JUANA MOLINA
Halo
Boomkat Product Review:
Argentinean mystic Juana Molina conjures up new levels of rhythmic intrigue on a long overdue new album for Crammed.
Four years on from her Crammed Discs debut, ‘Wed 21’, the excellent Juana Molina returns to the Belgian experimental stronghold with her ninth LP, pocketing contributions from Deerhoof's John Dieterich, and regular colluders Odin Schwartz, Diego Lopez de Arcaute and Eduardo Bergallo.
The 12 tracks on ‘Halo’ expand on the rich instrumentation of Molina’s last album, peeling away in even more rewardingly odd rhythmic directions that make you forget she was ever daubed with that godawful folktronica tag.
As ever, Molina’s soothing vocal flexibility is the guiding force here, its warmth acting as conducting force for the instrumentation that surrounds and complements it. Dare we say Molina has deviated from the precision and tidiness of previous albums too, occasionally letting tracks spring to life unexpectedly as on the Can-style percussive freakout Cosoco and the creaking minimal dub reductions of Cara de espejo.
Other tracks, such as A00 B01, bring about the sort of wonderfully weird dissonance that endeared everyone to Juana Molina in the first place.
Given the otherworldly nature of her voice, it’s tempting to draw parallels between Juana Molina’s native tongue and the universal language of Anna Homler’s work as Breadwoman, uncovered and explored so superbly by RVNG last year.
You don’t necessarily need to understand what either are saying to form a real connection with the music.
View more
Boomkat Product Review:
Argentinean mystic Juana Molina conjures up new levels of rhythmic intrigue on a long overdue new album for Crammed.
Four years on from her Crammed Discs debut, ‘Wed 21’, the excellent Juana Molina returns to the Belgian experimental stronghold with her ninth LP, pocketing contributions from Deerhoof's John Dieterich, and regular colluders Odin Schwartz, Diego Lopez de Arcaute and Eduardo Bergallo.
The 12 tracks on ‘Halo’ expand on the rich instrumentation of Molina’s last album, peeling away in even more rewardingly odd rhythmic directions that make you forget she was ever daubed with that godawful folktronica tag.
As ever, Molina’s soothing vocal flexibility is the guiding force here, its warmth acting as conducting force for the instrumentation that surrounds and complements it. Dare we say Molina has deviated from the precision and tidiness of previous albums too, occasionally letting tracks spring to life unexpectedly as on the Can-style percussive freakout Cosoco and the creaking minimal dub reductions of Cara de espejo.
Other tracks, such as A00 B01, bring about the sort of wonderfully weird dissonance that endeared everyone to Juana Molina in the first place.
Given the otherworldly nature of her voice, it’s tempting to draw parallels between Juana Molina’s native tongue and the universal language of Anna Homler’s work as Breadwoman, uncovered and explored so superbly by RVNG last year.
You don’t necessarily need to understand what either are saying to form a real connection with the music.
Boomkat Product Review:
Argentinean mystic Juana Molina conjures up new levels of rhythmic intrigue on a long overdue new album for Crammed.
Four years on from her Crammed Discs debut, ‘Wed 21’, the excellent Juana Molina returns to the Belgian experimental stronghold with her ninth LP, pocketing contributions from Deerhoof's John Dieterich, and regular colluders Odin Schwartz, Diego Lopez de Arcaute and Eduardo Bergallo.
The 12 tracks on ‘Halo’ expand on the rich instrumentation of Molina’s last album, peeling away in even more rewardingly odd rhythmic directions that make you forget she was ever daubed with that godawful folktronica tag.
As ever, Molina’s soothing vocal flexibility is the guiding force here, its warmth acting as conducting force for the instrumentation that surrounds and complements it. Dare we say Molina has deviated from the precision and tidiness of previous albums too, occasionally letting tracks spring to life unexpectedly as on the Can-style percussive freakout Cosoco and the creaking minimal dub reductions of Cara de espejo.
Other tracks, such as A00 B01, bring about the sort of wonderfully weird dissonance that endeared everyone to Juana Molina in the first place.
Given the otherworldly nature of her voice, it’s tempting to draw parallels between Juana Molina’s native tongue and the universal language of Anna Homler’s work as Breadwoman, uncovered and explored so superbly by RVNG last year.
You don’t necessarily need to understand what either are saying to form a real connection with the music.
