Surprise drop from Shackleton, his first of 2018, following up ’Behind The Glass’ on this Woe To The Septic Heart! label
There’s a discernible Far Eastern bent to both tracks, nodding in the direction of Indonesian percussive styles from Uwalmassa or Senyawa, but still with that outernational nous that also lends it to comparison with Ekuka’s Ugandan thumb piano recordings or Psychic Warriors of Gaia style tribal techno.
‘Furnace of Guts’ is a mercurial, polychromatic flow of stuttering voices, glinting high register percussion and wriggling bottom end feathered into increasingly noisy, knotted formations, while ‘Wakefulness and Obsession’ is more potently hypnotic, droning and viscous.
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Surprise drop from Shackleton, his first of 2018, following up ’Behind The Glass’ on this Woe To The Septic Heart! label
There’s a discernible Far Eastern bent to both tracks, nodding in the direction of Indonesian percussive styles from Uwalmassa or Senyawa, but still with that outernational nous that also lends it to comparison with Ekuka’s Ugandan thumb piano recordings or Psychic Warriors of Gaia style tribal techno.
‘Furnace of Guts’ is a mercurial, polychromatic flow of stuttering voices, glinting high register percussion and wriggling bottom end feathered into increasingly noisy, knotted formations, while ‘Wakefulness and Obsession’ is more potently hypnotic, droning and viscous.
Surprise drop from Shackleton, his first of 2018, following up ’Behind The Glass’ on this Woe To The Septic Heart! label
There’s a discernible Far Eastern bent to both tracks, nodding in the direction of Indonesian percussive styles from Uwalmassa or Senyawa, but still with that outernational nous that also lends it to comparison with Ekuka’s Ugandan thumb piano recordings or Psychic Warriors of Gaia style tribal techno.
‘Furnace of Guts’ is a mercurial, polychromatic flow of stuttering voices, glinting high register percussion and wriggling bottom end feathered into increasingly noisy, knotted formations, while ‘Wakefulness and Obsession’ is more potently hypnotic, droning and viscous.
Surprise drop from Shackleton, his first of 2018, following up ’Behind The Glass’ on this Woe To The Septic Heart! label
There’s a discernible Far Eastern bent to both tracks, nodding in the direction of Indonesian percussive styles from Uwalmassa or Senyawa, but still with that outernational nous that also lends it to comparison with Ekuka’s Ugandan thumb piano recordings or Psychic Warriors of Gaia style tribal techno.
‘Furnace of Guts’ is a mercurial, polychromatic flow of stuttering voices, glinting high register percussion and wriggling bottom end feathered into increasingly noisy, knotted formations, while ‘Wakefulness and Obsession’ is more potently hypnotic, droning and viscous.
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Surprise drop from Shackleton, his first of 2018, following up ’Behind The Glass’ on this Woe To The Septic Heart! label
There’s a discernible Far Eastern bent to both tracks, nodding in the direction of Indonesian percussive styles from Uwalmassa or Senyawa, but still with that outernational nous that also lends it to comparison with Ekuka’s Ugandan thumb piano recordings or Psychic Warriors of Gaia style tribal techno.
‘Furnace of Guts’ is a mercurial, polychromatic flow of stuttering voices, glinting high register percussion and wriggling bottom end feathered into increasingly noisy, knotted formations, while ‘Wakefulness and Obsession’ is more potently hypnotic, droning and viscous.