Various Artists
Heap
Boomkat Product Review:
Jack Lever’s Open Tapes rally Florian TM Zeisig, Bianca Scout, Mother, Herron, Ovïd, Arcade and plenty more to an ace compilation in aid of The Wellspring Charity for Homeless in Stockport.
Clad in artwork by John Powell-Jones, ‘Heap’ harvests a diverse crew to a vital cause, with sounds cutting across the contemporary spectrum from ambient electronica to hardcore hip hop, folk, pop, mutant dancehall and dub techno. It leads on from Open Tapes’ notable offerings by Tape Loop Orchestra and Jack Lever’s own mixtapes of rudeboy proto-hardcore with a genre-oblivious approach that works as a neat summary of underground UK actions in the mid 2020’s, smartly sequenced with a guess-again tilt between styles.
Kelley producer Florian TM Zeisig firms up links made during his live performance in Open Tapes back yard with the gauzy bliss-out ‘SP Five’ in his trusted style, and it catches Klein collaborator Bianca Scout at her supine and sublime best with the tongue-tip thizz of ‘The Last Guardian’. Glasgow donny Mother tends to its ruggeder side with the screwed, thuggish dub techno of ‘Cleland’, sharing a weight and grit with LSYN’s dembow dancehall sidewinder ‘DH4’ and the grubby steppers churn of ‘Masterna’ by Alan Johnson, and the grotty subs of ‘Soso’ from Michael Red, one of a handful of artists who are new to us, at least.
Closer to home, Stockport regulars include Herron ov Meandyou. esteem on the funereal half-stepper ‘Forward’, and Jack Lever rocks the bells on a tangy, screwed hardcore hip hop flip of folk sprite Magpahi, alongside Joe McBride, aka Synkro and boss of SK1 Records, going leagues deep on a dub techno lean with ‘Pillars of Salt’ as Ovïd.
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Boomkat Product Review:
Jack Lever’s Open Tapes rally Florian TM Zeisig, Bianca Scout, Mother, Herron, Ovïd, Arcade and plenty more to an ace compilation in aid of The Wellspring Charity for Homeless in Stockport.
Clad in artwork by John Powell-Jones, ‘Heap’ harvests a diverse crew to a vital cause, with sounds cutting across the contemporary spectrum from ambient electronica to hardcore hip hop, folk, pop, mutant dancehall and dub techno. It leads on from Open Tapes’ notable offerings by Tape Loop Orchestra and Jack Lever’s own mixtapes of rudeboy proto-hardcore with a genre-oblivious approach that works as a neat summary of underground UK actions in the mid 2020’s, smartly sequenced with a guess-again tilt between styles.
Kelley producer Florian TM Zeisig firms up links made during his live performance in Open Tapes back yard with the gauzy bliss-out ‘SP Five’ in his trusted style, and it catches Klein collaborator Bianca Scout at her supine and sublime best with the tongue-tip thizz of ‘The Last Guardian’. Glasgow donny Mother tends to its ruggeder side with the screwed, thuggish dub techno of ‘Cleland’, sharing a weight and grit with LSYN’s dembow dancehall sidewinder ‘DH4’ and the grubby steppers churn of ‘Masterna’ by Alan Johnson, and the grotty subs of ‘Soso’ from Michael Red, one of a handful of artists who are new to us, at least.
Closer to home, Stockport regulars include Herron ov Meandyou. esteem on the funereal half-stepper ‘Forward’, and Jack Lever rocks the bells on a tangy, screwed hardcore hip hop flip of folk sprite Magpahi, alongside Joe McBride, aka Synkro and boss of SK1 Records, going leagues deep on a dub techno lean with ‘Pillars of Salt’ as Ovïd.
Boomkat Product Review:
Jack Lever’s Open Tapes rally Florian TM Zeisig, Bianca Scout, Mother, Herron, Ovïd, Arcade and plenty more to an ace compilation in aid of The Wellspring Charity for Homeless in Stockport.
Clad in artwork by John Powell-Jones, ‘Heap’ harvests a diverse crew to a vital cause, with sounds cutting across the contemporary spectrum from ambient electronica to hardcore hip hop, folk, pop, mutant dancehall and dub techno. It leads on from Open Tapes’ notable offerings by Tape Loop Orchestra and Jack Lever’s own mixtapes of rudeboy proto-hardcore with a genre-oblivious approach that works as a neat summary of underground UK actions in the mid 2020’s, smartly sequenced with a guess-again tilt between styles.