Boomkat Product Review:
Argentinean mystic Juana Molina conjures up new levels of rhythmic intrigue on a long overdue new album for Crammed.
Four years on from her Crammed Discs debut, ‘Wed 21’, the excellent Juana Molina returns to the Belgian experimental stronghold with her ninth LP, pocketing contributions from Deerhoof's John Dieterich, and regular colluders Odin Schwartz, Diego Lopez de Arcaute and Eduardo Bergallo.
The 12 tracks on ‘Halo’ expand on the rich instrumentation of Molina’s last album, peeling away in even more rewardingly odd rhythmic directions that make you forget she was ever daubed with that godawful folktronica tag.
As ever, Molina’s soothing vocal flexibility is the guiding force here, its warmth acting as conducting force for the instrumentation that surrounds and complements it. Dare we say Molina has deviated from the precision and tidiness of previous albums too, occasionally letting tracks spring to life unexpectedly as on the Can-style percussive freakout Cosoco and the creaking minimal dub reductions of Cara de espejo.
Other tracks, such as A00 B01, bring about the sort of wonderfully weird dissonance that endeared everyone to Juana Molina in the first place.
Given the otherworldly nature of her voice, it’s tempting to draw parallels between Juana Molina’s native tongue and the universal language of Anna Homler’s work as Breadwoman, uncovered and explored so superbly by RVNG last year.
You don’t necessarily need to understand what either are saying to form a real connection with the music.
More from JUANA MOLINA:
-
JUANA MOLINA Wed 21 Crammed Discs Indie / Alternative- MP3
- FLAC
-
JUANA MOLINA Eras Crammed Discs Folk / Roots
- MP3
- FLAC
-
JUANA MOLINA Un Día Crammed Discs Electronic
- MP3
- FLAC
- WAV
-
JUANA MOLINA Son Crammed Discs / Domino Recording Co Folk / Roots
- MP3
- FLAC
- WAV
-
JUANA MOLINA Segundo Crammed Discs / Domino Recording Co Folk / Roots
- MP3
- FLAC
- WAV
More from Crammed Discs:
-
Aquaserge Déjà vous? Crammed Discs Indie / Alternative
- MP3
- FLAC
- WAV
-
Nova Materia Nov Power Crammed Discs Electronic
- MP3
- FLAC
- WAV
-
FREE MP3 WITH VINYLYasuaki Shimizu Music for Commercials Crammed Discs Electronic
- MP3
- FLAC
- WAV
- LP
- CD
-
FREE MP3 WITH VINYLAksak Maboul Un Peu De L'ame Des Bandits Crammed Discs Jazz / Fusion
- MP3
- FLAC
- WAV
- LP
-
FREE MP3 WITH VINYLZazou Bikaye Noir Et Blanc Crammed Discs World
- MP3
- FLAC
- WAV
- LP
People who bought this also bought:
-
FREE MP3 WITH VINYLBest Available Technology Excavated Tapes 1992-1999 (Vol. 2) Astro:Dynamics Electronic
- MP3
- FLAC
- Cassette
-
MICACHU Feeling Romantic Feeling Tropical Feeling Ill DDS Electronic
- MP3
- FLAC
- WAV
- 2LP
-
FREE MP3 WITH VINYLWalls / Oram Sound Houses Ecstatic Electronic
- MP3
- FLAC
- LP
-
AUTECHRE L-Event Warp Records Electronic
- MP3
- FLAC
- LP
-
rashad becker Traditional Music of Notional Species Vol. I PAN Electronic
- MP3
- FLAC
- LP
-
JOANE SKYLER orz Reckno Electronic
- MP3
- FLAC
-
FREE MP3 WITH VINYLKeith Fullerton Whitman Disingenuity / Disingenuousness PAN Electronic
- MP3
- FLAC
-
FREE MP3 WITH VINYLLaurel Halo Hour Logic Hippos In Tanks Electronic
- MP3
- FLAC
- LP
-
FREE MP3 WITH VINYLJAN JELINEK Loop Finding Jazz Records FAITICHE Electronic
- MP3
- FLAC
- 2LP
- CD
-
FREE MP3 WITH VINYLKing Midas Sound / Fennesz Edition 1 Ninja Tune Electronic
- MP3
- FLAC
- LP
- CD