PITA
Get In
Boomkat Product Review:
Editions Mego boss Peter Rehberg shows vital signs of life with his loooong awaited new solo LP Get In, dispatched 12 years (!!!) since Get Off for Häpna in 2004 and providing us with one of the finest long players of the year so far.
Sepulchral in tone and celestial in scope, Get In is riven with playfully considered twysts and moments of heart-gripping beauty that recall the ecstasy, darkness and visionary electronic romance of its predecessors - Get Out (1999), Get Down (2002), and Get Off (2004) - but with a more tempered, spacious approach that epitomises the wonder of electronic music at its most elementally affective and also represents a subtly marked difference in his production palette and techniques.
When Pita’s highly original music emerged in the late ‘90s as a powerful force amongst the post-dance music and computer noise milieu, it provided a warped reflection of what came before it, but also suggested new possibilities and horizons. With Get In he presents a deeply personal, romantic view of music still firmly attuned to the world around him, whilst warping its contours and offering new escape routes.
We have to highlight the incredible S200729 as a perfect example, rendering a helical knot of trance arpeggios in vaulted hyperspace - which would be enough to occupy one track in many artist albums - before gleefully ripping the rug with a vicious, blindsiding noise attack that’s possibly the most life-affirming electronic music passage of 2016.
Elsewhere he sucks us into deepest black ambient vortices with Fvo and proper psychoacoustic head floss with 20150609 |, whereas Aahn rumbles like the trapped resonance of a rave recorded from the next warehouse, and the album’s other glistening highlights, Line Angel - rightly hailed in the press release as “a new form of minimalism for the post internet crowd - and the crenellated classical climes spied in Mfbk leave us in a deliquescent, thizzing mess, eager and willing to do it all over again.
This is a incredible piece of work for anyone with a taste for proper electronic music, and needs to be heard by anyone into Oneohtrix Point Never, Florian Hecker, Leyland Kirby, Xenakis, Dozzy, Lorenzo Senni etc, etc, etc.
View more
Boomkat Product Review:
Editions Mego boss Peter Rehberg shows vital signs of life with his loooong awaited new solo LP Get In, dispatched 12 years (!!!) since Get Off for Häpna in 2004 and providing us with one of the finest long players of the year so far.
Sepulchral in tone and celestial in scope, Get In is riven with playfully considered twysts and moments of heart-gripping beauty that recall the ecstasy, darkness and visionary electronic romance of its predecessors - Get Out (1999), Get Down (2002), and Get Off (2004) - but with a more tempered, spacious approach that epitomises the wonder of electronic music at its most elementally affective and also represents a subtly marked difference in his production palette and techniques.
When Pita’s highly original music emerged in the late ‘90s as a powerful force amongst the post-dance music and computer noise milieu, it provided a warped reflection of what came before it, but also suggested new possibilities and horizons. With Get In he presents a deeply personal, romantic view of music still firmly attuned to the world around him, whilst warping its contours and offering new escape routes.
We have to highlight the incredible S200729 as a perfect example, rendering a helical knot of trance arpeggios in vaulted hyperspace - which would be enough to occupy one track in many artist albums - before gleefully ripping the rug with a vicious, blindsiding noise attack that’s possibly the most life-affirming electronic music passage of 2016.
Elsewhere he sucks us into deepest black ambient vortices with Fvo and proper psychoacoustic head floss with 20150609 |, whereas Aahn rumbles like the trapped resonance of a rave recorded from the next warehouse, and the album’s other glistening highlights, Line Angel - rightly hailed in the press release as “a new form of minimalism for the post internet crowd - and the crenellated classical climes spied in Mfbk leave us in a deliquescent, thizzing mess, eager and willing to do it all over again.
This is a incredible piece of work for anyone with a taste for proper electronic music, and needs to be heard by anyone into Oneohtrix Point Never, Florian Hecker, Leyland Kirby, Xenakis, Dozzy, Lorenzo Senni etc, etc, etc.
Boomkat Product Review:
Editions Mego boss Peter Rehberg shows vital signs of life with his loooong awaited new solo LP Get In, dispatched 12 years (!!!) since Get Off for Häpna in 2004 and providing us with one of the finest long players of the year so far.
Sepulchral in tone and celestial in scope, Get In is riven with playfully considered twysts and moments of heart-gripping beauty that recall the ecstasy, darkness and visionary electronic romance of its predecessors - Get Out (1999), Get Down (2002), and Get Off (2004) - but with a more tempered, spacious approach that epitomises the wonder of electronic music at its most elementally affective and also represents a subtly marked difference in his production palette and techniques.
When Pita’s highly original music emerged in the late ‘90s as a powerful force amongst the post-dance music and computer noise milieu, it provided a warped reflection of what came before it, but also suggested new possibilities and horizons. With Get In he presents a deeply personal, romantic view of music still firmly attuned to the world around him, whilst warping its contours and offering new escape routes.
