ELLLL beautifully spreads her wings with three buoyant ambient/bass/techno flights in the wake of her aces for Glacial Industries and All City
ELLLL smartly proves what the fuss is about here; the A-side’s ‘Flowers’ offers 10 minutes of Satie-esque, windswept melody underlined with a sonorous, booming kick like some imagined meeting between Villalobos and Gas, while the B-side’s ‘Ride’ spirals off with feathered piano plies propelled by percolated subbass with a poised sort of feminine pressure, and ‘Glisten’ jettisons the beat to leave decaying subbass contrails and wind-played keys floating in sublime space.
A must check if you like Ciel, Gas, Automatisme.
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ELLLL beautifully spreads her wings with three buoyant ambient/bass/techno flights in the wake of her aces for Glacial Industries and All City
ELLLL smartly proves what the fuss is about here; the A-side’s ‘Flowers’ offers 10 minutes of Satie-esque, windswept melody underlined with a sonorous, booming kick like some imagined meeting between Villalobos and Gas, while the B-side’s ‘Ride’ spirals off with feathered piano plies propelled by percolated subbass with a poised sort of feminine pressure, and ‘Glisten’ jettisons the beat to leave decaying subbass contrails and wind-played keys floating in sublime space.
A must check if you like Ciel, Gas, Automatisme.
ELLLL beautifully spreads her wings with three buoyant ambient/bass/techno flights in the wake of her aces for Glacial Industries and All City
ELLLL smartly proves what the fuss is about here; the A-side’s ‘Flowers’ offers 10 minutes of Satie-esque, windswept melody underlined with a sonorous, booming kick like some imagined meeting between Villalobos and Gas, while the B-side’s ‘Ride’ spirals off with feathered piano plies propelled by percolated subbass with a poised sort of feminine pressure, and ‘Glisten’ jettisons the beat to leave decaying subbass contrails and wind-played keys floating in sublime space.
A must check if you like Ciel, Gas, Automatisme.
ELLLL beautifully spreads her wings with three buoyant ambient/bass/techno flights in the wake of her aces for Glacial Industries and All City
ELLLL smartly proves what the fuss is about here; the A-side’s ‘Flowers’ offers 10 minutes of Satie-esque, windswept melody underlined with a sonorous, booming kick like some imagined meeting between Villalobos and Gas, while the B-side’s ‘Ride’ spirals off with feathered piano plies propelled by percolated subbass with a poised sort of feminine pressure, and ‘Glisten’ jettisons the beat to leave decaying subbass contrails and wind-played keys floating in sublime space.
A must check if you like Ciel, Gas, Automatisme.
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ELLLL beautifully spreads her wings with three buoyant ambient/bass/techno flights in the wake of her aces for Glacial Industries and All City
ELLLL smartly proves what the fuss is about here; the A-side’s ‘Flowers’ offers 10 minutes of Satie-esque, windswept melody underlined with a sonorous, booming kick like some imagined meeting between Villalobos and Gas, while the B-side’s ‘Ride’ spirals off with feathered piano plies propelled by percolated subbass with a poised sort of feminine pressure, and ‘Glisten’ jettisons the beat to leave decaying subbass contrails and wind-played keys floating in sublime space.
A must check if you like Ciel, Gas, Automatisme.