Slunky beatdown house taking cues from early ‘90s NYC and Italian deep house, and also drifting into dembow rhythms
“With the Girar EP, Silvestre continues to embrace the sonic culture-frictions between his home country and his adopted one. In doing so, he has created a pan-continental sound in which coarse-grained Ibero-percussive threads intertwine with digi-tropical synthetic tapestries; testimony of a truly unique artist in the modern current of electronic music.
Opening with the bubbling Ir a Sagres, Silvestre constructs a basement-born psychotropic rhumba groove, strapped with fluttering arpeggios, nimble conga tappings and a firmly locked-in bassline. Following on, Deptford Bus is a woozier, mid-tempo spliff-house roller, stripped of the flora to leave a simple set up of haunted pads, crisp toms, and a deep sense of unease.
RC Surfer is perhaps the finest example of a soundclash of reggaeton, shoegaze and dub put to wax in recent memory. Here, Silvestre provides an ethereal soundscape with images of late-summer wining in city squares materializing through the cracks of the stoic riddims.
The Girar EP rounds out with the pseudo-rapturous Everybody Is Happy, a slice of breakbeat-house that nods lovingly to the halcyon days of rave past whilst holding a mirror at the present day with an unabating painted-on smile.”
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Slunky beatdown house taking cues from early ‘90s NYC and Italian deep house, and also drifting into dembow rhythms
“With the Girar EP, Silvestre continues to embrace the sonic culture-frictions between his home country and his adopted one. In doing so, he has created a pan-continental sound in which coarse-grained Ibero-percussive threads intertwine with digi-tropical synthetic tapestries; testimony of a truly unique artist in the modern current of electronic music.
Opening with the bubbling Ir a Sagres, Silvestre constructs a basement-born psychotropic rhumba groove, strapped with fluttering arpeggios, nimble conga tappings and a firmly locked-in bassline. Following on, Deptford Bus is a woozier, mid-tempo spliff-house roller, stripped of the flora to leave a simple set up of haunted pads, crisp toms, and a deep sense of unease.
RC Surfer is perhaps the finest example of a soundclash of reggaeton, shoegaze and dub put to wax in recent memory. Here, Silvestre provides an ethereal soundscape with images of late-summer wining in city squares materializing through the cracks of the stoic riddims.
The Girar EP rounds out with the pseudo-rapturous Everybody Is Happy, a slice of breakbeat-house that nods lovingly to the halcyon days of rave past whilst holding a mirror at the present day with an unabating painted-on smile.”
Slunky beatdown house taking cues from early ‘90s NYC and Italian deep house, and also drifting into dembow rhythms
“With the Girar EP, Silvestre continues to embrace the sonic culture-frictions between his home country and his adopted one. In doing so, he has created a pan-continental sound in which coarse-grained Ibero-percussive threads intertwine with digi-tropical synthetic tapestries; testimony of a truly unique artist in the modern current of electronic music.
Opening with the bubbling Ir a Sagres, Silvestre constructs a basement-born psychotropic rhumba groove, strapped with fluttering arpeggios, nimble conga tappings and a firmly locked-in bassline. Following on, Deptford Bus is a woozier, mid-tempo spliff-house roller, stripped of the flora to leave a simple set up of haunted pads, crisp toms, and a deep sense of unease.
RC Surfer is perhaps the finest example of a soundclash of reggaeton, shoegaze and dub put to wax in recent memory. Here, Silvestre provides an ethereal soundscape with images of late-summer wining in city squares materializing through the cracks of the stoic riddims.
The Girar EP rounds out with the pseudo-rapturous Everybody Is Happy, a slice of breakbeat-house that nods lovingly to the halcyon days of rave past whilst holding a mirror at the present day with an unabating painted-on smile.”
Slunky beatdown house taking cues from early ‘90s NYC and Italian deep house, and also drifting into dembow rhythms
“With the Girar EP, Silvestre continues to embrace the sonic culture-frictions between his home country and his adopted one. In doing so, he has created a pan-continental sound in which coarse-grained Ibero-percussive threads intertwine with digi-tropical synthetic tapestries; testimony of a truly unique artist in the modern current of electronic music.
Opening with the bubbling Ir a Sagres, Silvestre constructs a basement-born psychotropic rhumba groove, strapped with fluttering arpeggios, nimble conga tappings and a firmly locked-in bassline. Following on, Deptford Bus is a woozier, mid-tempo spliff-house roller, stripped of the flora to leave a simple set up of haunted pads, crisp toms, and a deep sense of unease.
RC Surfer is perhaps the finest example of a soundclash of reggaeton, shoegaze and dub put to wax in recent memory. Here, Silvestre provides an ethereal soundscape with images of late-summer wining in city squares materializing through the cracks of the stoic riddims.
The Girar EP rounds out with the pseudo-rapturous Everybody Is Happy, a slice of breakbeat-house that nods lovingly to the halcyon days of rave past whilst holding a mirror at the present day with an unabating painted-on smile.”
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Slunky beatdown house taking cues from early ‘90s NYC and Italian deep house, and also drifting into dembow rhythms
“With the Girar EP, Silvestre continues to embrace the sonic culture-frictions between his home country and his adopted one. In doing so, he has created a pan-continental sound in which coarse-grained Ibero-percussive threads intertwine with digi-tropical synthetic tapestries; testimony of a truly unique artist in the modern current of electronic music.
Opening with the bubbling Ir a Sagres, Silvestre constructs a basement-born psychotropic rhumba groove, strapped with fluttering arpeggios, nimble conga tappings and a firmly locked-in bassline. Following on, Deptford Bus is a woozier, mid-tempo spliff-house roller, stripped of the flora to leave a simple set up of haunted pads, crisp toms, and a deep sense of unease.
RC Surfer is perhaps the finest example of a soundclash of reggaeton, shoegaze and dub put to wax in recent memory. Here, Silvestre provides an ethereal soundscape with images of late-summer wining in city squares materializing through the cracks of the stoic riddims.
The Girar EP rounds out with the pseudo-rapturous Everybody Is Happy, a slice of breakbeat-house that nods lovingly to the halcyon days of rave past whilst holding a mirror at the present day with an unabating painted-on smile.”