Festival and big room-specialist Romare brings his safe, broadly appealing sound back to Ninja Tune
“The two tracks on “Gone” represent his most intentional and direct nod to the dancefloor to date. The titular A-side, with its menacing bassline and soaring piano stabs was named after a vocal snippet since removed from the track. “I kept the title because I think there is a sense of journey and “moving on” in the song.” explains Fairhurst. The B-side ‘Danger’ was imagined as an alternative to ‘Gone’, with both tracks being recorded “whilst watching the seasons change from winter to summer in the new studio set up in the garden”.”
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Festival and big room-specialist Romare brings his safe, broadly appealing sound back to Ninja Tune
“The two tracks on “Gone” represent his most intentional and direct nod to the dancefloor to date. The titular A-side, with its menacing bassline and soaring piano stabs was named after a vocal snippet since removed from the track. “I kept the title because I think there is a sense of journey and “moving on” in the song.” explains Fairhurst. The B-side ‘Danger’ was imagined as an alternative to ‘Gone’, with both tracks being recorded “whilst watching the seasons change from winter to summer in the new studio set up in the garden”.”
Festival and big room-specialist Romare brings his safe, broadly appealing sound back to Ninja Tune
“The two tracks on “Gone” represent his most intentional and direct nod to the dancefloor to date. The titular A-side, with its menacing bassline and soaring piano stabs was named after a vocal snippet since removed from the track. “I kept the title because I think there is a sense of journey and “moving on” in the song.” explains Fairhurst. The B-side ‘Danger’ was imagined as an alternative to ‘Gone’, with both tracks being recorded “whilst watching the seasons change from winter to summer in the new studio set up in the garden”.”
Festival and big room-specialist Romare brings his safe, broadly appealing sound back to Ninja Tune
“The two tracks on “Gone” represent his most intentional and direct nod to the dancefloor to date. The titular A-side, with its menacing bassline and soaring piano stabs was named after a vocal snippet since removed from the track. “I kept the title because I think there is a sense of journey and “moving on” in the song.” explains Fairhurst. The B-side ‘Danger’ was imagined as an alternative to ‘Gone’, with both tracks being recorded “whilst watching the seasons change from winter to summer in the new studio set up in the garden”.”
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Festival and big room-specialist Romare brings his safe, broadly appealing sound back to Ninja Tune
“The two tracks on “Gone” represent his most intentional and direct nod to the dancefloor to date. The titular A-side, with its menacing bassline and soaring piano stabs was named after a vocal snippet since removed from the track. “I kept the title because I think there is a sense of journey and “moving on” in the song.” explains Fairhurst. The B-side ‘Danger’ was imagined as an alternative to ‘Gone’, with both tracks being recorded “whilst watching the seasons change from winter to summer in the new studio set up in the garden”.”