Elemental dub noise mastery by the Finnish wunderkind, persistently pushing forms off the grid and out of focus in a prolific new streak of his sound.
Wrangling elusive emotions from oblique abstraction, Vladislav Delay’s latest torrents of genius speak to a renewed conceptual energy and manacled grasp of his sound in recent years. They both feel like his formative Chain Reaction classics have been left to weather or algorithmically rot, with grid structures collapsing in on themselves in gyring designs that simultaneously unreal and bind his ideas closer to the mysteries of nature than ever before.
In the first, dub chords are subject to external stress factors of tempestuous force, like dub techno created in a buckling arctic warehouse succumbing to gales and nuclear blasts. The 2nd fires scattershot kicks from the hip in a cyclonic roil of metallic noise that we’d love to hear/see soundtracking an avant ballet.
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Elemental dub noise mastery by the Finnish wunderkind, persistently pushing forms off the grid and out of focus in a prolific new streak of his sound.
Wrangling elusive emotions from oblique abstraction, Vladislav Delay’s latest torrents of genius speak to a renewed conceptual energy and manacled grasp of his sound in recent years. They both feel like his formative Chain Reaction classics have been left to weather or algorithmically rot, with grid structures collapsing in on themselves in gyring designs that simultaneously unreal and bind his ideas closer to the mysteries of nature than ever before.
In the first, dub chords are subject to external stress factors of tempestuous force, like dub techno created in a buckling arctic warehouse succumbing to gales and nuclear blasts. The 2nd fires scattershot kicks from the hip in a cyclonic roil of metallic noise that we’d love to hear/see soundtracking an avant ballet.
Elemental dub noise mastery by the Finnish wunderkind, persistently pushing forms off the grid and out of focus in a prolific new streak of his sound.
Wrangling elusive emotions from oblique abstraction, Vladislav Delay’s latest torrents of genius speak to a renewed conceptual energy and manacled grasp of his sound in recent years. They both feel like his formative Chain Reaction classics have been left to weather or algorithmically rot, with grid structures collapsing in on themselves in gyring designs that simultaneously unreal and bind his ideas closer to the mysteries of nature than ever before.
In the first, dub chords are subject to external stress factors of tempestuous force, like dub techno created in a buckling arctic warehouse succumbing to gales and nuclear blasts. The 2nd fires scattershot kicks from the hip in a cyclonic roil of metallic noise that we’d love to hear/see soundtracking an avant ballet.
Elemental dub noise mastery by the Finnish wunderkind, persistently pushing forms off the grid and out of focus in a prolific new streak of his sound.
Wrangling elusive emotions from oblique abstraction, Vladislav Delay’s latest torrents of genius speak to a renewed conceptual energy and manacled grasp of his sound in recent years. They both feel like his formative Chain Reaction classics have been left to weather or algorithmically rot, with grid structures collapsing in on themselves in gyring designs that simultaneously unreal and bind his ideas closer to the mysteries of nature than ever before.
In the first, dub chords are subject to external stress factors of tempestuous force, like dub techno created in a buckling arctic warehouse succumbing to gales and nuclear blasts. The 2nd fires scattershot kicks from the hip in a cyclonic roil of metallic noise that we’d love to hear/see soundtracking an avant ballet.
Limited to 500 copies. 10" cut at 45rpm.
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Elemental dub noise mastery by the Finnish wunderkind, persistently pushing forms off the grid and out of focus in a prolific new streak of his sound.
Wrangling elusive emotions from oblique abstraction, Vladislav Delay’s latest torrents of genius speak to a renewed conceptual energy and manacled grasp of his sound in recent years. They both feel like his formative Chain Reaction classics have been left to weather or algorithmically rot, with grid structures collapsing in on themselves in gyring designs that simultaneously unreal and bind his ideas closer to the mysteries of nature than ever before.
In the first, dub chords are subject to external stress factors of tempestuous force, like dub techno created in a buckling arctic warehouse succumbing to gales and nuclear blasts. The 2nd fires scattershot kicks from the hip in a cyclonic roil of metallic noise that we’d love to hear/see soundtracking an avant ballet.