NYC’s reliably deep and rugged soul J. Albert switches up between faded ambient, beatdown, jungle and ghetto heck like Rat Heart & Michael J. Blood’s brother from a different mother.
Running with a rough hewn style that has never failed him, the producer also known as DJ Osom, Jio, and Gazatech lets his circles bleed across a satisfyingly scuzzy session where you can practically taste the high grade skunk in the air. These are modestly lo-fi workouts that prize vibe and texture over technicality with a subtly intoxicating effect parallel to Actress’ iridescent greyscale creations or Rat Heart’s DIY bedroom blooz.
A cloud of bong huffed ambient in ‘Hygiene’ parts ways to reveal the roiling beatdown shape of ‘Angels to Curve’ and the sampler-scraped dub of ‘Stone(d)iagetic’, before finding his jungle bad-foot on ‘Change Again’ and the choppier, jazzier drum-funk of ‘Know Still Love’, while also making room for more raggo impulses on the speaker-knuckling blows of ‘Fried’ and frazzled breakbeat torque of ‘untzxz2’.
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NYC’s reliably deep and rugged soul J. Albert switches up between faded ambient, beatdown, jungle and ghetto heck like Rat Heart & Michael J. Blood’s brother from a different mother.
Running with a rough hewn style that has never failed him, the producer also known as DJ Osom, Jio, and Gazatech lets his circles bleed across a satisfyingly scuzzy session where you can practically taste the high grade skunk in the air. These are modestly lo-fi workouts that prize vibe and texture over technicality with a subtly intoxicating effect parallel to Actress’ iridescent greyscale creations or Rat Heart’s DIY bedroom blooz.
A cloud of bong huffed ambient in ‘Hygiene’ parts ways to reveal the roiling beatdown shape of ‘Angels to Curve’ and the sampler-scraped dub of ‘Stone(d)iagetic’, before finding his jungle bad-foot on ‘Change Again’ and the choppier, jazzier drum-funk of ‘Know Still Love’, while also making room for more raggo impulses on the speaker-knuckling blows of ‘Fried’ and frazzled breakbeat torque of ‘untzxz2’.
NYC’s reliably deep and rugged soul J. Albert switches up between faded ambient, beatdown, jungle and ghetto heck like Rat Heart & Michael J. Blood’s brother from a different mother.
Running with a rough hewn style that has never failed him, the producer also known as DJ Osom, Jio, and Gazatech lets his circles bleed across a satisfyingly scuzzy session where you can practically taste the high grade skunk in the air. These are modestly lo-fi workouts that prize vibe and texture over technicality with a subtly intoxicating effect parallel to Actress’ iridescent greyscale creations or Rat Heart’s DIY bedroom blooz.
A cloud of bong huffed ambient in ‘Hygiene’ parts ways to reveal the roiling beatdown shape of ‘Angels to Curve’ and the sampler-scraped dub of ‘Stone(d)iagetic’, before finding his jungle bad-foot on ‘Change Again’ and the choppier, jazzier drum-funk of ‘Know Still Love’, while also making room for more raggo impulses on the speaker-knuckling blows of ‘Fried’ and frazzled breakbeat torque of ‘untzxz2’.
NYC’s reliably deep and rugged soul J. Albert switches up between faded ambient, beatdown, jungle and ghetto heck like Rat Heart & Michael J. Blood’s brother from a different mother.
Running with a rough hewn style that has never failed him, the producer also known as DJ Osom, Jio, and Gazatech lets his circles bleed across a satisfyingly scuzzy session where you can practically taste the high grade skunk in the air. These are modestly lo-fi workouts that prize vibe and texture over technicality with a subtly intoxicating effect parallel to Actress’ iridescent greyscale creations or Rat Heart’s DIY bedroom blooz.
A cloud of bong huffed ambient in ‘Hygiene’ parts ways to reveal the roiling beatdown shape of ‘Angels to Curve’ and the sampler-scraped dub of ‘Stone(d)iagetic’, before finding his jungle bad-foot on ‘Change Again’ and the choppier, jazzier drum-funk of ‘Know Still Love’, while also making room for more raggo impulses on the speaker-knuckling blows of ‘Fried’ and frazzled breakbeat torque of ‘untzxz2’.