食中毒センター/Shokuchudoku Center (Food Poison Center) Foodman x Hair Stylistics
Hakimakuri Olympic
Mad scientist gear from Japanese vanguards Foodman and Hair Stylistics (fka Violent Onsen Geisha), who find a meeting point between their respective sounds, fusing hiccuping rhythms with searing industrial noise and batshit sound effects.
'Hakimakuri Olympic' documents Foodman and Hair Stylistics' live improvisations, and was performed and recorded at Tokyo's forestlimit back in 2020. The duo met at a Tokyo Noise Theater show and have flirted with each other's sounds ever since, endeavoring to find a way to collaborate. Their music is vastly different on the surface: Hair Stylistics is a titan of the Japanese noise scene, with a run of tapes and LPs for RRR and Chocolate Monk and collaborations with Jim'O Rourke, Cornelius and Microstoria under his belt, while Foodman's brittle, footwork-inspired rhythmic workouts have netted him acclaimed releases on Orange Milk and Hyperdub. Their repeated improvisations gave the duo a chance to find a rhythm, overdubbing obsessively and sampling each other until the skeletons of finished songs emerged from the ashes.
'Iyashisa' makes the duo's intentions a little clearer as they embellish helium-voiced screams and zonked oscillator wails with jerky kicks and 'Streetsounds'-era electro pings. Not exactly dance music, it's not noise either, but a fever dream instructing us where noisier elements might figure in a dancefloor palette that's not lashed to genre conformity. Foodman's dry beatbox thuds are alarmingly well suited to grislier sounds: on 'Zuru Zuru' they sound awkward but fitting against Hair Stylistics' monosynth burps and house stabs, coming across like a possessed drum machine stuck in demo mode. The duo blur their rhythms into a rapid-fire buzz on 'Super Life', a waterlogged fusion of rollercoaster synths and animalistic roars that's as incessant as a car alarm but more enjoyable, and on 'Death Hole' the beats take a back seat to distorted screams and malfunctioning computer bleeps.
Respectful of each other's expertise without putting limits on their collaboration, both artists seem to relish the chance to jump free of their respective comfort zones. On 'Wild Shokuchu Style' they find the ultimate balance, matching a lopsided hand drum rhythm with curdled synth fuzz and muffled, pitch-shifted vocals. We're informed by the accompanying press release that this is material best enjoyed live - now we're desperate to see it.
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Mad scientist gear from Japanese vanguards Foodman and Hair Stylistics (fka Violent Onsen Geisha), who find a meeting point between their respective sounds, fusing hiccuping rhythms with searing industrial noise and batshit sound effects.
'Hakimakuri Olympic' documents Foodman and Hair Stylistics' live improvisations, and was performed and recorded at Tokyo's forestlimit back in 2020. The duo met at a Tokyo Noise Theater show and have flirted with each other's sounds ever since, endeavoring to find a way to collaborate. Their music is vastly different on the surface: Hair Stylistics is a titan of the Japanese noise scene, with a run of tapes and LPs for RRR and Chocolate Monk and collaborations with Jim'O Rourke, Cornelius and Microstoria under his belt, while Foodman's brittle, footwork-inspired rhythmic workouts have netted him acclaimed releases on Orange Milk and Hyperdub. Their repeated improvisations gave the duo a chance to find a rhythm, overdubbing obsessively and sampling each other until the skeletons of finished songs emerged from the ashes.
'Iyashisa' makes the duo's intentions a little clearer as they embellish helium-voiced screams and zonked oscillator wails with jerky kicks and 'Streetsounds'-era electro pings. Not exactly dance music, it's not noise either, but a fever dream instructing us where noisier elements might figure in a dancefloor palette that's not lashed to genre conformity. Foodman's dry beatbox thuds are alarmingly well suited to grislier sounds: on 'Zuru Zuru' they sound awkward but fitting against Hair Stylistics' monosynth burps and house stabs, coming across like a possessed drum machine stuck in demo mode. The duo blur their rhythms into a rapid-fire buzz on 'Super Life', a waterlogged fusion of rollercoaster synths and animalistic roars that's as incessant as a car alarm but more enjoyable, and on 'Death Hole' the beats take a back seat to distorted screams and malfunctioning computer bleeps.
Respectful of each other's expertise without putting limits on their collaboration, both artists seem to relish the chance to jump free of their respective comfort zones. On 'Wild Shokuchu Style' they find the ultimate balance, matching a lopsided hand drum rhythm with curdled synth fuzz and muffled, pitch-shifted vocals. We're informed by the accompanying press release that this is material best enjoyed live - now we're desperate to see it.
Mad scientist gear from Japanese vanguards Foodman and Hair Stylistics (fka Violent Onsen Geisha), who find a meeting point between their respective sounds, fusing hiccuping rhythms with searing industrial noise and batshit sound effects.
'Hakimakuri Olympic' documents Foodman and Hair Stylistics' live improvisations, and was performed and recorded at Tokyo's forestlimit back in 2020. The duo met at a Tokyo Noise Theater show and have flirted with each other's sounds ever since, endeavoring to find a way to collaborate. Their music is vastly different on the surface: Hair Stylistics is a titan of the Japanese noise scene, with a run of tapes and LPs for RRR and Chocolate Monk and collaborations with Jim'O Rourke, Cornelius and Microstoria under his belt, while Foodman's brittle, footwork-inspired rhythmic workouts have netted him acclaimed releases on Orange Milk and Hyperdub. Their repeated improvisations gave the duo a chance to find a rhythm, overdubbing obsessively and sampling each other until the skeletons of finished songs emerged from the ashes.
