Rhythmatician Joe works up his first set of riddims in two years with the ‘Get Centred’ session for Cómeme
Making a natural fit for the slinky tastes of Matias Aguayo’s label, Joe continues in pursuit of a slinky Afro-Latinate spirit on all three cuts, including a very handy run into slower tempo on the writhing centrepiece ‘Line To Earth.’
To kick off, ‘Get Centred’ synchs flutes, marimba and technoid dub chords in in a classic Joe mould heard on his Hessle Audio and Hemlock Recordings 12”s (and really not far from classic Peverelist or Beatrice Dillon either), whereas ‘Line To earth’ catches him dropping the BPM to a 100 on FM-synth toned bass torque gilded with golden pads, and ‘Rio Lea’ gets it up again on an East London ready, in-the-pocket samba hustle with a succinctly minimalist pucker.
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Rhythmatician Joe works up his first set of riddims in two years with the ‘Get Centred’ session for Cómeme
Making a natural fit for the slinky tastes of Matias Aguayo’s label, Joe continues in pursuit of a slinky Afro-Latinate spirit on all three cuts, including a very handy run into slower tempo on the writhing centrepiece ‘Line To Earth.’
To kick off, ‘Get Centred’ synchs flutes, marimba and technoid dub chords in in a classic Joe mould heard on his Hessle Audio and Hemlock Recordings 12”s (and really not far from classic Peverelist or Beatrice Dillon either), whereas ‘Line To earth’ catches him dropping the BPM to a 100 on FM-synth toned bass torque gilded with golden pads, and ‘Rio Lea’ gets it up again on an East London ready, in-the-pocket samba hustle with a succinctly minimalist pucker.
Rhythmatician Joe works up his first set of riddims in two years with the ‘Get Centred’ session for Cómeme
Making a natural fit for the slinky tastes of Matias Aguayo’s label, Joe continues in pursuit of a slinky Afro-Latinate spirit on all three cuts, including a very handy run into slower tempo on the writhing centrepiece ‘Line To Earth.’
To kick off, ‘Get Centred’ synchs flutes, marimba and technoid dub chords in in a classic Joe mould heard on his Hessle Audio and Hemlock Recordings 12”s (and really not far from classic Peverelist or Beatrice Dillon either), whereas ‘Line To earth’ catches him dropping the BPM to a 100 on FM-synth toned bass torque gilded with golden pads, and ‘Rio Lea’ gets it up again on an East London ready, in-the-pocket samba hustle with a succinctly minimalist pucker.
Rhythmatician Joe works up his first set of riddims in two years with the ‘Get Centred’ session for Cómeme
Making a natural fit for the slinky tastes of Matias Aguayo’s label, Joe continues in pursuit of a slinky Afro-Latinate spirit on all three cuts, including a very handy run into slower tempo on the writhing centrepiece ‘Line To Earth.’
To kick off, ‘Get Centred’ synchs flutes, marimba and technoid dub chords in in a classic Joe mould heard on his Hessle Audio and Hemlock Recordings 12”s (and really not far from classic Peverelist or Beatrice Dillon either), whereas ‘Line To earth’ catches him dropping the BPM to a 100 on FM-synth toned bass torque gilded with golden pads, and ‘Rio Lea’ gets it up again on an East London ready, in-the-pocket samba hustle with a succinctly minimalist pucker.
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Rhythmatician Joe works up his first set of riddims in two years with the ‘Get Centred’ session for Cómeme
Making a natural fit for the slinky tastes of Matias Aguayo’s label, Joe continues in pursuit of a slinky Afro-Latinate spirit on all three cuts, including a very handy run into slower tempo on the writhing centrepiece ‘Line To Earth.’
To kick off, ‘Get Centred’ synchs flutes, marimba and technoid dub chords in in a classic Joe mould heard on his Hessle Audio and Hemlock Recordings 12”s (and really not far from classic Peverelist or Beatrice Dillon either), whereas ‘Line To earth’ catches him dropping the BPM to a 100 on FM-synth toned bass torque gilded with golden pads, and ‘Rio Lea’ gets it up again on an East London ready, in-the-pocket samba hustle with a succinctly minimalist pucker.