A companion album to last year's 'Phosphenes', 'Galaxy Heart' matches Moss's vocals, violin and electronics with spiky percussion from Dirty Three's Jim White and bass from Godspeed's Thierry Amar.
Like its foggy predecessor "Phosphenes", Thee Silver Mt. Zion Memorial Orchestra's Jessica Moss wrote "Galaxy Heart" in lockdown, channeling her stifled energy into a sequence of songs that encapsulated the complexity of her emotional state. Finding a personal mid-point between folk, rock, experimental music and heady ambient textures, Moss is able to tightrope walk through precarious territory. Her most successful moments are the least expected ones: 'Is There Room For All Of It' is an early highlight, a carnivalesque patter of drums (from Dirty Three's Jim White, who recorded the material remotely), organs and vocals that sounds like a lost cue from Angelo Badalamenti's underrated "City of Lost Children" soundtrack.
The lengthy title track is another important moment that catches Moss at a creative crossroads. The smoldering electric folk that rooted her work with Silver Mt. Zion is unveiled completely here, but calmed with oddball industrial percussion and swirling Grouper-esque vocals. When Moss leans into her folk inspirations the album is even more arresting - our favorite moment is 'Undirected', an early-modern violin short that carries a sad soul across choppy seas.
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A companion album to last year's 'Phosphenes', 'Galaxy Heart' matches Moss's vocals, violin and electronics with spiky percussion from Dirty Three's Jim White and bass from Godspeed's Thierry Amar.
Like its foggy predecessor "Phosphenes", Thee Silver Mt. Zion Memorial Orchestra's Jessica Moss wrote "Galaxy Heart" in lockdown, channeling her stifled energy into a sequence of songs that encapsulated the complexity of her emotional state. Finding a personal mid-point between folk, rock, experimental music and heady ambient textures, Moss is able to tightrope walk through precarious territory. Her most successful moments are the least expected ones: 'Is There Room For All Of It' is an early highlight, a carnivalesque patter of drums (from Dirty Three's Jim White, who recorded the material remotely), organs and vocals that sounds like a lost cue from Angelo Badalamenti's underrated "City of Lost Children" soundtrack.
The lengthy title track is another important moment that catches Moss at a creative crossroads. The smoldering electric folk that rooted her work with Silver Mt. Zion is unveiled completely here, but calmed with oddball industrial percussion and swirling Grouper-esque vocals. When Moss leans into her folk inspirations the album is even more arresting - our favorite moment is 'Undirected', an early-modern violin short that carries a sad soul across choppy seas.
A companion album to last year's 'Phosphenes', 'Galaxy Heart' matches Moss's vocals, violin and electronics with spiky percussion from Dirty Three's Jim White and bass from Godspeed's Thierry Amar.
Like its foggy predecessor "Phosphenes", Thee Silver Mt. Zion Memorial Orchestra's Jessica Moss wrote "Galaxy Heart" in lockdown, channeling her stifled energy into a sequence of songs that encapsulated the complexity of her emotional state. Finding a personal mid-point between folk, rock, experimental music and heady ambient textures, Moss is able to tightrope walk through precarious territory. Her most successful moments are the least expected ones: 'Is There Room For All Of It' is an early highlight, a carnivalesque patter of drums (from Dirty Three's Jim White, who recorded the material remotely), organs and vocals that sounds like a lost cue from Angelo Badalamenti's underrated "City of Lost Children" soundtrack.
The lengthy title track is another important moment that catches Moss at a creative crossroads. The smoldering electric folk that rooted her work with Silver Mt. Zion is unveiled completely here, but calmed with oddball industrial percussion and swirling Grouper-esque vocals. When Moss leans into her folk inspirations the album is even more arresting - our favorite moment is 'Undirected', an early-modern violin short that carries a sad soul across choppy seas.
A companion album to last year's 'Phosphenes', 'Galaxy Heart' matches Moss's vocals, violin and electronics with spiky percussion from Dirty Three's Jim White and bass from Godspeed's Thierry Amar.
Like its foggy predecessor "Phosphenes", Thee Silver Mt. Zion Memorial Orchestra's Jessica Moss wrote "Galaxy Heart" in lockdown, channeling her stifled energy into a sequence of songs that encapsulated the complexity of her emotional state. Finding a personal mid-point between folk, rock, experimental music and heady ambient textures, Moss is able to tightrope walk through precarious territory. Her most successful moments are the least expected ones: 'Is There Room For All Of It' is an early highlight, a carnivalesque patter of drums (from Dirty Three's Jim White, who recorded the material remotely), organs and vocals that sounds like a lost cue from Angelo Badalamenti's underrated "City of Lost Children" soundtrack.
The lengthy title track is another important moment that catches Moss at a creative crossroads. The smoldering electric folk that rooted her work with Silver Mt. Zion is unveiled completely here, but calmed with oddball industrial percussion and swirling Grouper-esque vocals. When Moss leans into her folk inspirations the album is even more arresting - our favorite moment is 'Undirected', an early-modern violin short that carries a sad soul across choppy seas.
180g LP pressed at Optimal with 350gsm Arktika jacket + 300gsm Arktika inner.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
A companion album to last year's 'Phosphenes', 'Galaxy Heart' matches Moss's vocals, violin and electronics with spiky percussion from Dirty Three's Jim White and bass from Godspeed's Thierry Amar.
Like its foggy predecessor "Phosphenes", Thee Silver Mt. Zion Memorial Orchestra's Jessica Moss wrote "Galaxy Heart" in lockdown, channeling her stifled energy into a sequence of songs that encapsulated the complexity of her emotional state. Finding a personal mid-point between folk, rock, experimental music and heady ambient textures, Moss is able to tightrope walk through precarious territory. Her most successful moments are the least expected ones: 'Is There Room For All Of It' is an early highlight, a carnivalesque patter of drums (from Dirty Three's Jim White, who recorded the material remotely), organs and vocals that sounds like a lost cue from Angelo Badalamenti's underrated "City of Lost Children" soundtrack.
The lengthy title track is another important moment that catches Moss at a creative crossroads. The smoldering electric folk that rooted her work with Silver Mt. Zion is unveiled completely here, but calmed with oddball industrial percussion and swirling Grouper-esque vocals. When Moss leans into her folk inspirations the album is even more arresting - our favorite moment is 'Undirected', an early-modern violin short that carries a sad soul across choppy seas.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
A companion album to last year's 'Phosphenes', 'Galaxy Heart' matches Moss's vocals, violin and electronics with spiky percussion from Dirty Three's Jim White and bass from Godspeed's Thierry Amar.
Like its foggy predecessor "Phosphenes", Thee Silver Mt. Zion Memorial Orchestra's Jessica Moss wrote "Galaxy Heart" in lockdown, channeling her stifled energy into a sequence of songs that encapsulated the complexity of her emotional state. Finding a personal mid-point between folk, rock, experimental music and heady ambient textures, Moss is able to tightrope walk through precarious territory. Her most successful moments are the least expected ones: 'Is There Room For All Of It' is an early highlight, a carnivalesque patter of drums (from Dirty Three's Jim White, who recorded the material remotely), organs and vocals that sounds like a lost cue from Angelo Badalamenti's underrated "City of Lost Children" soundtrack.
The lengthy title track is another important moment that catches Moss at a creative crossroads. The smoldering electric folk that rooted her work with Silver Mt. Zion is unveiled completely here, but calmed with oddball industrial percussion and swirling Grouper-esque vocals. When Moss leans into her folk inspirations the album is even more arresting - our favorite moment is 'Undirected', an early-modern violin short that carries a sad soul across choppy seas.