’ comes on a tangier, broken acid swivel with squirrelly synth details, and ‘Foamcore’ works out like his Voam labelmate Peder Mannerfelt on a sort of busy soca/UKF-techno flex.