Club encyclopaedia Finn displays all his colours on a ‘Greatest Hits’ stuffed with killer cuts of R&G, speedy G, Jersey club, filter house, and nuff northern-flavoured soul .
Since debuting in 2014 with ‘Keep Calling’, Finn has come to wear many hats; variously known and beloved as a producer, DJ, and label and mixtape A&R of 2 B Real (Michael J. Blood, Tom Boogizm, Anz, Clemency, Iceboy Violet) and the Mixtape Club, as well as primo party-runner and facilitator of Manchester’s NTS radio outpost, not to mention a role as online industry commentator. Brilliant in each and every one of those roles, he’s the definition of a contemporary hyper-connector and in some ways an old soul in a young vessel, carefully transposing classic templates onto modern ‘floors without sloshing the baby out with the bathwater. His ‘Greatest hits’ measures out a patented brand of dancefloor joy integrally balanced with melancholy in a way that’s long gripped hearts, hips and feet and will surely continue to do so as long as clubs are around.
Encompassing the entirety of his sound, these 16 tracky gems and peaktime bullets are future-proofed by stripped-down structures riddled with choice ohrwurms that signal Finn behind the controls. Two striking highlights of original vocal production crop up in the eternal Jersey charms of ‘Lightworks’ ft. Fox, and an old skool rave-styled belter ‘Lifey’ ft. Equiknoxx’s Shanique Marie, whilst the rest showcase his serious knack for sifting indelible samples. It’s there in the louche R&G chop-up of his debut single ‘Keep Calling’, and his skin-tingling speed garage calling card ‘Sometimes The Going Gets a Little Tough’, emblematic of how he updates northern soul - a vital precedent of rave - without resorting to cosplaying. Chuck in the Todd Edwards-esque speed garage x filter house chicanery of ‘Give us a Hand’, the pill-belly rush of ‘Opening Up’, and B-More nod ‘Forever Blue’, and you’ve got a real one for the ages.
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Club encyclopaedia Finn displays all his colours on a ‘Greatest Hits’ stuffed with killer cuts of R&G, speedy G, Jersey club, filter house, and nuff northern-flavoured soul .
Since debuting in 2014 with ‘Keep Calling’, Finn has come to wear many hats; variously known and beloved as a producer, DJ, and label and mixtape A&R of 2 B Real (Michael J. Blood, Tom Boogizm, Anz, Clemency, Iceboy Violet) and the Mixtape Club, as well as primo party-runner and facilitator of Manchester’s NTS radio outpost, not to mention a role as online industry commentator. Brilliant in each and every one of those roles, he’s the definition of a contemporary hyper-connector and in some ways an old soul in a young vessel, carefully transposing classic templates onto modern ‘floors without sloshing the baby out with the bathwater. His ‘Greatest hits’ measures out a patented brand of dancefloor joy integrally balanced with melancholy in a way that’s long gripped hearts, hips and feet and will surely continue to do so as long as clubs are around.
Encompassing the entirety of his sound, these 16 tracky gems and peaktime bullets are future-proofed by stripped-down structures riddled with choice ohrwurms that signal Finn behind the controls. Two striking highlights of original vocal production crop up in the eternal Jersey charms of ‘Lightworks’ ft. Fox, and an old skool rave-styled belter ‘Lifey’ ft. Equiknoxx’s Shanique Marie, whilst the rest showcase his serious knack for sifting indelible samples. It’s there in the louche R&G chop-up of his debut single ‘Keep Calling’, and his skin-tingling speed garage calling card ‘Sometimes The Going Gets a Little Tough’, emblematic of how he updates northern soul - a vital precedent of rave - without resorting to cosplaying. Chuck in the Todd Edwards-esque speed garage x filter house chicanery of ‘Give us a Hand’, the pill-belly rush of ‘Opening Up’, and B-More nod ‘Forever Blue’, and you’ve got a real one for the ages.
Club encyclopaedia Finn displays all his colours on a ‘Greatest Hits’ stuffed with killer cuts of R&G, speedy G, Jersey club, filter house, and nuff northern-flavoured soul .
Since debuting in 2014 with ‘Keep Calling’, Finn has come to wear many hats; variously known and beloved as a producer, DJ, and label and mixtape A&R of 2 B Real (Michael J. Blood, Tom Boogizm, Anz, Clemency, Iceboy Violet) and the Mixtape Club, as well as primo party-runner and facilitator of Manchester’s NTS radio outpost, not to mention a role as online industry commentator. Brilliant in each and every one of those roles, he’s the definition of a contemporary hyper-connector and in some ways an old soul in a young vessel, carefully transposing classic templates onto modern ‘floors without sloshing the baby out with the bathwater. His ‘Greatest hits’ measures out a patented brand of dancefloor joy integrally balanced with melancholy in a way that’s long gripped hearts, hips and feet and will surely continue to do so as long as clubs are around.
