'Head Over Heels' is perhaps the most influential album in the Cocteau Twins catalogue and one that continues to confound almost 40 years later.
The band’s second LP, it was recorded in 1983 mostly as a duo of Fraser and Guthrie, and was the first album to make a real feature of Liz Fraser’s made up, oddly intoned vocabulary. More hard-edged and loud than Treasure, Head Over Heels is also a marvel of production - the way the guitars stay submerged in the mix while the drums pound, those sudden key changes, small flourishes etched into eternity.
Coming not long after original bassist Will Heggie had departed, the chemistry between Fraser and Guthrie moved the band on from the starkness of their debut; they were now making the music that would help them define the decade ahead; Fraser's wordless, dreamlike vocals a powerful instrument over those textured guitars, a wall of sound pushed low in the mix to dizzying effect.
They just don’t make them like this any more.
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'Head Over Heels' is perhaps the most influential album in the Cocteau Twins catalogue and one that continues to confound almost 40 years later.
The band’s second LP, it was recorded in 1983 mostly as a duo of Fraser and Guthrie, and was the first album to make a real feature of Liz Fraser’s made up, oddly intoned vocabulary. More hard-edged and loud than Treasure, Head Over Heels is also a marvel of production - the way the guitars stay submerged in the mix while the drums pound, those sudden key changes, small flourishes etched into eternity.
Coming not long after original bassist Will Heggie had departed, the chemistry between Fraser and Guthrie moved the band on from the starkness of their debut; they were now making the music that would help them define the decade ahead; Fraser's wordless, dreamlike vocals a powerful instrument over those textured guitars, a wall of sound pushed low in the mix to dizzying effect.
They just don’t make them like this any more.
'Head Over Heels' is perhaps the most influential album in the Cocteau Twins catalogue and one that continues to confound almost 40 years later.
The band’s second LP, it was recorded in 1983 mostly as a duo of Fraser and Guthrie, and was the first album to make a real feature of Liz Fraser’s made up, oddly intoned vocabulary. More hard-edged and loud than Treasure, Head Over Heels is also a marvel of production - the way the guitars stay submerged in the mix while the drums pound, those sudden key changes, small flourishes etched into eternity.
Coming not long after original bassist Will Heggie had departed, the chemistry between Fraser and Guthrie moved the band on from the starkness of their debut; they were now making the music that would help them define the decade ahead; Fraser's wordless, dreamlike vocals a powerful instrument over those textured guitars, a wall of sound pushed low in the mix to dizzying effect.
They just don’t make them like this any more.
'Head Over Heels' is perhaps the most influential album in the Cocteau Twins catalogue and one that continues to confound almost 40 years later.
The band’s second LP, it was recorded in 1983 mostly as a duo of Fraser and Guthrie, and was the first album to make a real feature of Liz Fraser’s made up, oddly intoned vocabulary. More hard-edged and loud than Treasure, Head Over Heels is also a marvel of production - the way the guitars stay submerged in the mix while the drums pound, those sudden key changes, small flourishes etched into eternity.
Coming not long after original bassist Will Heggie had departed, the chemistry between Fraser and Guthrie moved the band on from the starkness of their debut; they were now making the music that would help them define the decade ahead; Fraser's wordless, dreamlike vocals a powerful instrument over those textured guitars, a wall of sound pushed low in the mix to dizzying effect.
They just don’t make them like this any more.
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'Head Over Heels' is perhaps the most influential album in the Cocteau Twins catalogue and one that continues to confound almost 40 years later.
The band’s second LP, it was recorded in 1983 mostly as a duo of Fraser and Guthrie, and was the first album to make a real feature of Liz Fraser’s made up, oddly intoned vocabulary. More hard-edged and loud than Treasure, Head Over Heels is also a marvel of production - the way the guitars stay submerged in the mix while the drums pound, those sudden key changes, small flourishes etched into eternity.
Coming not long after original bassist Will Heggie had departed, the chemistry between Fraser and Guthrie moved the band on from the starkness of their debut; they were now making the music that would help them define the decade ahead; Fraser's wordless, dreamlike vocals a powerful instrument over those textured guitars, a wall of sound pushed low in the mix to dizzying effect.
They just don’t make them like this any more.