Low Jack’s Editions Gravats return with Johann Mazé’s enchanting suite of driftmode concrète poetry, packaged in suitably grand boxset, hand-painted by artist Tiphaine Buhot-Launay and recommended if yr into work buy Luc Ferrari, Lionel Marchetti, Ghédalia Tazartès.
Leading down the jardín path from Mazé’s action on ‘L’homme à Zéro’ by France Sauvage in 2019, the french sound artist now appears as a peripheral presence on ‘Gérard’, which combines interviews, field recordings, poetry and fleeting passages of music, to frame an intimate tribute to a childhood friend of Mazé’s father - the eponymous Gérard. In the style of Gravats’ ’Saudi’ tape box by Krikor Kouchian, the medium plays a crucial part of the message here, with a hand-crafted package of tape and postcards that permits the user access to a private, other world unto itself.
For almost an hour, occasionally prompted by Mazé, Gérard speaks about the bliss of nature while surrounded by the verdant lushness of his garden in Paimpol, on the Brittany coast. With passion and humour Mazé speaks at length about his interests, often breaking off into laughter, with passages of speech punctuated and overlapped with the sounds of his peacocks and hens, and augmented by dabs of organ melody and fizzing drum machine patter.
It’s really as simple as that; on one level recalling the way Luc Ferrari or Lionel Marchetti divine the poetic from the prosaic, and on another, more instinctive level, reminding of warm days in the countryside with good company chatting about nature, philosophy and whatever else comes to mind - and who can sniff at that in the current climate of perpetual housebound darkness?
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Edition of 50, comes in a deluxe box hand-painted by Tiphaine Buhot-Launay including 4 x postcards and an insert, plus an instant download of the release dropped to your account.
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Low Jack’s Editions Gravats return with Johann Mazé’s enchanting suite of driftmode concrète poetry, packaged in suitably grand boxset, hand-painted by artist Tiphaine Buhot-Launay and recommended if yr into work buy Luc Ferrari, Lionel Marchetti, Ghédalia Tazartès.
Leading down the jardín path from Mazé’s action on ‘L’homme à Zéro’ by France Sauvage in 2019, the french sound artist now appears as a peripheral presence on ‘Gérard’, which combines interviews, field recordings, poetry and fleeting passages of music, to frame an intimate tribute to a childhood friend of Mazé’s father - the eponymous Gérard. In the style of Gravats’ ’Saudi’ tape box by Krikor Kouchian, the medium plays a crucial part of the message here, with a hand-crafted package of tape and postcards that permits the user access to a private, other world unto itself.
For almost an hour, occasionally prompted by Mazé, Gérard speaks about the bliss of nature while surrounded by the verdant lushness of his garden in Paimpol, on the Brittany coast. With passion and humour Mazé speaks at length about his interests, often breaking off into laughter, with passages of speech punctuated and overlapped with the sounds of his peacocks and hens, and augmented by dabs of organ melody and fizzing drum machine patter.
It’s really as simple as that; on one level recalling the way Luc Ferrari or Lionel Marchetti divine the poetic from the prosaic, and on another, more instinctive level, reminding of warm days in the countryside with good company chatting about nature, philosophy and whatever else comes to mind - and who can sniff at that in the current climate of perpetual housebound darkness?