The Field’s lush debut album of sampledelic slow trance has surely proven itself among this century’s electronic music classics.
Now almost a teenager, 2007’s ‘From Here We Go Sublime’ was the first sign from Axel Willner’s now much-loved project. It was and still is dead fluffy, but of a sort that we can’t help but admit a nostalgic fondness for. It’s the sort of album that effortlessly appeals to all sides, with a rough, played-thru-live aesthetic that endears it to fence sitting “real” music lovers who slyly admit to liking electronics, but need to know that instruments were “played” or something happened in “real” time, as well as to lovers of sugary sweet pop-ambient who don’t like “dance” music, but can get down with this album’s genteel pacing and elegant arrangements.
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The Field’s lush debut album of sampledelic slow trance has surely proven itself among this century’s electronic music classics.
Now almost a teenager, 2007’s ‘From Here We Go Sublime’ was the first sign from Axel Willner’s now much-loved project. It was and still is dead fluffy, but of a sort that we can’t help but admit a nostalgic fondness for. It’s the sort of album that effortlessly appeals to all sides, with a rough, played-thru-live aesthetic that endears it to fence sitting “real” music lovers who slyly admit to liking electronics, but need to know that instruments were “played” or something happened in “real” time, as well as to lovers of sugary sweet pop-ambient who don’t like “dance” music, but can get down with this album’s genteel pacing and elegant arrangements.
The Field’s lush debut album of sampledelic slow trance has surely proven itself among this century’s electronic music classics.
Now almost a teenager, 2007’s ‘From Here We Go Sublime’ was the first sign from Axel Willner’s now much-loved project. It was and still is dead fluffy, but of a sort that we can’t help but admit a nostalgic fondness for. It’s the sort of album that effortlessly appeals to all sides, with a rough, played-thru-live aesthetic that endears it to fence sitting “real” music lovers who slyly admit to liking electronics, but need to know that instruments were “played” or something happened in “real” time, as well as to lovers of sugary sweet pop-ambient who don’t like “dance” music, but can get down with this album’s genteel pacing and elegant arrangements.
Gatefold 2LP. Includes download code.
Out of Stock
The Field’s lush debut album of sampledelic slow trance has surely proven itself among this century’s electronic music classics.
Now almost a teenager, 2007’s ‘From Here We Go Sublime’ was the first sign from Axel Willner’s now much-loved project. It was and still is dead fluffy, but of a sort that we can’t help but admit a nostalgic fondness for. It’s the sort of album that effortlessly appeals to all sides, with a rough, played-thru-live aesthetic that endears it to fence sitting “real” music lovers who slyly admit to liking electronics, but need to know that instruments were “played” or something happened in “real” time, as well as to lovers of sugary sweet pop-ambient who don’t like “dance” music, but can get down with this album’s genteel pacing and elegant arrangements.
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The Field’s lush debut album of sampledelic slow trance has surely proven itself among this century’s electronic music classics.
Now almost a teenager, 2007’s ‘From Here We Go Sublime’ was the first sign from Axel Willner’s now much-loved project. It was and still is dead fluffy, but of a sort that we can’t help but admit a nostalgic fondness for. It’s the sort of album that effortlessly appeals to all sides, with a rough, played-thru-live aesthetic that endears it to fence sitting “real” music lovers who slyly admit to liking electronics, but need to know that instruments were “played” or something happened in “real” time, as well as to lovers of sugary sweet pop-ambient who don’t like “dance” music, but can get down with this album’s genteel pacing and elegant arrangements.