Superb 3rd album from Yves de Mey and Peter Van Hoesen's Sendai, locating the duo deep in the machine, patently pulling and buckling the contours of post-techno electronica with incredibly tactile, amorphous results.
Whilst their previous outings were impressive, if feels like they've really found a key into the next level of Sendai's sound with Ground and Figure, putting a refined paucity of sounds thru their paces with the acrobatic dexterity of a modular-programmed and computer defined Simone Biles routine.
They are in masterful control of rhythm, shape and space, utilising the full breadth of the soundfield to engulf the senses in a stunning exhibition of pure, modelled physics that swoops, vaults and carves between ten minutes of what sounds like Gabor LAzar doing backflips in 4D with 002 Archiefkwestie and Porter Swiss, to the near-beatless airlock pressure changes of Apopads, or $hit & $hine's K-fiend sibling in Perfect Boulevard Exclusive, whilst the knotted metrics of W180215Yves-PVH-R could almost be one of Autechre's semi-sentient organisms and the drily spherical subbass dimensions of 003 Archiefkwestie firmly build on deep-rooted traditions of Belgian experimental electronics found on the IPEM label - a perfect bridge between modern scientific and artistic researches.
View more
Superb 3rd album from Yves de Mey and Peter Van Hoesen's Sendai, locating the duo deep in the machine, patently pulling and buckling the contours of post-techno electronica with incredibly tactile, amorphous results.
Whilst their previous outings were impressive, if feels like they've really found a key into the next level of Sendai's sound with Ground and Figure, putting a refined paucity of sounds thru their paces with the acrobatic dexterity of a modular-programmed and computer defined Simone Biles routine.
They are in masterful control of rhythm, shape and space, utilising the full breadth of the soundfield to engulf the senses in a stunning exhibition of pure, modelled physics that swoops, vaults and carves between ten minutes of what sounds like Gabor LAzar doing backflips in 4D with 002 Archiefkwestie and Porter Swiss, to the near-beatless airlock pressure changes of Apopads, or $hit & $hine's K-fiend sibling in Perfect Boulevard Exclusive, whilst the knotted metrics of W180215Yves-PVH-R could almost be one of Autechre's semi-sentient organisms and the drily spherical subbass dimensions of 003 Archiefkwestie firmly build on deep-rooted traditions of Belgian experimental electronics found on the IPEM label - a perfect bridge between modern scientific and artistic researches.
Superb 3rd album from Yves de Mey and Peter Van Hoesen's Sendai, locating the duo deep in the machine, patently pulling and buckling the contours of post-techno electronica with incredibly tactile, amorphous results.
Whilst their previous outings were impressive, if feels like they've really found a key into the next level of Sendai's sound with Ground and Figure, putting a refined paucity of sounds thru their paces with the acrobatic dexterity of a modular-programmed and computer defined Simone Biles routine.
They are in masterful control of rhythm, shape and space, utilising the full breadth of the soundfield to engulf the senses in a stunning exhibition of pure, modelled physics that swoops, vaults and carves between ten minutes of what sounds like Gabor LAzar doing backflips in 4D with 002 Archiefkwestie and Porter Swiss, to the near-beatless airlock pressure changes of Apopads, or $hit & $hine's K-fiend sibling in Perfect Boulevard Exclusive, whilst the knotted metrics of W180215Yves-PVH-R could almost be one of Autechre's semi-sentient organisms and the drily spherical subbass dimensions of 003 Archiefkwestie firmly build on deep-rooted traditions of Belgian experimental electronics found on the IPEM label - a perfect bridge between modern scientific and artistic researches.
Superb 3rd album from Yves de Mey and Peter Van Hoesen's Sendai, locating the duo deep in the machine, patently pulling and buckling the contours of post-techno electronica with incredibly tactile, amorphous results.
Whilst their previous outings were impressive, if feels like they've really found a key into the next level of Sendai's sound with Ground and Figure, putting a refined paucity of sounds thru their paces with the acrobatic dexterity of a modular-programmed and computer defined Simone Biles routine.
They are in masterful control of rhythm, shape and space, utilising the full breadth of the soundfield to engulf the senses in a stunning exhibition of pure, modelled physics that swoops, vaults and carves between ten minutes of what sounds like Gabor LAzar doing backflips in 4D with 002 Archiefkwestie and Porter Swiss, to the near-beatless airlock pressure changes of Apopads, or $hit & $hine's K-fiend sibling in Perfect Boulevard Exclusive, whilst the knotted metrics of W180215Yves-PVH-R could almost be one of Autechre's semi-sentient organisms and the drily spherical subbass dimensions of 003 Archiefkwestie firmly build on deep-rooted traditions of Belgian experimental electronics found on the IPEM label - a perfect bridge between modern scientific and artistic researches.