Tokyo’s T5UMUT5UMU raids gqom, grime, dubstep, Kongo tekno, and whatever the fuck they like, for a ruggedly recombinant club sound on Berlin’s Sneaker Social Club
Since debuting in 2017, T5UMUT5UMU has sustained a blitz of self-released tackle that led to his appearance on Kampala’s Hakuna Kulala with ‘Sea of Trees’ in 2022, and now this rough-hewn bag of hammers with Berlin’s bassbin outliers, which they identify as the “kind of inventive progression of bass music Sneaker is built on.” Stepping into a slipstream of Japanese bass music already explored by likes of Goth Trad and Mars89, T5UMUT5UMU exerts their own sense of discipline and reading of soundsystem vernacular in five parts that swagger from the urgent, mutant sublow pressure of ‘武者 Musha’ and sino-grime halfstep of ‘蠱毒 Ko Doku’ to his flute-leavened fusion of gqom and Kongo tekno in the rolling thunder of ‘戦 Ikusa’.
He whips it slower, dread-heavy on the industrialised stepper ‘狼煙 Noroshi’, and rounds off with a strong piece of grime x drill akin Nammy Wams in the finishing move ‘砂 Suna’.
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Tokyo’s T5UMUT5UMU raids gqom, grime, dubstep, Kongo tekno, and whatever the fuck they like, for a ruggedly recombinant club sound on Berlin’s Sneaker Social Club
Since debuting in 2017, T5UMUT5UMU has sustained a blitz of self-released tackle that led to his appearance on Kampala’s Hakuna Kulala with ‘Sea of Trees’ in 2022, and now this rough-hewn bag of hammers with Berlin’s bassbin outliers, which they identify as the “kind of inventive progression of bass music Sneaker is built on.” Stepping into a slipstream of Japanese bass music already explored by likes of Goth Trad and Mars89, T5UMUT5UMU exerts their own sense of discipline and reading of soundsystem vernacular in five parts that swagger from the urgent, mutant sublow pressure of ‘武者 Musha’ and sino-grime halfstep of ‘蠱毒 Ko Doku’ to his flute-leavened fusion of gqom and Kongo tekno in the rolling thunder of ‘戦 Ikusa’.
He whips it slower, dread-heavy on the industrialised stepper ‘狼煙 Noroshi’, and rounds off with a strong piece of grime x drill akin Nammy Wams in the finishing move ‘砂 Suna’.
Tokyo’s T5UMUT5UMU raids gqom, grime, dubstep, Kongo tekno, and whatever the fuck they like, for a ruggedly recombinant club sound on Berlin’s Sneaker Social Club
Since debuting in 2017, T5UMUT5UMU has sustained a blitz of self-released tackle that led to his appearance on Kampala’s Hakuna Kulala with ‘Sea of Trees’ in 2022, and now this rough-hewn bag of hammers with Berlin’s bassbin outliers, which they identify as the “kind of inventive progression of bass music Sneaker is built on.” Stepping into a slipstream of Japanese bass music already explored by likes of Goth Trad and Mars89, T5UMUT5UMU exerts their own sense of discipline and reading of soundsystem vernacular in five parts that swagger from the urgent, mutant sublow pressure of ‘武者 Musha’ and sino-grime halfstep of ‘蠱毒 Ko Doku’ to his flute-leavened fusion of gqom and Kongo tekno in the rolling thunder of ‘戦 Ikusa’.
He whips it slower, dread-heavy on the industrialised stepper ‘狼煙 Noroshi’, and rounds off with a strong piece of grime x drill akin Nammy Wams in the finishing move ‘砂 Suna’.
Tokyo’s T5UMUT5UMU raids gqom, grime, dubstep, Kongo tekno, and whatever the fuck they like, for a ruggedly recombinant club sound on Berlin’s Sneaker Social Club
Since debuting in 2017, T5UMUT5UMU has sustained a blitz of self-released tackle that led to his appearance on Kampala’s Hakuna Kulala with ‘Sea of Trees’ in 2022, and now this rough-hewn bag of hammers with Berlin’s bassbin outliers, which they identify as the “kind of inventive progression of bass music Sneaker is built on.” Stepping into a slipstream of Japanese bass music already explored by likes of Goth Trad and Mars89, T5UMUT5UMU exerts their own sense of discipline and reading of soundsystem vernacular in five parts that swagger from the urgent, mutant sublow pressure of ‘武者 Musha’ and sino-grime halfstep of ‘蠱毒 Ko Doku’ to his flute-leavened fusion of gqom and Kongo tekno in the rolling thunder of ‘戦 Ikusa’.
He whips it slower, dread-heavy on the industrialised stepper ‘狼煙 Noroshi’, and rounds off with a strong piece of grime x drill akin Nammy Wams in the finishing move ‘砂 Suna’.