Frkwys Vol. 11 : Contos De Lisboa
Mike Cooper & Steve Gunn
Frkwys Vol. 11 : Contos De Lisboa
Boomkat Product Review:
**A serene confluence of compatible styles, FRKWYS Vol.11 pits itinerant avant-blues bard Steve Cooper with "six string squire" Steve Gunn** "On Cantos de Lisboa, Gunn and Cooper take emotive cues from Fado, the regional music of Portugal, which is in close plaintive spirit to the blues. A melancholy seeps into the music, while steering a wide berth from any bummer notes or pastiche. Cooper’s sparse effects toolkit and stately, gliding cadences are nimbly employed, while Gunn’s ashen voice and steady strum lend an intensely organic feel to the album’s improvisatory portraits. The latter half of Cantos de Lisboa echoes the “saudade” theme as referenced in the blissful opening track, Cooper’s howl spiriting the Portuguese word that translates roughly into “loss” or “longing.” Saudade is said to be the core feature of Fado music. In Cantos de Lisboa, Saudade becomes a spirit inhabiting the album’s corners, but never disrupting the musicians’ collaborative evocations. In the hands of these two limitless guitarists, Cantos de Lisboa convenes in an abstract, almost field recorded take on lap-steel and American Primitive guitar styles. For the brief idyll, Gunn and Cooper’s collaboration is remarkably rich, marking their passage through Portugal not just as a time to revel in an ancient city, but a time for focused collaboration and creative consonance."
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Boomkat Product Review:
**A serene confluence of compatible styles, FRKWYS Vol.11 pits itinerant avant-blues bard Steve Cooper with "six string squire" Steve Gunn** "On Cantos de Lisboa, Gunn and Cooper take emotive cues from Fado, the regional music of Portugal, which is in close plaintive spirit to the blues. A melancholy seeps into the music, while steering a wide berth from any bummer notes or pastiche. Cooper’s sparse effects toolkit and stately, gliding cadences are nimbly employed, while Gunn’s ashen voice and steady strum lend an intensely organic feel to the album’s improvisatory portraits. The latter half of Cantos de Lisboa echoes the “saudade” theme as referenced in the blissful opening track, Cooper’s howl spiriting the Portuguese word that translates roughly into “loss” or “longing.” Saudade is said to be the core feature of Fado music. In Cantos de Lisboa, Saudade becomes a spirit inhabiting the album’s corners, but never disrupting the musicians’ collaborative evocations. In the hands of these two limitless guitarists, Cantos de Lisboa convenes in an abstract, almost field recorded take on lap-steel and American Primitive guitar styles. For the brief idyll, Gunn and Cooper’s collaboration is remarkably rich, marking their passage through Portugal not just as a time to revel in an ancient city, but a time for focused collaboration and creative consonance."
Boomkat Product Review:
**A serene confluence of compatible styles, FRKWYS Vol.11 pits itinerant avant-blues bard Steve Cooper with "six string squire" Steve Gunn** "On Cantos de Lisboa, Gunn and Cooper take emotive cues from Fado, the regional music of Portugal, which is in close plaintive spirit to the blues. A melancholy seeps into the music, while steering a wide berth from any bummer notes or pastiche. Cooper’s sparse effects toolkit and stately, gliding cadences are nimbly employed, while Gunn’s ashen voice and steady strum lend an intensely organic feel to the album’s improvisatory portraits. The latter half of Cantos de Lisboa echoes the “saudade” theme as referenced in the blissful opening track, Cooper’s howl spiriting the Portuguese word that translates roughly into “loss” or “longing.” Saudade is said to be the core feature of Fado music. In Cantos de Lisboa, Saudade becomes a spirit inhabiting the album’s corners, but never disrupting the musicians’ collaborative evocations. In the hands of these two limitless guitarists, Cantos de Lisboa convenes in an abstract, almost field recorded take on lap-steel and American Primitive guitar styles. For the brief idyll, Gunn and Cooper’s collaboration is remarkably rich, marking their passage through Portugal not just as a time to revel in an ancient city, but a time for focused collaboration and creative consonance."
Available To Order (Estimated Shipping between 1-3 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
**A serene confluence of compatible styles, FRKWYS Vol.11 pits itinerant avant-blues bard Steve Cooper with "six string squire" Steve Gunn** "On Cantos de Lisboa, Gunn and Cooper take emotive cues from Fado, the regional music of Portugal, which is in close plaintive spirit to the blues. A melancholy seeps into the music, while steering a wide berth from any bummer notes or pastiche. Cooper’s sparse effects toolkit and stately, gliding cadences are nimbly employed, while Gunn’s ashen voice and steady strum lend an intensely organic feel to the album’s improvisatory portraits. The latter half of Cantos de Lisboa echoes the “saudade” theme as referenced in the blissful opening track, Cooper’s howl spiriting the Portuguese word that translates roughly into “loss” or “longing.” Saudade is said to be the core feature of Fado music. In Cantos de Lisboa, Saudade becomes a spirit inhabiting the album’s corners, but never disrupting the musicians’ collaborative evocations. In the hands of these two limitless guitarists, Cantos de Lisboa convenes in an abstract, almost field recorded take on lap-steel and American Primitive guitar styles. For the brief idyll, Gunn and Cooper’s collaboration is remarkably rich, marking their passage through Portugal not just as a time to revel in an ancient city, but a time for focused collaboration and creative consonance."
Available To Order (Estimated Shipping between 1-3 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
**A serene confluence of compatible styles, FRKWYS Vol.11 pits itinerant avant-blues bard Steve Cooper with "six string squire" Steve Gunn** "On Cantos de Lisboa, Gunn and Cooper take emotive cues from Fado, the regional music of Portugal, which is in close plaintive spirit to the blues. A melancholy seeps into the music, while steering a wide berth from any bummer notes or pastiche. Cooper’s sparse effects toolkit and stately, gliding cadences are nimbly employed, while Gunn’s ashen voice and steady strum lend an intensely organic feel to the album’s improvisatory portraits. The latter half of Cantos de Lisboa echoes the “saudade” theme as referenced in the blissful opening track, Cooper’s howl spiriting the Portuguese word that translates roughly into “loss” or “longing.” Saudade is said to be the core feature of Fado music. In Cantos de Lisboa, Saudade becomes a spirit inhabiting the album’s corners, but never disrupting the musicians’ collaborative evocations. In the hands of these two limitless guitarists, Cantos de Lisboa convenes in an abstract, almost field recorded take on lap-steel and American Primitive guitar styles. For the brief idyll, Gunn and Cooper’s collaboration is remarkably rich, marking their passage through Portugal not just as a time to revel in an ancient city, but a time for focused collaboration and creative consonance."
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