Post Moves
Heart Music
Boomkat Product Review:
New avant-Americana horizons from Sam Wenc’s Post Moves, meshing folk music with aspects of spiritual jazz, post-rock and avant minimalism in a way that beautifully transcends the sum of its parts.
“‘Heart Music’ was recorded over the course of 2019 and 2020. The initial intention was not necessarily to produce an album, but rather to explore composing from a percussive perspective and trying to avert relying heavily on the pedal steel guitar and guitar as primary modes of composing. The pedal steel guitar lends itself to such a soft sound palette so even in pieces that are highly structured (Always for Pleasure, Going Right to the Praying Mantis), I wanted to avoid the propensity to let the composition amble along, and rather create a brisk, biting percussive component. This can particularly be heard on "Del Mero Corazon", which pulses along with the droning bowing of the banjo and marimacho before drums kick in and later on the vibraphone.
Thematically, much of the music (to me) takes on a somewhat ceremonial feeling and explores the trajectory of exploring intrapersonal contradictions and what it means to navigate a disharmonious public sphere. Films was also a major inspiration for songs and their titles: Wiilka & Phaxsi (named for the characters in the film Wiñaypacha), Always for Pleasure (named for the Les Blanks film) was an attempt at writing something akin to a processional march, "Going Right to the Praying Mantis" & "That's the Boss, Not Some Human!" was a quote of Milford Graves pulled from the film "Full Mantis". On that note, the title of the album, "Heart Music", is in recognition of Milford's exploration of the internal data, knowledge, and ultimately music that is present within our bodies. More so than on previous albums, I felt myself letting rhythm, intuition, and improvisation guide the work, often resulting in longer form pieces that allows myself (and hopefully the listener) to listen deeply, observing moments of tension and harmony tangled, dependent, and resolved by one another.
One other noticeable addition is the introduction of poetry into "Madness is a Fully Instrumented Score" and "Evidence" (both spoken by Anna Jeters of the band Ancient Pools). This was touched on in my last album on the track "David's Death", but by bringing in the voice to create both parallel and perpendicular narratives, it creates another line to follow and bring the listener into a deeper state of listening. I like playing with blurred narratives, homespun ideas of conventional thoughts that are ever changing in a climate where fixed ways of relating to sound and composition can become something new and mangled in its own right.”
If you dig the following then this is most certainly one for you… Susan Alcorn, Alice Coltrane, Phil Cohran, Bobby Hutcherson, Henry Flynt, Jon Gibson, Mind Over Mirrors, Natural Information Society, Johnny Coley, Oren Ambarchi, Tortoise, Yasuaki Shimizu, Califone.”
View more
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
New avant-Americana horizons from Sam Wenc’s Post Moves, meshing folk music with aspects of spiritual jazz, post-rock and avant minimalism in a way that beautifully transcends the sum of its parts.
“‘Heart Music’ was recorded over the course of 2019 and 2020. The initial intention was not necessarily to produce an album, but rather to explore composing from a percussive perspective and trying to avert relying heavily on the pedal steel guitar and guitar as primary modes of composing. The pedal steel guitar lends itself to such a soft sound palette so even in pieces that are highly structured (Always for Pleasure, Going Right to the Praying Mantis), I wanted to avoid the propensity to let the composition amble along, and rather create a brisk, biting percussive component. This can particularly be heard on "Del Mero Corazon", which pulses along with the droning bowing of the banjo and marimacho before drums kick in and later on the vibraphone.
Thematically, much of the music (to me) takes on a somewhat ceremonial feeling and explores the trajectory of exploring intrapersonal contradictions and what it means to navigate a disharmonious public sphere. Films was also a major inspiration for songs and their titles: Wiilka & Phaxsi (named for the characters in the film Wiñaypacha), Always for Pleasure (named for the Les Blanks film) was an attempt at writing something akin to a processional march, "Going Right to the Praying Mantis" & "That's the Boss, Not Some Human!" was a quote of Milford Graves pulled from the film "Full Mantis". On that note, the title of the album, "Heart Music", is in recognition of Milford's exploration of the internal data, knowledge, and ultimately music that is present within our bodies. More so than on previous albums, I felt myself letting rhythm, intuition, and improvisation guide the work, often resulting in longer form pieces that allows myself (and hopefully the listener) to listen deeply, observing moments of tension and harmony tangled, dependent, and resolved by one another.
One other noticeable addition is the introduction of poetry into "Madness is a Fully Instrumented Score" and "Evidence" (both spoken by Anna Jeters of the band Ancient Pools). This was touched on in my last album on the track "David's Death", but by bringing in the voice to create both parallel and perpendicular narratives, it creates another line to follow and bring the listener into a deeper state of listening. I like playing with blurred narratives, homespun ideas of conventional thoughts that are ever changing in a climate where fixed ways of relating to sound and composition can become something new and mangled in its own right.”
If you dig the following then this is most certainly one for you… Susan Alcorn, Alice Coltrane, Phil Cohran, Bobby Hutcherson, Henry Flynt, Jon Gibson, Mind Over Mirrors, Natural Information Society, Johnny Coley, Oren Ambarchi, Tortoise, Yasuaki Shimizu, Califone.”
More from Where To Now?:
-
ODD NOSDAM End Is Important Where To Now? Beats / Hip Hop- 7"
-
Canaan Balsam Eternity lies within or Nowhere Where To Now? Electronic
- CD
-
TKB Dream Nightclub Where To Now? Electronic
- CD
-
Orlando FitzGerald Slow Drift Where To Now? Modern Classical / Ambient
- LP (Black Vinyl)
-
U. Joy Of Labour Where To Now? Electronic
- 7"
People who bought this also bought:
-
Niagara Parva Naturalia Disciples Electronic
- MP3
- FLAC
- WAV
- LP (Black Vinyl)
-
FREE MP3 WITH VINYLFUMU Enter The Anima Youth Electronic
- MP3
- FLAC
- WAV
- LP (Black Vinyl)
-
FREE MP3 WITH VINYLSabla & D.K. Totem Society Worship Electronic
- Colour LP
-
FREE MP3 WITH VINYLGav & Jord (Equiknoxx) Writings Ov Tomato MAL Electronic
- MP3
- FLAC
- WAV
- LP (Black Vinyl)
-
J. Albert Good Music Mixtape Vol. 1 J. Albert Productions Electronic
- MP3
- FLAC
- WAV
-
LOWTEC Old Economy WORKSHOP Electronic
- MP3
- FLAC
- WAV
-
FREE MP3 WITH VINYLSPECTRE Ruff Kutz PAN Beats / Hip Hop
- MP3
- FLAC
- 2LP (Black Vinyl)
-
Niagara São João Baptista Príncipe Techno / House
- MP3
- FLAC
- WAV
- 12" (Black Vinyl)
-
The People In Fog 1977 Remix EP Sound Of Vast Techno / House
- 12" (Black Vinyl)
-
FREE MP3 WITH VINYLclaire rousay everything perfect is already here Shelter Press Modern Classical / Ambient
- MP3
- FLAC
- WAV
- LP (Black Vinyl)
- CD