Boomkat Product Review:
"Fury and Hecla is a meeting of worlds. Named after a near mid-point between the residences of artists Fieldhead and Loscil, it explores both the familiar and the foreign. Although not a collaboration in the strictest sense, sounds were shared by each artist allowing for a sort of aural infusion between the compositions. The results are a series of fragments and quotes that appear and reappear - sometimes in ghostly form - throughout each artist’s tracks. The serene ambient compositions of loscil come courtesy of Vancouver-based musician Scott Morgan. Taking his moniker from the “looping oscillator” function in the computer music language Csound, Morgan uses custom made Max for Live devices and the occasional live instrument to build robust, droning soundscapes. Morgan cites influences including krautrock pioneers Cluster, minimalist composer Gavin Bryars, and a wealth of film music composers. Fieldhead is Paul Elam. He produces ambient/electronic music that delights in tape hiss, geography, bleak landscapes and decaying analogue loops. He is ably assisted by violinist and long term collaborator Elaine Reynolds (The Boats, The Declining Winter). Formed in Leeds, UK in 2008, Fieldhead released a number of EPs and the critically acclaimed album They Shook Hands for Hours (Home Assembly Music, 2009) before relocating to Vancouver, BC in 2010. Whilst residing in Canada, Paul busied himself with remixing the likes of Epic45, Conquering Animal Sound and Brave Timbers and recording Fieldhead's second album, 'a correction'. 'a correction' was released to wide acclaim on Gizeh Records in late October 2012. The new album builds on the love of melody, brevity and dusty atmosphere to be found in previous releases, but also adds a widescreen expansiveness in keeping with the vastness of the landscape it was created in. Paul returned to the UK to take up residence in Newcastle Upon Tyne in 2012."