Here I Go Again On My Own
Haslingden’s Remote Viewer at long last deliver their massively anticipated second full-length album, this time for the City Centre Offices label. Having served time as members of Hood’s original line-up, Andrew and Craig have been fine-tuning their equal-parts fat and melancholy lullabies for some time now. A ghostly neon beauty permeates the sublime stretches of the opening ‘I climbed a Mountain’ - clicky beats and detuned piano lines, all crunched-up and squashed to devestating imperfection. Their love of jiggy hip-hop and downbeat accoustica makes sense across these unique sounding moments of bliss – check the lazy, simmering endlessly deep bassline shuffle of ‘Spend More Time With Me’ that loses itself into a groove that for one fleeting moment brings in a vocal that disappears before it’s even started. Magic. ‘Snow it Falls On’, however, takes a leave of absence from all things squashed and instead unfolds a gently mesmerising combination of Banjo, bass and handcrafted electronic tinkles that sliver around Andrew’s and Nicola’s (Empress) delicate vocal weave. Perhaps the finest moment on the label to date, ‘Here I Go Again...’ is more than just your average Whitesnake tribute album...it’s one of the finest accoustronix albums we’ve ever heard. Utterly essential.
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Haslingden’s Remote Viewer at long last deliver their massively anticipated second full-length album, this time for the City Centre Offices label. Having served time as members of Hood’s original line-up, Andrew and Craig have been fine-tuning their equal-parts fat and melancholy lullabies for some time now. A ghostly neon beauty permeates the sublime stretches of the opening ‘I climbed a Mountain’ - clicky beats and detuned piano lines, all crunched-up and squashed to devestating imperfection. Their love of jiggy hip-hop and downbeat accoustica makes sense across these unique sounding moments of bliss – check the lazy, simmering endlessly deep bassline shuffle of ‘Spend More Time With Me’ that loses itself into a groove that for one fleeting moment brings in a vocal that disappears before it’s even started. Magic. ‘Snow it Falls On’, however, takes a leave of absence from all things squashed and instead unfolds a gently mesmerising combination of Banjo, bass and handcrafted electronic tinkles that sliver around Andrew’s and Nicola’s (Empress) delicate vocal weave. Perhaps the finest moment on the label to date, ‘Here I Go Again...’ is more than just your average Whitesnake tribute album...it’s one of the finest accoustronix albums we’ve ever heard. Utterly essential.
Haslingden’s Remote Viewer at long last deliver their massively anticipated second full-length album, this time for the City Centre Offices label. Having served time as members of Hood’s original line-up, Andrew and Craig have been fine-tuning their equal-parts fat and melancholy lullabies for some time now. A ghostly neon beauty permeates the sublime stretches of the opening ‘I climbed a Mountain’ - clicky beats and detuned piano lines, all crunched-up and squashed to devestating imperfection. Their love of jiggy hip-hop and downbeat accoustica makes sense across these unique sounding moments of bliss – check the lazy, simmering endlessly deep bassline shuffle of ‘Spend More Time With Me’ that loses itself into a groove that for one fleeting moment brings in a vocal that disappears before it’s even started. Magic. ‘Snow it Falls On’, however, takes a leave of absence from all things squashed and instead unfolds a gently mesmerising combination of Banjo, bass and handcrafted electronic tinkles that sliver around Andrew’s and Nicola’s (Empress) delicate vocal weave. Perhaps the finest moment on the label to date, ‘Here I Go Again...’ is more than just your average Whitesnake tribute album...it’s one of the finest accoustronix albums we’ve ever heard. Utterly essential.