South Florida Trance Team (aka SoFTT) crash land on PAN with four high-octane retro-future earworms that split the difference between Alice Deejay and Shakira.
Formed in Miami by Idaho-born producer Trevor McFedries (who's worked with Azealia Banks and Sky Ferreira) and Ecuadorian vocalist Kablito, SoFTT are a breath of fresh air for PAN. There's no deconstruction or pre-apocalypse grimness here - the duo embody Miami's playful club scene by aiming straight for the jugular and adding a citrusy Latin kick '90s/'00s Europop. Just peep 'NA NA NA', a grungy, 160bpm belter that updates O-Zone's 'Dragostea Din Tei' with jet engine supersaw arpeggios and a detached but seductive vocal performance from Kablito.
They pull back a little on 'Linda, Triste, Una Popstar', swapping the neon synths for muted M1 organ stabs and subtly echoing Nick León and Erika de Casier's summer smash 'Bikini', and riding us out into the sunset, 'Espero Que No Se Equivoque Mi Corazon' goes a step further into hybridity. Hinged on Kablito's saccharine Autotuned croons, this one augments the pneumatic kicks and jagged trance leads with powdery amens and Balearic hits, eventually slipping out of the club's emergency exit and leaving just an ornate piano solo.
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South Florida Trance Team (aka SoFTT) crash land on PAN with four high-octane retro-future earworms that split the difference between Alice Deejay and Shakira.
Formed in Miami by Idaho-born producer Trevor McFedries (who's worked with Azealia Banks and Sky Ferreira) and Ecuadorian vocalist Kablito, SoFTT are a breath of fresh air for PAN. There's no deconstruction or pre-apocalypse grimness here - the duo embody Miami's playful club scene by aiming straight for the jugular and adding a citrusy Latin kick '90s/'00s Europop. Just peep 'NA NA NA', a grungy, 160bpm belter that updates O-Zone's 'Dragostea Din Tei' with jet engine supersaw arpeggios and a detached but seductive vocal performance from Kablito.
They pull back a little on 'Linda, Triste, Una Popstar', swapping the neon synths for muted M1 organ stabs and subtly echoing Nick León and Erika de Casier's summer smash 'Bikini', and riding us out into the sunset, 'Espero Que No Se Equivoque Mi Corazon' goes a step further into hybridity. Hinged on Kablito's saccharine Autotuned croons, this one augments the pneumatic kicks and jagged trance leads with powdery amens and Balearic hits, eventually slipping out of the club's emergency exit and leaving just an ornate piano solo.
South Florida Trance Team (aka SoFTT) crash land on PAN with four high-octane retro-future earworms that split the difference between Alice Deejay and Shakira.
Formed in Miami by Idaho-born producer Trevor McFedries (who's worked with Azealia Banks and Sky Ferreira) and Ecuadorian vocalist Kablito, SoFTT are a breath of fresh air for PAN. There's no deconstruction or pre-apocalypse grimness here - the duo embody Miami's playful club scene by aiming straight for the jugular and adding a citrusy Latin kick '90s/'00s Europop. Just peep 'NA NA NA', a grungy, 160bpm belter that updates O-Zone's 'Dragostea Din Tei' with jet engine supersaw arpeggios and a detached but seductive vocal performance from Kablito.
They pull back a little on 'Linda, Triste, Una Popstar', swapping the neon synths for muted M1 organ stabs and subtly echoing Nick León and Erika de Casier's summer smash 'Bikini', and riding us out into the sunset, 'Espero Que No Se Equivoque Mi Corazon' goes a step further into hybridity. Hinged on Kablito's saccharine Autotuned croons, this one augments the pneumatic kicks and jagged trance leads with powdery amens and Balearic hits, eventually slipping out of the club's emergency exit and leaving just an ornate piano solo.
South Florida Trance Team (aka SoFTT) crash land on PAN with four high-octane retro-future earworms that split the difference between Alice Deejay and Shakira.
Formed in Miami by Idaho-born producer Trevor McFedries (who's worked with Azealia Banks and Sky Ferreira) and Ecuadorian vocalist Kablito, SoFTT are a breath of fresh air for PAN. There's no deconstruction or pre-apocalypse grimness here - the duo embody Miami's playful club scene by aiming straight for the jugular and adding a citrusy Latin kick '90s/'00s Europop. Just peep 'NA NA NA', a grungy, 160bpm belter that updates O-Zone's 'Dragostea Din Tei' with jet engine supersaw arpeggios and a detached but seductive vocal performance from Kablito.
They pull back a little on 'Linda, Triste, Una Popstar', swapping the neon synths for muted M1 organ stabs and subtly echoing Nick León and Erika de Casier's summer smash 'Bikini', and riding us out into the sunset, 'Espero Que No Se Equivoque Mi Corazon' goes a step further into hybridity. Hinged on Kablito's saccharine Autotuned croons, this one augments the pneumatic kicks and jagged trance leads with powdery amens and Balearic hits, eventually slipping out of the club's emergency exit and leaving just an ornate piano solo.