Homage to Annea Lockwood
New Zealand's Noel Meek and veteran Spanish sound artist Mattin craft this smart tribute to the legendary Annea Lockwood from a long-form Skype conversation, that's peppered across mischievous tracks that re-examine her most memorable moments.
If you're going to make a tribute to a composer as important and singular as Annea Lockwood, you'd better find a novel way of approaching it. Thankfully, Meek and Mattin know exactly what they're getting themselves into, using a lengthy three-way chat with the New Zealand-born artist to form the backbone of the record, and fleshing it out with smart pieces that act as a commentary on her compositional practice. So opening track 'Das Ding an sich' establishes the form with vocal snippets from the interview cut, manipulated and juxtaposed with garbled laptop noises, and 'Computer Burning' is a digital age take on Lockwood's infamous 1968 composition 'Piano Burning'. Instead of hearing a piano dying as flames engulf its wooden frame and steel strings, we hear the plastic and metal of a laptop pop and bubble and spit for 15 minutes.
Lockwood's interest in sound maps and environmental sound is touched on with 'Otakaro / Where the Children Play', a "hydrophonic diary" recorded at the Ōtākaro river that runs through Christchurch, where Lockwood was born. And the final track 'Homage to Annea Lockwood (2021-22)' is a moving polyphonic choral piece. It's a touching and fittingly whimsical tribute to one of experimental music's true originals. Recommended.
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New Zealand's Noel Meek and veteran Spanish sound artist Mattin craft this smart tribute to the legendary Annea Lockwood from a long-form Skype conversation, that's peppered across mischievous tracks that re-examine her most memorable moments.
If you're going to make a tribute to a composer as important and singular as Annea Lockwood, you'd better find a novel way of approaching it. Thankfully, Meek and Mattin know exactly what they're getting themselves into, using a lengthy three-way chat with the New Zealand-born artist to form the backbone of the record, and fleshing it out with smart pieces that act as a commentary on her compositional practice. So opening track 'Das Ding an sich' establishes the form with vocal snippets from the interview cut, manipulated and juxtaposed with garbled laptop noises, and 'Computer Burning' is a digital age take on Lockwood's infamous 1968 composition 'Piano Burning'. Instead of hearing a piano dying as flames engulf its wooden frame and steel strings, we hear the plastic and metal of a laptop pop and bubble and spit for 15 minutes.
Lockwood's interest in sound maps and environmental sound is touched on with 'Otakaro / Where the Children Play', a "hydrophonic diary" recorded at the Ōtākaro river that runs through Christchurch, where Lockwood was born. And the final track 'Homage to Annea Lockwood (2021-22)' is a moving polyphonic choral piece. It's a touching and fittingly whimsical tribute to one of experimental music's true originals. Recommended.
New Zealand's Noel Meek and veteran Spanish sound artist Mattin craft this smart tribute to the legendary Annea Lockwood from a long-form Skype conversation, that's peppered across mischievous tracks that re-examine her most memorable moments.
If you're going to make a tribute to a composer as important and singular as Annea Lockwood, you'd better find a novel way of approaching it. Thankfully, Meek and Mattin know exactly what they're getting themselves into, using a lengthy three-way chat with the New Zealand-born artist to form the backbone of the record, and fleshing it out with smart pieces that act as a commentary on her compositional practice. So opening track 'Das Ding an sich' establishes the form with vocal snippets from the interview cut, manipulated and juxtaposed with garbled laptop noises, and 'Computer Burning' is a digital age take on Lockwood's infamous 1968 composition 'Piano Burning'. Instead of hearing a piano dying as flames engulf its wooden frame and steel strings, we hear the plastic and metal of a laptop pop and bubble and spit for 15 minutes.
Lockwood's interest in sound maps and environmental sound is touched on with 'Otakaro / Where the Children Play', a "hydrophonic diary" recorded at the Ōtākaro river that runs through Christchurch, where Lockwood was born. And the final track 'Homage to Annea Lockwood (2021-22)' is a moving polyphonic choral piece. It's a touching and fittingly whimsical tribute to one of experimental music's true originals. Recommended.
New Zealand's Noel Meek and veteran Spanish sound artist Mattin craft this smart tribute to the legendary Annea Lockwood from a long-form Skype conversation, that's peppered across mischievous tracks that re-examine her most memorable moments.
If you're going to make a tribute to a composer as important and singular as Annea Lockwood, you'd better find a novel way of approaching it. Thankfully, Meek and Mattin know exactly what they're getting themselves into, using a lengthy three-way chat with the New Zealand-born artist to form the backbone of the record, and fleshing it out with smart pieces that act as a commentary on her compositional practice. So opening track 'Das Ding an sich' establishes the form with vocal snippets from the interview cut, manipulated and juxtaposed with garbled laptop noises, and 'Computer Burning' is a digital age take on Lockwood's infamous 1968 composition 'Piano Burning'. Instead of hearing a piano dying as flames engulf its wooden frame and steel strings, we hear the plastic and metal of a laptop pop and bubble and spit for 15 minutes.
Lockwood's interest in sound maps and environmental sound is touched on with 'Otakaro / Where the Children Play', a "hydrophonic diary" recorded at the Ōtākaro river that runs through Christchurch, where Lockwood was born. And the final track 'Homage to Annea Lockwood (2021-22)' is a moving polyphonic choral piece. It's a touching and fittingly whimsical tribute to one of experimental music's true originals. Recommended.
Perfect bound 60-page book with glass-mastered CD.
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New Zealand's Noel Meek and veteran Spanish sound artist Mattin craft this smart tribute to the legendary Annea Lockwood from a long-form Skype conversation, that's peppered across mischievous tracks that re-examine her most memorable moments.
If you're going to make a tribute to a composer as important and singular as Annea Lockwood, you'd better find a novel way of approaching it. Thankfully, Meek and Mattin know exactly what they're getting themselves into, using a lengthy three-way chat with the New Zealand-born artist to form the backbone of the record, and fleshing it out with smart pieces that act as a commentary on her compositional practice. So opening track 'Das Ding an sich' establishes the form with vocal snippets from the interview cut, manipulated and juxtaposed with garbled laptop noises, and 'Computer Burning' is a digital age take on Lockwood's infamous 1968 composition 'Piano Burning'. Instead of hearing a piano dying as flames engulf its wooden frame and steel strings, we hear the plastic and metal of a laptop pop and bubble and spit for 15 minutes.
Lockwood's interest in sound maps and environmental sound is touched on with 'Otakaro / Where the Children Play', a "hydrophonic diary" recorded at the Ōtākaro river that runs through Christchurch, where Lockwood was born. And the final track 'Homage to Annea Lockwood (2021-22)' is a moving polyphonic choral piece. It's a touching and fittingly whimsical tribute to one of experimental music's true originals. Recommended.