Kiln's debut album was originally released in 1998, and has now been given a fresh lick of paint to bring their enduring mix of shimmering shoegaze and potent dub techno to a new generation.
Clark Rehberg III, Kevin Hayes and Kirk Marrison initially got together as a live rock trio, but as their sound developed their interest in live instrumentation dwindled and their passion for electronics was stoked. 'Holo' was a painstaking process that used an early 8-channel DAW to combine their sampler experimentation and light, subtle instrumentation and at its best sounds like a more blunted answer to Tortoise's hybridized Chicago post-rock. Kiln's music is sunnier than most of the trio's contemporaries, tracks like 'Squarewave Colorwheel' are so breezy you can almost imagine reclining on a tropical beach, cocktail in hand, and 'Dodecatheon' captures some of the era's windswept hope, with brushed guitar chords, hand drums and watery samples.
In a way, Kiln provided an American alternative to Seefeel. Where Seefeel harmonized with drizzly British melancholy, Kiln were more whimsical and homespun - a ranchside strum rather than a faded trip into the industrial wastelands. If you're into Radian, Loscil or even early Four Tet, there's plenty here to ogle.
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Kiln's debut album was originally released in 1998, and has now been given a fresh lick of paint to bring their enduring mix of shimmering shoegaze and potent dub techno to a new generation.
Clark Rehberg III, Kevin Hayes and Kirk Marrison initially got together as a live rock trio, but as their sound developed their interest in live instrumentation dwindled and their passion for electronics was stoked. 'Holo' was a painstaking process that used an early 8-channel DAW to combine their sampler experimentation and light, subtle instrumentation and at its best sounds like a more blunted answer to Tortoise's hybridized Chicago post-rock. Kiln's music is sunnier than most of the trio's contemporaries, tracks like 'Squarewave Colorwheel' are so breezy you can almost imagine reclining on a tropical beach, cocktail in hand, and 'Dodecatheon' captures some of the era's windswept hope, with brushed guitar chords, hand drums and watery samples.
In a way, Kiln provided an American alternative to Seefeel. Where Seefeel harmonized with drizzly British melancholy, Kiln were more whimsical and homespun - a ranchside strum rather than a faded trip into the industrial wastelands. If you're into Radian, Loscil or even early Four Tet, there's plenty here to ogle.
Kiln's debut album was originally released in 1998, and has now been given a fresh lick of paint to bring their enduring mix of shimmering shoegaze and potent dub techno to a new generation.
Clark Rehberg III, Kevin Hayes and Kirk Marrison initially got together as a live rock trio, but as their sound developed their interest in live instrumentation dwindled and their passion for electronics was stoked. 'Holo' was a painstaking process that used an early 8-channel DAW to combine their sampler experimentation and light, subtle instrumentation and at its best sounds like a more blunted answer to Tortoise's hybridized Chicago post-rock. Kiln's music is sunnier than most of the trio's contemporaries, tracks like 'Squarewave Colorwheel' are so breezy you can almost imagine reclining on a tropical beach, cocktail in hand, and 'Dodecatheon' captures some of the era's windswept hope, with brushed guitar chords, hand drums and watery samples.
In a way, Kiln provided an American alternative to Seefeel. Where Seefeel harmonized with drizzly British melancholy, Kiln were more whimsical and homespun - a ranchside strum rather than a faded trip into the industrial wastelands. If you're into Radian, Loscil or even early Four Tet, there's plenty here to ogle.
Kiln's debut album was originally released in 1998, and has now been given a fresh lick of paint to bring their enduring mix of shimmering shoegaze and potent dub techno to a new generation.
Clark Rehberg III, Kevin Hayes and Kirk Marrison initially got together as a live rock trio, but as their sound developed their interest in live instrumentation dwindled and their passion for electronics was stoked. 'Holo' was a painstaking process that used an early 8-channel DAW to combine their sampler experimentation and light, subtle instrumentation and at its best sounds like a more blunted answer to Tortoise's hybridized Chicago post-rock. Kiln's music is sunnier than most of the trio's contemporaries, tracks like 'Squarewave Colorwheel' are so breezy you can almost imagine reclining on a tropical beach, cocktail in hand, and 'Dodecatheon' captures some of the era's windswept hope, with brushed guitar chords, hand drums and watery samples.
In a way, Kiln provided an American alternative to Seefeel. Where Seefeel harmonized with drizzly British melancholy, Kiln were more whimsical and homespun - a ranchside strum rather than a faded trip into the industrial wastelands. If you're into Radian, Loscil or even early Four Tet, there's plenty here to ogle.
Edition of 500 copies, with poly-lined inners.
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Kiln's debut album was originally released in 1998, and has now been given a fresh lick of paint to bring their enduring mix of shimmering shoegaze and potent dub techno to a new generation.
Clark Rehberg III, Kevin Hayes and Kirk Marrison initially got together as a live rock trio, but as their sound developed their interest in live instrumentation dwindled and their passion for electronics was stoked. 'Holo' was a painstaking process that used an early 8-channel DAW to combine their sampler experimentation and light, subtle instrumentation and at its best sounds like a more blunted answer to Tortoise's hybridized Chicago post-rock. Kiln's music is sunnier than most of the trio's contemporaries, tracks like 'Squarewave Colorwheel' are so breezy you can almost imagine reclining on a tropical beach, cocktail in hand, and 'Dodecatheon' captures some of the era's windswept hope, with brushed guitar chords, hand drums and watery samples.
In a way, Kiln provided an American alternative to Seefeel. Where Seefeel harmonized with drizzly British melancholy, Kiln were more whimsical and homespun - a ranchside strum rather than a faded trip into the industrial wastelands. If you're into Radian, Loscil or even early Four Tet, there's plenty here to ogle.