Iceage's Elias Rønnenfelt strikes out on his own for the first time, swapping gristly post-punk for tender folk rock and netting features from Fauzia, Joanne Robertson, Danish punk legend Peter Peter and Iceage's Dan Kjær Nielsen.
This one's unexpected, to say the least. Rønnenfelt's poetic lyrics and vulnerable voice has always been a key element of Iceage's appeal, but we've never heard him sound so naked as he does on 'Heavy Glory'. Backed with hoedown-style guitar, fiddle and drums on 'Like Lovers Do', he immediately pull sharply away from Iceage's impeccably produced hybrid sound, veering wholeheartedly into Americana. And even though 'Another Round' makes another swerve, with its bontempi preset shuffle and dense mess of guitars, Rønnenfelt's delivery - and those vocal harmonies - keep it firmly in folk rock territory.
Fauzia shows up on the heartfelt 'Close', duetting with Rønnenfelt over thick double bass prangs and swirling woodwinds, and Joanne Robertson lends an assist on the country-tinged 'Soldier Song', one of the album's most minimal heartmelters. And Rønnenfelt even throws in a couple of covers, turning Spacemen 3's 'Sound of Confusion' into whiskey bar stomper, and concluding the album with a sufficiently reverent (and lushly orchestrated) cover of Townes Van Zandt's 'No Place to Fall'.
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Iceage's Elias Rønnenfelt strikes out on his own for the first time, swapping gristly post-punk for tender folk rock and netting features from Fauzia, Joanne Robertson, Danish punk legend Peter Peter and Iceage's Dan Kjær Nielsen.
This one's unexpected, to say the least. Rønnenfelt's poetic lyrics and vulnerable voice has always been a key element of Iceage's appeal, but we've never heard him sound so naked as he does on 'Heavy Glory'. Backed with hoedown-style guitar, fiddle and drums on 'Like Lovers Do', he immediately pull sharply away from Iceage's impeccably produced hybrid sound, veering wholeheartedly into Americana. And even though 'Another Round' makes another swerve, with its bontempi preset shuffle and dense mess of guitars, Rønnenfelt's delivery - and those vocal harmonies - keep it firmly in folk rock territory.
Fauzia shows up on the heartfelt 'Close', duetting with Rønnenfelt over thick double bass prangs and swirling woodwinds, and Joanne Robertson lends an assist on the country-tinged 'Soldier Song', one of the album's most minimal heartmelters. And Rønnenfelt even throws in a couple of covers, turning Spacemen 3's 'Sound of Confusion' into whiskey bar stomper, and concluding the album with a sufficiently reverent (and lushly orchestrated) cover of Townes Van Zandt's 'No Place to Fall'.
Iceage's Elias Rønnenfelt strikes out on his own for the first time, swapping gristly post-punk for tender folk rock and netting features from Fauzia, Joanne Robertson, Danish punk legend Peter Peter and Iceage's Dan Kjær Nielsen.
This one's unexpected, to say the least. Rønnenfelt's poetic lyrics and vulnerable voice has always been a key element of Iceage's appeal, but we've never heard him sound so naked as he does on 'Heavy Glory'. Backed with hoedown-style guitar, fiddle and drums on 'Like Lovers Do', he immediately pull sharply away from Iceage's impeccably produced hybrid sound, veering wholeheartedly into Americana. And even though 'Another Round' makes another swerve, with its bontempi preset shuffle and dense mess of guitars, Rønnenfelt's delivery - and those vocal harmonies - keep it firmly in folk rock territory.
Fauzia shows up on the heartfelt 'Close', duetting with Rønnenfelt over thick double bass prangs and swirling woodwinds, and Joanne Robertson lends an assist on the country-tinged 'Soldier Song', one of the album's most minimal heartmelters. And Rønnenfelt even throws in a couple of covers, turning Spacemen 3's 'Sound of Confusion' into whiskey bar stomper, and concluding the album with a sufficiently reverent (and lushly orchestrated) cover of Townes Van Zandt's 'No Place to Fall'.
Iceage's Elias Rønnenfelt strikes out on his own for the first time, swapping gristly post-punk for tender folk rock and netting features from Fauzia, Joanne Robertson, Danish punk legend Peter Peter and Iceage's Dan Kjær Nielsen.
This one's unexpected, to say the least. Rønnenfelt's poetic lyrics and vulnerable voice has always been a key element of Iceage's appeal, but we've never heard him sound so naked as he does on 'Heavy Glory'. Backed with hoedown-style guitar, fiddle and drums on 'Like Lovers Do', he immediately pull sharply away from Iceage's impeccably produced hybrid sound, veering wholeheartedly into Americana. And even though 'Another Round' makes another swerve, with its bontempi preset shuffle and dense mess of guitars, Rønnenfelt's delivery - and those vocal harmonies - keep it firmly in folk rock territory.
Fauzia shows up on the heartfelt 'Close', duetting with Rønnenfelt over thick double bass prangs and swirling woodwinds, and Joanne Robertson lends an assist on the country-tinged 'Soldier Song', one of the album's most minimal heartmelters. And Rønnenfelt even throws in a couple of covers, turning Spacemen 3's 'Sound of Confusion' into whiskey bar stomper, and concluding the album with a sufficiently reverent (and lushly orchestrated) cover of Townes Van Zandt's 'No Place to Fall'.
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Iceage's Elias Rønnenfelt strikes out on his own for the first time, swapping gristly post-punk for tender folk rock and netting features from Fauzia, Joanne Robertson, Danish punk legend Peter Peter and Iceage's Dan Kjær Nielsen.
This one's unexpected, to say the least. Rønnenfelt's poetic lyrics and vulnerable voice has always been a key element of Iceage's appeal, but we've never heard him sound so naked as he does on 'Heavy Glory'. Backed with hoedown-style guitar, fiddle and drums on 'Like Lovers Do', he immediately pull sharply away from Iceage's impeccably produced hybrid sound, veering wholeheartedly into Americana. And even though 'Another Round' makes another swerve, with its bontempi preset shuffle and dense mess of guitars, Rønnenfelt's delivery - and those vocal harmonies - keep it firmly in folk rock territory.
Fauzia shows up on the heartfelt 'Close', duetting with Rønnenfelt over thick double bass prangs and swirling woodwinds, and Joanne Robertson lends an assist on the country-tinged 'Soldier Song', one of the album's most minimal heartmelters. And Rønnenfelt even throws in a couple of covers, turning Spacemen 3's 'Sound of Confusion' into whiskey bar stomper, and concluding the album with a sufficiently reverent (and lushly orchestrated) cover of Townes Van Zandt's 'No Place to Fall'.