Kelley producer Florian TM Zeisig firms up links made during his live performance in Open Tapes back yard with the gauzy bliss-out ‘SP Five’ in his trusted style, and it catches Klein collaborator Bianca Scout at her supine and sublime best with the tongue-tip thizz of ‘The Last Guardian’. Glasgow donny Mother tends to its ruggeder side with the screwed, thuggish dub techno of ‘Cleland’, sharing a weight and grit with LSYN’s dembow dancehall sidewinder ‘DH4’ and the grubby steppers churn of ‘Masterna’ by Alan Johnson, and the grotty subs of ‘Soso’ from Michael Red, one of a handful of artists who are new to us, at least.
Closer to home, Stockport regulars include Herron ov Meandyou. esteem on the funereal half-stepper ‘Forward’, and Jack Lever rocks the bells on a tangy, screwed hardcore hip hop flip of folk sprite Magpahi, alongside Joe McBride, aka Synkro and boss of SK1 Records, going leagues deep on a dub techno lean with ‘Pillars of Salt’ as Ovïd.
Boomkat Product Review:
Jack Lever’s Open Tapes rally Florian TM Zeisig, Bianca Scout, Mother, Herron, Ovïd, Arcade and plenty more to an ace compilation in aid of The Wellspring Charity for Homeless in Stockport.
Clad in artwork by John Powell-Jones, ‘Heap’ harvests a diverse crew to a vital cause, with sounds cutting across the contemporary spectrum from ambient electronica to hardcore hip hop, folk, pop, mutant dancehall and dub techno. It leads on from Open Tapes’ notable offerings by Tape Loop Orchestra and Jack Lever’s own mixtapes of rudeboy proto-hardcore with a genre-oblivious approach that works as a neat summary of underground UK actions in the mid 2020’s, smartly sequenced with a guess-again tilt between styles.
Kelley producer Florian TM Zeisig firms up links made during his live performance in Open Tapes back yard with the gauzy bliss-out ‘SP Five’ in his trusted style, and it catches Klein collaborator Bianca Scout at her supine and sublime best with the tongue-tip thizz of ‘The Last Guardian’. Glasgow donny Mother tends to its ruggeder side with the screwed, thuggish dub techno of ‘Cleland’, sharing a weight and grit with LSYN’s dembow dancehall sidewinder ‘DH4’ and the grubby steppers churn of ‘Masterna’ by Alan Johnson, and the grotty subs of ‘Soso’ from Michael Red, one of a handful of artists who are new to us, at least.
Closer to home, Stockport regulars include Herron ov Meandyou. esteem on the funereal half-stepper ‘Forward’, and Jack Lever rocks the bells on a tangy, screwed hardcore hip hop flip of folk sprite Magpahi, alongside Joe McBride, aka Synkro and boss of SK1 Records, going leagues deep on a dub techno lean with ‘Pillars of Salt’ as Ovïd.
Hand-stamped CD in black jewel case with holographic sticker. Includes 4 page booklet by John Powell-Jones.
Out of Stock
Boomkat Product Review:
Jack Lever’s Open Tapes rally Florian TM Zeisig, Bianca Scout, Mother, Herron, Ovïd, Arcade and plenty more to an ace compilation in aid of The Wellspring Charity for Homeless in Stockport.
Clad in artwork by John Powell-Jones, ‘Heap’ harvests a diverse crew to a vital cause, with sounds cutting across the contemporary spectrum from ambient electronica to hardcore hip hop, folk, pop, mutant dancehall and dub techno. It leads on from Open Tapes’ notable offerings by Tape Loop Orchestra and Jack Lever’s own mixtapes of rudeboy proto-hardcore with a genre-oblivious approach that works as a neat summary of underground UK actions in the mid 2020’s, smartly sequenced with a guess-again tilt between styles.
Kelley producer Florian TM Zeisig firms up links made during his live performance in Open Tapes back yard with the gauzy bliss-out ‘SP Five’ in his trusted style, and it catches Klein collaborator Bianca Scout at her supine and sublime best with the tongue-tip thizz of ‘The Last Guardian’. Glasgow donny Mother tends to its ruggeder side with the screwed, thuggish dub techno of ‘Cleland’, sharing a weight and grit with LSYN’s dembow dancehall sidewinder ‘DH4’ and the grubby steppers churn of ‘Masterna’ by Alan Johnson, and the grotty subs of ‘Soso’ from Michael Red, one of a handful of artists who are new to us, at least.
Closer to home, Stockport regulars include Herron ov Meandyou. esteem on the funereal half-stepper ‘Forward’, and Jack Lever rocks the bells on a tangy, screwed hardcore hip hop flip of folk sprite Magpahi, alongside Joe McBride, aka Synkro and boss of SK1 Records, going leagues deep on a dub techno lean with ‘Pillars of Salt’ as Ovïd.
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