Encompassing the entirety of his sound, these 16 tracky gems and peaktime bullets are future-proofed by stripped-down structures riddled with choice ohrwurms that signal Finn behind the controls. Two striking highlights of original vocal production crop up in the eternal Jersey charms of ‘Lightworks’ ft. Fox, and an old skool rave-styled belter ‘Lifey’ ft. Equiknoxx’s Shanique Marie, whilst the rest showcase his serious knack for sifting indelible samples. It’s there in the louche R&G chop-up of his debut single ‘Keep Calling’, and his skin-tingling speed garage calling card ‘Sometimes The Going Gets a Little Tough’, emblematic of how he updates northern soul - a vital precedent of rave - without resorting to cosplaying. Chuck in the Todd Edwards-esque speed garage x filter house chicanery of ‘Give us a Hand’, the pill-belly rush of ‘Opening Up’, and B-More nod ‘Forever Blue’, and you’ve got a real one for the ages.
Club encyclopaedia Finn displays all his colours on a ‘Greatest Hits’ stuffed with killer cuts of R&G, speedy G, Jersey club, filter house, and nuff northern-flavoured soul .
Since debuting in 2014 with ‘Keep Calling’, Finn has come to wear many hats; variously known and beloved as a producer, DJ, and label and mixtape A&R of 2 B Real (Michael J. Blood, Tom Boogizm, Anz, Clemency, Iceboy Violet) and the Mixtape Club, as well as primo party-runner and facilitator of Manchester’s NTS radio outpost, not to mention a role as online industry commentator. Brilliant in each and every one of those roles, he’s the definition of a contemporary hyper-connector and in some ways an old soul in a young vessel, carefully transposing classic templates onto modern ‘floors without sloshing the baby out with the bathwater. His ‘Greatest hits’ measures out a patented brand of dancefloor joy integrally balanced with melancholy in a way that’s long gripped hearts, hips and feet and will surely continue to do so as long as clubs are around.
Encompassing the entirety of his sound, these 16 tracky gems and peaktime bullets are future-proofed by stripped-down structures riddled with choice ohrwurms that signal Finn behind the controls. Two striking highlights of original vocal production crop up in the eternal Jersey charms of ‘Lightworks’ ft. Fox, and an old skool rave-styled belter ‘Lifey’ ft. Equiknoxx’s Shanique Marie, whilst the rest showcase his serious knack for sifting indelible samples. It’s there in the louche R&G chop-up of his debut single ‘Keep Calling’, and his skin-tingling speed garage calling card ‘Sometimes The Going Gets a Little Tough’, emblematic of how he updates northern soul - a vital precedent of rave - without resorting to cosplaying. Chuck in the Todd Edwards-esque speed garage x filter house chicanery of ‘Give us a Hand’, the pill-belly rush of ‘Opening Up’, and B-More nod ‘Forever Blue’, and you’ve got a real one for the ages.
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Club encyclopaedia Finn displays all his colours on a ‘Greatest Hits’ stuffed with killer cuts of R&G, speedy G, Jersey club, filter house, and nuff northern-flavoured soul .
Since debuting in 2014 with ‘Keep Calling’, Finn has come to wear many hats; variously known and beloved as a producer, DJ, and label and mixtape A&R of 2 B Real (Michael J. Blood, Tom Boogizm, Anz, Clemency, Iceboy Violet) and the Mixtape Club, as well as primo party-runner and facilitator of Manchester’s NTS radio outpost, not to mention a role as online industry commentator. Brilliant in each and every one of those roles, he’s the definition of a contemporary hyper-connector and in some ways an old soul in a young vessel, carefully transposing classic templates onto modern ‘floors without sloshing the baby out with the bathwater. His ‘Greatest hits’ measures out a patented brand of dancefloor joy integrally balanced with melancholy in a way that’s long gripped hearts, hips and feet and will surely continue to do so as long as clubs are around.
Encompassing the entirety of his sound, these 16 tracky gems and peaktime bullets are future-proofed by stripped-down structures riddled with choice ohrwurms that signal Finn behind the controls. Two striking highlights of original vocal production crop up in the eternal Jersey charms of ‘Lightworks’ ft. Fox, and an old skool rave-styled belter ‘Lifey’ ft. Equiknoxx’s Shanique Marie, whilst the rest showcase his serious knack for sifting indelible samples. It’s there in the louche R&G chop-up of his debut single ‘Keep Calling’, and his skin-tingling speed garage calling card ‘Sometimes The Going Gets a Little Tough’, emblematic of how he updates northern soul - a vital precedent of rave - without resorting to cosplaying. Chuck in the Todd Edwards-esque speed garage x filter house chicanery of ‘Give us a Hand’, the pill-belly rush of ‘Opening Up’, and B-More nod ‘Forever Blue’, and you’ve got a real one for the ages.