P.L.U.R.-topian new age dance retro-futurism by Dazion, heralding the golden daze of late ‘80s acid house, early Lowlands techno and cusp o’ ‘90s proto-Goa for gaia-worshippers.
Opening with faithfully contemporaneous, spiritual guff by MC Paul T, Dazion craftily acknowledges the nuance to a spectrum of interrelated, vintage styles as the album unfolds along multiple, complementary axes. There’s Art of Noise sampler froth on an acid house groove in ‘Meet Me at Mecca’, and echoes of ruddier nEuro tribalism in ‘Jetlag’, while edging on whooping free-party styles in ‘La DS’, and nifty chops of hip house hardcore in ‘Marathon’, each executed with a discipline that doesn’t just rely on cut ’n pasted tropes.
The Italo-house piano jam is well done but also well cheesy, but we’re definitely partial to the Euro-house edam slices of ‘Sound of the Dune Town’, and new beat nuts will gets their kicks in the juicy jabjak of ‘Exposure’ and anyone on the early Goa trance tip need to clock the sand-trampling suss of ‘The Temple’.
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P.L.U.R.-topian new age dance retro-futurism by Dazion, heralding the golden daze of late ‘80s acid house, early Lowlands techno and cusp o’ ‘90s proto-Goa for gaia-worshippers.
Opening with faithfully contemporaneous, spiritual guff by MC Paul T, Dazion craftily acknowledges the nuance to a spectrum of interrelated, vintage styles as the album unfolds along multiple, complementary axes. There’s Art of Noise sampler froth on an acid house groove in ‘Meet Me at Mecca’, and echoes of ruddier nEuro tribalism in ‘Jetlag’, while edging on whooping free-party styles in ‘La DS’, and nifty chops of hip house hardcore in ‘Marathon’, each executed with a discipline that doesn’t just rely on cut ’n pasted tropes.
The Italo-house piano jam is well done but also well cheesy, but we’re definitely partial to the Euro-house edam slices of ‘Sound of the Dune Town’, and new beat nuts will gets their kicks in the juicy jabjak of ‘Exposure’ and anyone on the early Goa trance tip need to clock the sand-trampling suss of ‘The Temple’.
P.L.U.R.-topian new age dance retro-futurism by Dazion, heralding the golden daze of late ‘80s acid house, early Lowlands techno and cusp o’ ‘90s proto-Goa for gaia-worshippers.
Opening with faithfully contemporaneous, spiritual guff by MC Paul T, Dazion craftily acknowledges the nuance to a spectrum of interrelated, vintage styles as the album unfolds along multiple, complementary axes. There’s Art of Noise sampler froth on an acid house groove in ‘Meet Me at Mecca’, and echoes of ruddier nEuro tribalism in ‘Jetlag’, while edging on whooping free-party styles in ‘La DS’, and nifty chops of hip house hardcore in ‘Marathon’, each executed with a discipline that doesn’t just rely on cut ’n pasted tropes.
The Italo-house piano jam is well done but also well cheesy, but we’re definitely partial to the Euro-house edam slices of ‘Sound of the Dune Town’, and new beat nuts will gets their kicks in the juicy jabjak of ‘Exposure’ and anyone on the early Goa trance tip need to clock the sand-trampling suss of ‘The Temple’.
P.L.U.R.-topian new age dance retro-futurism by Dazion, heralding the golden daze of late ‘80s acid house, early Lowlands techno and cusp o’ ‘90s proto-Goa for gaia-worshippers.
Opening with faithfully contemporaneous, spiritual guff by MC Paul T, Dazion craftily acknowledges the nuance to a spectrum of interrelated, vintage styles as the album unfolds along multiple, complementary axes. There’s Art of Noise sampler froth on an acid house groove in ‘Meet Me at Mecca’, and echoes of ruddier nEuro tribalism in ‘Jetlag’, while edging on whooping free-party styles in ‘La DS’, and nifty chops of hip house hardcore in ‘Marathon’, each executed with a discipline that doesn’t just rely on cut ’n pasted tropes.
The Italo-house piano jam is well done but also well cheesy, but we’re definitely partial to the Euro-house edam slices of ‘Sound of the Dune Town’, and new beat nuts will gets their kicks in the juicy jabjak of ‘Exposure’ and anyone on the early Goa trance tip need to clock the sand-trampling suss of ‘The Temple’.
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P.L.U.R.-topian new age dance retro-futurism by Dazion, heralding the golden daze of late ‘80s acid house, early Lowlands techno and cusp o’ ‘90s proto-Goa for gaia-worshippers.
Opening with faithfully contemporaneous, spiritual guff by MC Paul T, Dazion craftily acknowledges the nuance to a spectrum of interrelated, vintage styles as the album unfolds along multiple, complementary axes. There’s Art of Noise sampler froth on an acid house groove in ‘Meet Me at Mecca’, and echoes of ruddier nEuro tribalism in ‘Jetlag’, while edging on whooping free-party styles in ‘La DS’, and nifty chops of hip house hardcore in ‘Marathon’, each executed with a discipline that doesn’t just rely on cut ’n pasted tropes.
The Italo-house piano jam is well done but also well cheesy, but we’re definitely partial to the Euro-house edam slices of ‘Sound of the Dune Town’, and new beat nuts will gets their kicks in the juicy jabjak of ‘Exposure’ and anyone on the early Goa trance tip need to clock the sand-trampling suss of ‘The Temple’.