Zomby makes a compelling change of tack with the ruggedly direct techno rolige of GASP!, finding him carving somewhere between Actress’ hazy funk and fog and Regis’ techno swagger in his first new dispatch since the Ultra album for Hyperdub.
It’s really all about the exclamatory title track GASP!, a proper deep club cut if we’ve ever heard one, built around booming, offset kicks and pendulous metallic bleeps against acres of suggestively foggy, negative space before slowing to a crumpled, whiteying heap in heavily satisfying style.
The frictional electro-funk and fizzing detail of ZKITTLEZ is perhaps closest to Actress, but definitely Zomby in terms of its in-the-pocket economy and effect, while ZPRITE finds him veering off into really bombed out zones among the most abstract in his catalogue.
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Zomby makes a compelling change of tack with the ruggedly direct techno rolige of GASP!, finding him carving somewhere between Actress’ hazy funk and fog and Regis’ techno swagger in his first new dispatch since the Ultra album for Hyperdub.
It’s really all about the exclamatory title track GASP!, a proper deep club cut if we’ve ever heard one, built around booming, offset kicks and pendulous metallic bleeps against acres of suggestively foggy, negative space before slowing to a crumpled, whiteying heap in heavily satisfying style.
The frictional electro-funk and fizzing detail of ZKITTLEZ is perhaps closest to Actress, but definitely Zomby in terms of its in-the-pocket economy and effect, while ZPRITE finds him veering off into really bombed out zones among the most abstract in his catalogue.
Zomby makes a compelling change of tack with the ruggedly direct techno rolige of GASP!, finding him carving somewhere between Actress’ hazy funk and fog and Regis’ techno swagger in his first new dispatch since the Ultra album for Hyperdub.
It’s really all about the exclamatory title track GASP!, a proper deep club cut if we’ve ever heard one, built around booming, offset kicks and pendulous metallic bleeps against acres of suggestively foggy, negative space before slowing to a crumpled, whiteying heap in heavily satisfying style.
The frictional electro-funk and fizzing detail of ZKITTLEZ is perhaps closest to Actress, but definitely Zomby in terms of its in-the-pocket economy and effect, while ZPRITE finds him veering off into really bombed out zones among the most abstract in his catalogue.
Zomby makes a compelling change of tack with the ruggedly direct techno rolige of GASP!, finding him carving somewhere between Actress’ hazy funk and fog and Regis’ techno swagger in his first new dispatch since the Ultra album for Hyperdub.
It’s really all about the exclamatory title track GASP!, a proper deep club cut if we’ve ever heard one, built around booming, offset kicks and pendulous metallic bleeps against acres of suggestively foggy, negative space before slowing to a crumpled, whiteying heap in heavily satisfying style.
The frictional electro-funk and fizzing detail of ZKITTLEZ is perhaps closest to Actress, but definitely Zomby in terms of its in-the-pocket economy and effect, while ZPRITE finds him veering off into really bombed out zones among the most abstract in his catalogue.
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Zomby makes a compelling change of tack with the ruggedly direct techno rolige of GASP!, finding him carving somewhere between Actress’ hazy funk and fog and Regis’ techno swagger in his first new dispatch since the Ultra album for Hyperdub.
It’s really all about the exclamatory title track GASP!, a proper deep club cut if we’ve ever heard one, built around booming, offset kicks and pendulous metallic bleeps against acres of suggestively foggy, negative space before slowing to a crumpled, whiteying heap in heavily satisfying style.
The frictional electro-funk and fizzing detail of ZKITTLEZ is perhaps closest to Actress, but definitely Zomby in terms of its in-the-pocket economy and effect, while ZPRITE finds him veering off into really bombed out zones among the most abstract in his catalogue.