Perhaps the most influential album in the Cocteau Twins catalogue, one that continues to confound almost decades later.
The band’s second LP, it was recorded in 1983 mostly as a duo of Fraser and Guthrie, and was the first album to make a feature of Liz Fraser’s impenetrable vocabulary. More hard-edged and loud than Treasure, Head Over Heels is a marvel of production - the way the guitars stay low in the mix while the drums pound, those sudden key changes, small flourishes etched into eternity.
Coming not long after original bassist Will Heggie had departed, the chemistry between Fraser and Guthrie moved the band on from the starkness of their debut; they were now making the music that would help them define the decade ahead; Fraser's dreamlike vocals a powerful instrument over a wall of sound pushed low in the mix to dizzying effect.
View more
Perhaps the most influential album in the Cocteau Twins catalogue, one that continues to confound almost decades later.
The band’s second LP, it was recorded in 1983 mostly as a duo of Fraser and Guthrie, and was the first album to make a feature of Liz Fraser’s impenetrable vocabulary. More hard-edged and loud than Treasure, Head Over Heels is a marvel of production - the way the guitars stay low in the mix while the drums pound, those sudden key changes, small flourishes etched into eternity.
Coming not long after original bassist Will Heggie had departed, the chemistry between Fraser and Guthrie moved the band on from the starkness of their debut; they were now making the music that would help them define the decade ahead; Fraser's dreamlike vocals a powerful instrument over a wall of sound pushed low in the mix to dizzying effect.
Perhaps the most influential album in the Cocteau Twins catalogue, one that continues to confound almost decades later.
The band’s second LP, it was recorded in 1983 mostly as a duo of Fraser and Guthrie, and was the first album to make a feature of Liz Fraser’s impenetrable vocabulary. More hard-edged and loud than Treasure, Head Over Heels is a marvel of production - the way the guitars stay low in the mix while the drums pound, those sudden key changes, small flourishes etched into eternity.
Coming not long after original bassist Will Heggie had departed, the chemistry between Fraser and Guthrie moved the band on from the starkness of their debut; they were now making the music that would help them define the decade ahead; Fraser's dreamlike vocals a powerful instrument over a wall of sound pushed low in the mix to dizzying effect.
Perhaps the most influential album in the Cocteau Twins catalogue, one that continues to confound almost decades later.
The band’s second LP, it was recorded in 1983 mostly as a duo of Fraser and Guthrie, and was the first album to make a feature of Liz Fraser’s impenetrable vocabulary. More hard-edged and loud than Treasure, Head Over Heels is a marvel of production - the way the guitars stay low in the mix while the drums pound, those sudden key changes, small flourishes etched into eternity.
Coming not long after original bassist Will Heggie had departed, the chemistry between Fraser and Guthrie moved the band on from the starkness of their debut; they were now making the music that would help them define the decade ahead; Fraser's dreamlike vocals a powerful instrument over a wall of sound pushed low in the mix to dizzying effect.
In Stock (Ready To Ship)
Back in stock.
Perhaps the most influential album in the Cocteau Twins catalogue, one that continues to confound almost decades later.
The band’s second LP, it was recorded in 1983 mostly as a duo of Fraser and Guthrie, and was the first album to make a feature of Liz Fraser’s impenetrable vocabulary. More hard-edged and loud than Treasure, Head Over Heels is a marvel of production - the way the guitars stay low in the mix while the drums pound, those sudden key changes, small flourishes etched into eternity.
Coming not long after original bassist Will Heggie had departed, the chemistry between Fraser and Guthrie moved the band on from the starkness of their debut; they were now making the music that would help them define the decade ahead; Fraser's dreamlike vocals a powerful instrument over a wall of sound pushed low in the mix to dizzying effect.