In his 25th year of solo releases, DeepChord/Echospace sandman Rod Modell ushers a particularly cinematic new soundscape on the reliable Astral Industries
Rolling on and outward from this year’s collaborations with Gigi Masin and Taka Noda, Detroit’s Modell renders over an hour of magisterial vastness in ‘Ghost Lights’. Sharing something of a twilight Motor City tone with Laurel Halo’s recent ‘Atlas’, the album is distinguished by Modell’s incremental refinement of detailing and layering, with a holistic relationship emerging between the fine grained synthesis and crackle of field recordings that lends a richly dream textured quality and nuanced, impressionistic, narrative to proceedings. It feels like 71 minutes with a loved one, wrapped up in a heavy blanket by the lake, city lights and starlights glittering on the shifting water surface.
Modell’s metaphoric grasp of romantic/cosmic/oceanic analogs are rife across ‘Ghost Lights’. It operates on highly synaesthetic sonic-visual levels with endlessly swirling convections of sustained, arcing starburst contours diffracted in deep subaquatic zones that paint imagery of off world interzones on the mind’s eye. While the sounds ofburdcalls ground it in earthly atmospheres on Side A, it launches the senses into space with he epic grandeur of side B, and passes out into our bliss on side C, while side D feels like looking back down on earth and resolves the outer body experience with an eerie calmness, as though coming to terms with travelling light years from the comfort of our listening pod.
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In his 25th year of solo releases, DeepChord/Echospace sandman Rod Modell ushers a particularly cinematic new soundscape on the reliable Astral Industries
Rolling on and outward from this year’s collaborations with Gigi Masin and Taka Noda, Detroit’s Modell renders over an hour of magisterial vastness in ‘Ghost Lights’. Sharing something of a twilight Motor City tone with Laurel Halo’s recent ‘Atlas’, the album is distinguished by Modell’s incremental refinement of detailing and layering, with a holistic relationship emerging between the fine grained synthesis and crackle of field recordings that lends a richly dream textured quality and nuanced, impressionistic, narrative to proceedings. It feels like 71 minutes with a loved one, wrapped up in a heavy blanket by the lake, city lights and starlights glittering on the shifting water surface.
Modell’s metaphoric grasp of romantic/cosmic/oceanic analogs are rife across ‘Ghost Lights’. It operates on highly synaesthetic sonic-visual levels with endlessly swirling convections of sustained, arcing starburst contours diffracted in deep subaquatic zones that paint imagery of off world interzones on the mind’s eye. While the sounds ofburdcalls ground it in earthly atmospheres on Side A, it launches the senses into space with he epic grandeur of side B, and passes out into our bliss on side C, while side D feels like looking back down on earth and resolves the outer body experience with an eerie calmness, as though coming to terms with travelling light years from the comfort of our listening pod.
In his 25th year of solo releases, DeepChord/Echospace sandman Rod Modell ushers a particularly cinematic new soundscape on the reliable Astral Industries
Rolling on and outward from this year’s collaborations with Gigi Masin and Taka Noda, Detroit’s Modell renders over an hour of magisterial vastness in ‘Ghost Lights’. Sharing something of a twilight Motor City tone with Laurel Halo’s recent ‘Atlas’, the album is distinguished by Modell’s incremental refinement of detailing and layering, with a holistic relationship emerging between the fine grained synthesis and crackle of field recordings that lends a richly dream textured quality and nuanced, impressionistic, narrative to proceedings. It feels like 71 minutes with a loved one, wrapped up in a heavy blanket by the lake, city lights and starlights glittering on the shifting water surface.
Modell’s metaphoric grasp of romantic/cosmic/oceanic analogs are rife across ‘Ghost Lights’. It operates on highly synaesthetic sonic-visual levels with endlessly swirling convections of sustained, arcing starburst contours diffracted in deep subaquatic zones that paint imagery of off world interzones on the mind’s eye. While the sounds ofburdcalls ground it in earthly atmospheres on Side A, it launches the senses into space with he epic grandeur of side B, and passes out into our bliss on side C, while side D feels like looking back down on earth and resolves the outer body experience with an eerie calmness, as though coming to terms with travelling light years from the comfort of our listening pod.
In his 25th year of solo releases, DeepChord/Echospace sandman Rod Modell ushers a particularly cinematic new soundscape on the reliable Astral Industries
Rolling on and outward from this year’s collaborations with Gigi Masin and Taka Noda, Detroit’s Modell renders over an hour of magisterial vastness in ‘Ghost Lights’. Sharing something of a twilight Motor City tone with Laurel Halo’s recent ‘Atlas’, the album is distinguished by Modell’s incremental refinement of detailing and layering, with a holistic relationship emerging between the fine grained synthesis and crackle of field recordings that lends a richly dream textured quality and nuanced, impressionistic, narrative to proceedings. It feels like 71 minutes with a loved one, wrapped up in a heavy blanket by the lake, city lights and starlights glittering on the shifting water surface.
Modell’s metaphoric grasp of romantic/cosmic/oceanic analogs are rife across ‘Ghost Lights’. It operates on highly synaesthetic sonic-visual levels with endlessly swirling convections of sustained, arcing starburst contours diffracted in deep subaquatic zones that paint imagery of off world interzones on the mind’s eye. While the sounds ofburdcalls ground it in earthly atmospheres on Side A, it launches the senses into space with he epic grandeur of side B, and passes out into our bliss on side C, while side D feels like looking back down on earth and resolves the outer body experience with an eerie calmness, as though coming to terms with travelling light years from the comfort of our listening pod.
180g gatefold vinyl 2LP
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In his 25th year of solo releases, DeepChord/Echospace sandman Rod Modell ushers a particularly cinematic new soundscape on the reliable Astral Industries
Rolling on and outward from this year’s collaborations with Gigi Masin and Taka Noda, Detroit’s Modell renders over an hour of magisterial vastness in ‘Ghost Lights’. Sharing something of a twilight Motor City tone with Laurel Halo’s recent ‘Atlas’, the album is distinguished by Modell’s incremental refinement of detailing and layering, with a holistic relationship emerging between the fine grained synthesis and crackle of field recordings that lends a richly dream textured quality and nuanced, impressionistic, narrative to proceedings. It feels like 71 minutes with a loved one, wrapped up in a heavy blanket by the lake, city lights and starlights glittering on the shifting water surface.
Modell’s metaphoric grasp of romantic/cosmic/oceanic analogs are rife across ‘Ghost Lights’. It operates on highly synaesthetic sonic-visual levels with endlessly swirling convections of sustained, arcing starburst contours diffracted in deep subaquatic zones that paint imagery of off world interzones on the mind’s eye. While the sounds ofburdcalls ground it in earthly atmospheres on Side A, it launches the senses into space with he epic grandeur of side B, and passes out into our bliss on side C, while side D feels like looking back down on earth and resolves the outer body experience with an eerie calmness, as though coming to terms with travelling light years from the comfort of our listening pod.