Gayest Tits & Greyest Shits 1998-2017 12-Inches & One-Offs
Queer deep house pioneer Terre Thaemlitz hustles her entire DJ Sprinkles solo catalogue beyond the seminal ‘Midtown 120 Blues’ album in a crucial 19-track set of NYC-via-Tokyo gold, including many tracks popping their digital cherries for the first time.
‘Gayest Tits & Greyest Shits: 1998-2017 12-inches & One-offs’ sums up twenty years of action deep in the bowels of house with a precious suite drawing from rare and hard-to-find pearls scattered between the late ‘90s and end of the last decade. They span the specificities of a sound rooted in the gay scene of NYC from the late ‘80s onward, testifying to the minimalist, bass-heavy style that Sprinkles played at DJ residencies in transsexual clubs and would later take to Tokyo after moving there at turn of the millennium. For our money they’re some of the strongest, most distinctive deep house cuts of our time, holding true to the fundamentals of a style that would become mistranslated, misunderstood, and coopted by successive waves of deep house dilettantes.
Newly collected and presented in tandem with the ‘Midtown 120 Blues’ reissue, the 19 heavyweight club grooves still kill the old way, focussing on proper jackers drums and sphincter-tickle levels of subbass sparingly ornamented with samples in purist integrations of function and politics that don’t throw the baby out with the bathwater. From the earliest Sprinkles cuts in ’Sloppy 42nds’ (1998), a tribute to the 42nd St. transsexual clubs destroyed by Walt Disney’s buyout of Times Square, and 2001’s ruddy nods to that classic Adonis motif in ‘Bassline.89’, thru to proper red-lit basement pressure in ‘Glorimar’s Whore House’, puckered darkroom suss in ‘Kissing Costs Extra’ or ‘Masturjakor’, and up to the heart-punching 10min+ reworks of his Terre Thaemlitz material, it’s a totally unmissable set for proper house heads and far beyond. It’s a document of phase-shifting times helmed by one of the most interesting and important artists of our age.
Please remember that we support Terre and Comatonse Recordings' efforts to keep projects offline, minor, and acting queerly. When purchasing this item, we ask you to refrain from uploading and indiscriminate sharing in any form. <3
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Back in stock. Two CDs in an archival pouch with two double-sided insert cards, phonograph style anti-static inner sleeves, and 4x4 panel poster insert printed on newsprint , hand assembled by Terre herself
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Queer deep house pioneer Terre Thaemlitz hustles her entire DJ Sprinkles solo catalogue beyond the seminal ‘Midtown 120 Blues’ album in a crucial 19-track set of NYC-via-Tokyo gold, including many tracks popping their digital cherries for the first time.
‘Gayest Tits & Greyest Shits: 1998-2017 12-inches & One-offs’ sums up twenty years of action deep in the bowels of house with a precious suite drawing from rare and hard-to-find pearls scattered between the late ‘90s and end of the last decade. They span the specificities of a sound rooted in the gay scene of NYC from the late ‘80s onward, testifying to the minimalist, bass-heavy style that Sprinkles played at DJ residencies in transsexual clubs and would later take to Tokyo after moving there at turn of the millennium. For our money they’re some of the strongest, most distinctive deep house cuts of our time, holding true to the fundamentals of a style that would become mistranslated, misunderstood, and coopted by successive waves of deep house dilettantes.
Newly collected and presented in tandem with the ‘Midtown 120 Blues’ reissue, the 19 heavyweight club grooves still kill the old way, focussing on proper jackers drums and sphincter-tickle levels of subbass sparingly ornamented with samples in purist integrations of function and politics that don’t throw the baby out with the bathwater. From the earliest Sprinkles cuts in ’Sloppy 42nds’ (1998), a tribute to the 42nd St. transsexual clubs destroyed by Walt Disney’s buyout of Times Square, and 2001’s ruddy nods to that classic Adonis motif in ‘Bassline.89’, thru to proper red-lit basement pressure in ‘Glorimar’s Whore House’, puckered darkroom suss in ‘Kissing Costs Extra’ or ‘Masturjakor’, and up to the heart-punching 10min+ reworks of his Terre Thaemlitz material, it’s a totally unmissable set for proper house heads and far beyond. It’s a document of phase-shifting times helmed by one of the most interesting and important artists of our age.
Please remember that we support Terre and Comatonse Recordings' efforts to keep projects offline, minor, and acting queerly. When purchasing this item, we ask you to refrain from uploading and indiscriminate sharing in any form. <3