DJ Girl with prime Planet Mu gear, a death-defying mashup of footwork, IDM, Miami bass and electro that couldn't have come from anywhere other than the Midwest.
If you've kept a beady eye on the US dance scene in recent years then you're likely to have spotted DJ Girl. The co-founder of Eat Dis Records, she grew up in Detroit and began building up a reputation for chaotically brilliant productions before relocating to Austin, Texas during the pandemic. "Hellworld" lays out an uneasy blueprint for her sound, swerving brutally from brittle footwork ('Get Down') to foul-mouthed electro ('Opp Pack Hittin') and gurgling, k-hole inducing acid ('Technician') within a few short minutes.
As the press release notes it's not unlike a lot of Planet Mu releases from the early 2000s and feels right at home with its greasy production tweaks and cut-n-paste samples you could shake a stick at. But DJ Girl doesn't make music that's drowning in nostalgia, her bizarre - but dancefloor-charmed - musical viewpoint is hybridized and feels curiously fresh. There's a refreshing dissociated havoc to 'Gallery' that sounds as if DJ Assault, Soul Oddity, Ariel Zetina and fellow fresh-faced Mu signing Nondi_ are playing simultaneously. And Irish Twitter comic Lighght steps up for a tight five on 'When U Touch Me', helping DJ Girl to bend skeletal electrical vamps into a hyperpop electro template that sounds as current as 220v to the brain.
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DJ Girl with prime Planet Mu gear, a death-defying mashup of footwork, IDM, Miami bass and electro that couldn't have come from anywhere other than the Midwest.
If you've kept a beady eye on the US dance scene in recent years then you're likely to have spotted DJ Girl. The co-founder of Eat Dis Records, she grew up in Detroit and began building up a reputation for chaotically brilliant productions before relocating to Austin, Texas during the pandemic. "Hellworld" lays out an uneasy blueprint for her sound, swerving brutally from brittle footwork ('Get Down') to foul-mouthed electro ('Opp Pack Hittin') and gurgling, k-hole inducing acid ('Technician') within a few short minutes.
As the press release notes it's not unlike a lot of Planet Mu releases from the early 2000s and feels right at home with its greasy production tweaks and cut-n-paste samples you could shake a stick at. But DJ Girl doesn't make music that's drowning in nostalgia, her bizarre - but dancefloor-charmed - musical viewpoint is hybridized and feels curiously fresh. There's a refreshing dissociated havoc to 'Gallery' that sounds as if DJ Assault, Soul Oddity, Ariel Zetina and fellow fresh-faced Mu signing Nondi_ are playing simultaneously. And Irish Twitter comic Lighght steps up for a tight five on 'When U Touch Me', helping DJ Girl to bend skeletal electrical vamps into a hyperpop electro template that sounds as current as 220v to the brain.
DJ Girl with prime Planet Mu gear, a death-defying mashup of footwork, IDM, Miami bass and electro that couldn't have come from anywhere other than the Midwest.
If you've kept a beady eye on the US dance scene in recent years then you're likely to have spotted DJ Girl. The co-founder of Eat Dis Records, she grew up in Detroit and began building up a reputation for chaotically brilliant productions before relocating to Austin, Texas during the pandemic. "Hellworld" lays out an uneasy blueprint for her sound, swerving brutally from brittle footwork ('Get Down') to foul-mouthed electro ('Opp Pack Hittin') and gurgling, k-hole inducing acid ('Technician') within a few short minutes.
As the press release notes it's not unlike a lot of Planet Mu releases from the early 2000s and feels right at home with its greasy production tweaks and cut-n-paste samples you could shake a stick at. But DJ Girl doesn't make music that's drowning in nostalgia, her bizarre - but dancefloor-charmed - musical viewpoint is hybridized and feels curiously fresh. There's a refreshing dissociated havoc to 'Gallery' that sounds as if DJ Assault, Soul Oddity, Ariel Zetina and fellow fresh-faced Mu signing Nondi_ are playing simultaneously. And Irish Twitter comic Lighght steps up for a tight five on 'When U Touch Me', helping DJ Girl to bend skeletal electrical vamps into a hyperpop electro template that sounds as current as 220v to the brain.
DJ Girl with prime Planet Mu gear, a death-defying mashup of footwork, IDM, Miami bass and electro that couldn't have come from anywhere other than the Midwest.
If you've kept a beady eye on the US dance scene in recent years then you're likely to have spotted DJ Girl. The co-founder of Eat Dis Records, she grew up in Detroit and began building up a reputation for chaotically brilliant productions before relocating to Austin, Texas during the pandemic. "Hellworld" lays out an uneasy blueprint for her sound, swerving brutally from brittle footwork ('Get Down') to foul-mouthed electro ('Opp Pack Hittin') and gurgling, k-hole inducing acid ('Technician') within a few short minutes.
As the press release notes it's not unlike a lot of Planet Mu releases from the early 2000s and feels right at home with its greasy production tweaks and cut-n-paste samples you could shake a stick at. But DJ Girl doesn't make music that's drowning in nostalgia, her bizarre - but dancefloor-charmed - musical viewpoint is hybridized and feels curiously fresh. There's a refreshing dissociated havoc to 'Gallery' that sounds as if DJ Assault, Soul Oddity, Ariel Zetina and fellow fresh-faced Mu signing Nondi_ are playing simultaneously. And Irish Twitter comic Lighght steps up for a tight five on 'When U Touch Me', helping DJ Girl to bend skeletal electrical vamps into a hyperpop electro template that sounds as current as 220v to the brain.
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DJ Girl with prime Planet Mu gear, a death-defying mashup of footwork, IDM, Miami bass and electro that couldn't have come from anywhere other than the Midwest.
If you've kept a beady eye on the US dance scene in recent years then you're likely to have spotted DJ Girl. The co-founder of Eat Dis Records, she grew up in Detroit and began building up a reputation for chaotically brilliant productions before relocating to Austin, Texas during the pandemic. "Hellworld" lays out an uneasy blueprint for her sound, swerving brutally from brittle footwork ('Get Down') to foul-mouthed electro ('Opp Pack Hittin') and gurgling, k-hole inducing acid ('Technician') within a few short minutes.
As the press release notes it's not unlike a lot of Planet Mu releases from the early 2000s and feels right at home with its greasy production tweaks and cut-n-paste samples you could shake a stick at. But DJ Girl doesn't make music that's drowning in nostalgia, her bizarre - but dancefloor-charmed - musical viewpoint is hybridized and feels curiously fresh. There's a refreshing dissociated havoc to 'Gallery' that sounds as if DJ Assault, Soul Oddity, Ariel Zetina and fellow fresh-faced Mu signing Nondi_ are playing simultaneously. And Irish Twitter comic Lighght steps up for a tight five on 'When U Touch Me', helping DJ Girl to bend skeletal electrical vamps into a hyperpop electro template that sounds as current as 220v to the brain.