'Iyashisa' makes the duo's intentions a little clearer as they embellish helium-voiced screams and zonked oscillator wails with jerky kicks and 'Streetsounds'-era electro pings. Not exactly dance music, it's not noise either, but a fever dream instructing us where noisier elements might figure in a dancefloor palette that's not lashed to genre conformity. Foodman's dry beatbox thuds are alarmingly well suited to grislier sounds: on 'Zuru Zuru' they sound awkward but fitting against Hair Stylistics' monosynth burps and house stabs, coming across like a possessed drum machine stuck in demo mode. The duo blur their rhythms into a rapid-fire buzz on 'Super Life', a waterlogged fusion of rollercoaster synths and animalistic roars that's as incessant as a car alarm but more enjoyable, and on 'Death Hole' the beats take a back seat to distorted screams and malfunctioning computer bleeps.
Respectful of each other's expertise without putting limits on their collaboration, both artists seem to relish the chance to jump free of their respective comfort zones. On 'Wild Shokuchu Style' they find the ultimate balance, matching a lopsided hand drum rhythm with curdled synth fuzz and muffled, pitch-shifted vocals. We're informed by the accompanying press release that this is material best enjoyed live - now we're desperate to see it.
Mad scientist gear from Japanese vanguards Foodman and Hair Stylistics (fka Violent Onsen Geisha), who find a meeting point between their respective sounds, fusing hiccuping rhythms with searing industrial noise and batshit sound effects.
'Hakimakuri Olympic' documents Foodman and Hair Stylistics' live improvisations, and was performed and recorded at Tokyo's forestlimit back in 2020. The duo met at a Tokyo Noise Theater show and have flirted with each other's sounds ever since, endeavoring to find a way to collaborate. Their music is vastly different on the surface: Hair Stylistics is a titan of the Japanese noise scene, with a run of tapes and LPs for RRR and Chocolate Monk and collaborations with Jim'O Rourke, Cornelius and Microstoria under his belt, while Foodman's brittle, footwork-inspired rhythmic workouts have netted him acclaimed releases on Orange Milk and Hyperdub. Their repeated improvisations gave the duo a chance to find a rhythm, overdubbing obsessively and sampling each other until the skeletons of finished songs emerged from the ashes.
'Iyashisa' makes the duo's intentions a little clearer as they embellish helium-voiced screams and zonked oscillator wails with jerky kicks and 'Streetsounds'-era electro pings. Not exactly dance music, it's not noise either, but a fever dream instructing us where noisier elements might figure in a dancefloor palette that's not lashed to genre conformity. Foodman's dry beatbox thuds are alarmingly well suited to grislier sounds: on 'Zuru Zuru' they sound awkward but fitting against Hair Stylistics' monosynth burps and house stabs, coming across like a possessed drum machine stuck in demo mode. The duo blur their rhythms into a rapid-fire buzz on 'Super Life', a waterlogged fusion of rollercoaster synths and animalistic roars that's as incessant as a car alarm but more enjoyable, and on 'Death Hole' the beats take a back seat to distorted screams and malfunctioning computer bleeps.
Respectful of each other's expertise without putting limits on their collaboration, both artists seem to relish the chance to jump free of their respective comfort zones. On 'Wild Shokuchu Style' they find the ultimate balance, matching a lopsided hand drum rhythm with curdled synth fuzz and muffled, pitch-shifted vocals. We're informed by the accompanying press release that this is material best enjoyed live - now we're desperate to see it.
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Mad scientist gear from Japanese vanguards Foodman and Hair Stylistics (fka Violent Onsen Geisha), who find a meeting point between their respective sounds, fusing hiccuping rhythms with searing industrial noise and batshit sound effects.
'Hakimakuri Olympic' documents Foodman and Hair Stylistics' live improvisations, and was performed and recorded at Tokyo's forestlimit back in 2020. The duo met at a Tokyo Noise Theater show and have flirted with each other's sounds ever since, endeavoring to find a way to collaborate. Their music is vastly different on the surface: Hair Stylistics is a titan of the Japanese noise scene, with a run of tapes and LPs for RRR and Chocolate Monk and collaborations with Jim'O Rourke, Cornelius and Microstoria under his belt, while Foodman's brittle, footwork-inspired rhythmic workouts have netted him acclaimed releases on Orange Milk and Hyperdub. Their repeated improvisations gave the duo a chance to find a rhythm, overdubbing obsessively and sampling each other until the skeletons of finished songs emerged from the ashes.
'Iyashisa' makes the duo's intentions a little clearer as they embellish helium-voiced screams and zonked oscillator wails with jerky kicks and 'Streetsounds'-era electro pings. Not exactly dance music, it's not noise either, but a fever dream instructing us where noisier elements might figure in a dancefloor palette that's not lashed to genre conformity. Foodman's dry beatbox thuds are alarmingly well suited to grislier sounds: on 'Zuru Zuru' they sound awkward but fitting against Hair Stylistics' monosynth burps and house stabs, coming across like a possessed drum machine stuck in demo mode. The duo blur their rhythms into a rapid-fire buzz on 'Super Life', a waterlogged fusion of rollercoaster synths and animalistic roars that's as incessant as a car alarm but more enjoyable, and on 'Death Hole' the beats take a back seat to distorted screams and malfunctioning computer bleeps.
Respectful of each other's expertise without putting limits on their collaboration, both artists seem to relish the chance to jump free of their respective comfort zones. On 'Wild Shokuchu Style' they find the ultimate balance, matching a lopsided hand drum rhythm with curdled synth fuzz and muffled, pitch-shifted vocals. We're informed by the accompanying press release that this is material best enjoyed live - now we're desperate to see it.