We have to highlight the incredible S200729 as a perfect example, rendering a helical knot of trance arpeggios in vaulted hyperspace - which would be enough to occupy one track in many artist albums - before gleefully ripping the rug with a vicious, blindsiding noise attack that’s possibly the most life-affirming electronic music passage of 2016.
Elsewhere he sucks us into deepest black ambient vortices with Fvo and proper psychoacoustic head floss with 20150609 |, whereas Aahn rumbles like the trapped resonance of a rave recorded from the next warehouse, and the album’s other glistening highlights, Line Angel - rightly hailed in the press release as “a new form of minimalism for the post internet crowd - and the crenellated classical climes spied in Mfbk leave us in a deliquescent, thizzing mess, eager and willing to do it all over again.
This is a incredible piece of work for anyone with a taste for proper electronic music, and needs to be heard by anyone into Oneohtrix Point Never, Florian Hecker, Leyland Kirby, Xenakis, Dozzy, Lorenzo Senni etc, etc, etc.
Boomkat Product Review:
Editions Mego boss Peter Rehberg shows vital signs of life with his loooong awaited new solo LP Get In, dispatched 12 years (!!!) since Get Off for Häpna in 2004 and providing us with one of the finest long players of the year so far.
Sepulchral in tone and celestial in scope, Get In is riven with playfully considered twysts and moments of heart-gripping beauty that recall the ecstasy, darkness and visionary electronic romance of its predecessors - Get Out (1999), Get Down (2002), and Get Off (2004) - but with a more tempered, spacious approach that epitomises the wonder of electronic music at its most elementally affective and also represents a subtly marked difference in his production palette and techniques.
When Pita’s highly original music emerged in the late ‘90s as a powerful force amongst the post-dance music and computer noise milieu, it provided a warped reflection of what came before it, but also suggested new possibilities and horizons. With Get In he presents a deeply personal, romantic view of music still firmly attuned to the world around him, whilst warping its contours and offering new escape routes.
We have to highlight the incredible S200729 as a perfect example, rendering a helical knot of trance arpeggios in vaulted hyperspace - which would be enough to occupy one track in many artist albums - before gleefully ripping the rug with a vicious, blindsiding noise attack that’s possibly the most life-affirming electronic music passage of 2016.
Elsewhere he sucks us into deepest black ambient vortices with Fvo and proper psychoacoustic head floss with 20150609 |, whereas Aahn rumbles like the trapped resonance of a rave recorded from the next warehouse, and the album’s other glistening highlights, Line Angel - rightly hailed in the press release as “a new form of minimalism for the post internet crowd - and the crenellated classical climes spied in Mfbk leave us in a deliquescent, thizzing mess, eager and willing to do it all over again.
This is a incredible piece of work for anyone with a taste for proper electronic music, and needs to be heard by anyone into Oneohtrix Point Never, Florian Hecker, Leyland Kirby, Xenakis, Dozzy, Lorenzo Senni etc, etc, etc.
Vinyl Re-Press.
Available To Order (Estimated Shipping between 3-7 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
Editions Mego boss Peter Rehberg shows vital signs of life with his loooong awaited new solo LP Get In, dispatched 12 years (!!!) since Get Off for Häpna in 2004 and providing us with one of the finest long players of the year so far.
Sepulchral in tone and celestial in scope, Get In is riven with playfully considered twysts and moments of heart-gripping beauty that recall the ecstasy, darkness and visionary electronic romance of its predecessors - Get Out (1999), Get Down (2002), and Get Off (2004) - but with a more tempered, spacious approach that epitomises the wonder of electronic music at its most elementally affective and also represents a subtly marked difference in his production palette and techniques.
When Pita’s highly original music emerged in the late ‘90s as a powerful force amongst the post-dance music and computer noise milieu, it provided a warped reflection of what came before it, but also suggested new possibilities and horizons. With Get In he presents a deeply personal, romantic view of music still firmly attuned to the world around him, whilst warping its contours and offering new escape routes.
We have to highlight the incredible S200729 as a perfect example, rendering a helical knot of trance arpeggios in vaulted hyperspace - which would be enough to occupy one track in many artist albums - before gleefully ripping the rug with a vicious, blindsiding noise attack that’s possibly the most life-affirming electronic music passage of 2016.
Elsewhere he sucks us into deepest black ambient vortices with Fvo and proper psychoacoustic head floss with 20150609 |, whereas Aahn rumbles like the trapped resonance of a rave recorded from the next warehouse, and the album’s other glistening highlights, Line Angel - rightly hailed in the press release as “a new form of minimalism for the post internet crowd - and the crenellated classical climes spied in Mfbk leave us in a deliquescent, thizzing mess, eager and willing to do it all over again.
