Boomkat Product Review:
This Gottfried Michel Koenig collection is a definitive document of his pioneering innovations in electro-acoustic composition: spanning his Zwei Klavierstücke  and other works created at the WDR, Cologne; thru his years at the Utrecht Institute For Sonology, and right up to his 60 Blätter for Streichtrio . If you’re into anything from Roland Kayn to Dave NYZ, Ligeti, Haswell or Æ, Koenig’s oeuvre is essential listening!
A key mind in the realisation and theoretical underpinnings of electro-acoustic music, Koenig came thru the Darmstadt summer schools as a student, and later a lecturer, where he met Stockhausen, Kagel, Evangelisti, and Ligeti, whom he would later assist at the famous WDR (Westdeutschen Rundfunk) studio in Cologne - where he also worked in the radio drama department, before moving to Utrecht as director and chair of the Institute of Sonology during its most fecund period until 1986.
The work he assisted on or created himself during this period was crucial to the development of electro-acoustic and computer music paradigms, and since the ‘60s he’s placed ever greater focus on realising a form of computer composition - both writing programs that generate unique scores for instrumentalists to play, and recordings of pure computer music.
For us, and we’ll safely assume many others, it’s the latter part of Koenig’s catalogue - the purely electronic works - that demand attention. Utterly raw, complex and alien, Koenig’s pieces such as Terminus X , and the colour-coded Funktion series from the same era, are some of the most captivating, visceral recordings of electronic music that we’ve ever heard, presenting sounds at their very most abstract, and with no concession to replicating instrumental timbres and dynamics.
We highly recommend getting to grips with the works in this collection, which is pretty much the only place you’ll find a reliable high quality versions of each piece.