Recorded in 1974, 'Gelb' (known as the yellow album) is an interesting sidestep for Schnitzler, made up of short, melodic synth expressions rather than long-form experiments.
Like many of Schnitzler's solo releases in the '70s and '80s, 'Gelb' was available only in small quantities for years - first released as 'The Black Cassette' shortly after it was recorded, and later released as an LP on Berlin-based artist René Block's private press imprint. Even if you're familiar with Schnitzler's output at this time, 'Gelb' is one of his more surprising releases, showing his mindset as he experimented with different recording techniques and compositional forms.
Comprised of 12 modest tracks (this reissue comes bundled with three lengthier bonuses), it's some of Schnitzler's most gentle sets, filled with light-hearted improvisations and subtle drum machine workouts that wouldn't sound out of place on one of Cluster's LPs.
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Recorded in 1974, 'Gelb' (known as the yellow album) is an interesting sidestep for Schnitzler, made up of short, melodic synth expressions rather than long-form experiments.
Like many of Schnitzler's solo releases in the '70s and '80s, 'Gelb' was available only in small quantities for years - first released as 'The Black Cassette' shortly after it was recorded, and later released as an LP on Berlin-based artist René Block's private press imprint. Even if you're familiar with Schnitzler's output at this time, 'Gelb' is one of his more surprising releases, showing his mindset as he experimented with different recording techniques and compositional forms.
Comprised of 12 modest tracks (this reissue comes bundled with three lengthier bonuses), it's some of Schnitzler's most gentle sets, filled with light-hearted improvisations and subtle drum machine workouts that wouldn't sound out of place on one of Cluster's LPs.
Recorded in 1974, 'Gelb' (known as the yellow album) is an interesting sidestep for Schnitzler, made up of short, melodic synth expressions rather than long-form experiments.
Like many of Schnitzler's solo releases in the '70s and '80s, 'Gelb' was available only in small quantities for years - first released as 'The Black Cassette' shortly after it was recorded, and later released as an LP on Berlin-based artist René Block's private press imprint. Even if you're familiar with Schnitzler's output at this time, 'Gelb' is one of his more surprising releases, showing his mindset as he experimented with different recording techniques and compositional forms.
Comprised of 12 modest tracks (this reissue comes bundled with three lengthier bonuses), it's some of Schnitzler's most gentle sets, filled with light-hearted improvisations and subtle drum machine workouts that wouldn't sound out of place on one of Cluster's LPs.
Recorded in 1974, 'Gelb' (known as the yellow album) is an interesting sidestep for Schnitzler, made up of short, melodic synth expressions rather than long-form experiments.
Like many of Schnitzler's solo releases in the '70s and '80s, 'Gelb' was available only in small quantities for years - first released as 'The Black Cassette' shortly after it was recorded, and later released as an LP on Berlin-based artist René Block's private press imprint. Even if you're familiar with Schnitzler's output at this time, 'Gelb' is one of his more surprising releases, showing his mindset as he experimented with different recording techniques and compositional forms.
Comprised of 12 modest tracks (this reissue comes bundled with three lengthier bonuses), it's some of Schnitzler's most gentle sets, filled with light-hearted improvisations and subtle drum machine workouts that wouldn't sound out of place on one of Cluster's LPs.
Embossed, reverse board, hand numbered, limited edition yellow vinyl. 500 copies only.
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Recorded in 1974, 'Gelb' (known as the yellow album) is an interesting sidestep for Schnitzler, made up of short, melodic synth expressions rather than long-form experiments.
Like many of Schnitzler's solo releases in the '70s and '80s, 'Gelb' was available only in small quantities for years - first released as 'The Black Cassette' shortly after it was recorded, and later released as an LP on Berlin-based artist René Block's private press imprint. Even if you're familiar with Schnitzler's output at this time, 'Gelb' is one of his more surprising releases, showing his mindset as he experimented with different recording techniques and compositional forms.
Comprised of 12 modest tracks (this reissue comes bundled with three lengthier bonuses), it's some of Schnitzler's most gentle sets, filled with light-hearted improvisations and subtle drum machine workouts that wouldn't sound out of place on one of Cluster's LPs.