This is a incredible piece of work for anyone with a taste for proper electronic music, and needs to be heard by anyone into Oneohtrix Point Never, Florian Hecker, Leyland Kirby, Xenakis, Dozzy, Lorenzo Senni etc, etc, etc.
Available To Order (Estimated Shipping between 3-7 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
Editions Mego boss Peter Rehberg shows vital signs of life with his loooong awaited new solo LP Get In, dispatched 12 years (!!!) since Get Off for Häpna in 2004 and providing us with one of the finest long players of the year so far.
Sepulchral in tone and celestial in scope, Get In is riven with playfully considered twysts and moments of heart-gripping beauty that recall the ecstasy, darkness and visionary electronic romance of its predecessors - Get Out (1999), Get Down (2002), and Get Off (2004) - but with a more tempered, spacious approach that epitomises the wonder of electronic music at its most elementally affective and also represents a subtly marked difference in his production palette and techniques.
When Pita’s highly original music emerged in the late ‘90s as a powerful force amongst the post-dance music and computer noise milieu, it provided a warped reflection of what came before it, but also suggested new possibilities and horizons. With Get In he presents a deeply personal, romantic view of music still firmly attuned to the world around him, whilst warping its contours and offering new escape routes.
We have to highlight the incredible S200729 as a perfect example, rendering a helical knot of trance arpeggios in vaulted hyperspace - which would be enough to occupy one track in many artist albums - before gleefully ripping the rug with a vicious, blindsiding noise attack that’s possibly the most life-affirming electronic music passage of 2016.
Elsewhere he sucks us into deepest black ambient vortices with Fvo and proper psychoacoustic head floss with 20150609 |, whereas Aahn rumbles like the trapped resonance of a rave recorded from the next warehouse, and the album’s other glistening highlights, Line Angel - rightly hailed in the press release as “a new form of minimalism for the post internet crowd - and the crenellated classical climes spied in Mfbk leave us in a deliquescent, thizzing mess, eager and willing to do it all over again.
This is a incredible piece of work for anyone with a taste for proper electronic music, and needs to be heard by anyone into Oneohtrix Point Never, Florian Hecker, Leyland Kirby, Xenakis, Dozzy, Lorenzo Senni etc, etc, etc.
More from PITA:
-
FREE MP3 WITH VINYLPITA Get Out (Editions Mego Version) Editions Mego Extreme / Noise / Computer Music- MP3
- FLAC
-
PITA Get Down Editions Mego Extreme / Noise / Computer Music
- MP3
- FLAC
-
PITA Seven Tons For Free Editions Mego Extreme / Noise / Computer Music
- MP3
- FLAC
-
PITA Get Out Editions Mego Extreme / Noise / Computer Music
- MP3
- FLAC
More from Editions Mego:
-
Finlay Shakespeare Domestic Economy Editions Mego Industrial / Wave / Electro
- MP3
- FLAC
- WAV
-
FREE MP3 WITH VINYLHeather Leigh Throne Editions Mego Electronic
- MP3
- FLAC
- WAV
- LP
- CD
-
FREE MP3 WITH VINYLFinlay Shakespeare Routine Editions Mego Industrial / Wave / Electro
- MP3
- FLAC
- WAV
- 7"
-
FREE MP3 WITH VINYLOren Ambarchi, Jim O'Rourke & U-zhaan Hence Editions Mego Dark Ambient / Drone / Metal
- MP3
- FLAC
- WAV
- LP
-
FREE MP3 WITH VINYLI-LP-ON ÄÄNET Editions Mego Electronic
- MP3
- FLAC
- WAV
- LP
People who bought this also bought:
-
FREE MP3 WITH VINYLHELM Olympic Mess PAN Electronic
- MP3
- FLAC
- 2LP
- CD
-
FREE MP3 WITH VINYLANDY STOTT Faith In Strangers Modern Love Electronic
- MP3
- FLAC
- CD
-
FREE MP3 WITH VINYLLee Gamble Koch PAN Electronic
- MP3
- FLAC
- CD
-
FREE MP3 WITH VINYLLee Gamble Diversions 1994-1996 PAN Electronic
- MP3
- FLAC
-
FREE MP3 WITH VINYLHELM The Hollow Organ PAN Electronic
- MP3
- FLAC
- Colour 12"
-
rashad becker Traditional Music of Notional Species Vol. I PAN Electronic
- MP3
- FLAC
- LP
-
Anthony Child The Space Between People and Things NNA Tapes Electronic
- MP3
- FLAC
- WAV
-
FREE MP3 WITH VINYLHELM Impossible Symmetry PAN Electronic
- MP3
- FLAC
-
Robert Crouch An Occupied Space Dragon's Eye Recordings Electronic
- MP3
- FLAC
-
Mika Vainio Kantamoinen Sähkö Recordings / Boomkat Editions Electronic
- MP3
- FLAC
- WAV