Mick Harris’ cult ’95 broken techno missiles as Fret find a new home on Simon Shreeve’s Osiris Music UK
Lodged somewhere between Caustic Window-era AFX and your darkest warehouse fantasies, lies Fret - once a one-off project by Napalm Death drummer-turned-bassbin bully Mick Harris, that has been regenerated to acclaim in more recent years. Long a secret sauce in DJ sets, and the preserve of more ardent techno collectors, the original trio of Fret tracks have withstood the test of time by their minimalist, future-proofed production and a hefty, offbeat clank and bleached out tone that has come to dominate certain strains of techno, not least British Murder Boys and Regis solo works.
Between the dank warehouse voodoo of ’Stuck’ with its SAW II-alike atmosphere and resonant tump, the shifty sidewinder ‘Bike’, and the chain-flexing techno step of ‘Fuss’, you’re int he presence of proper darkside UK dance music that jogs the dots between original industrial and its contemporary echoes via the restless experimentalism of ‘90s techno and electronica.
Tight lines!
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Mick Harris’ cult ’95 broken techno missiles as Fret find a new home on Simon Shreeve’s Osiris Music UK
Lodged somewhere between Caustic Window-era AFX and your darkest warehouse fantasies, lies Fret - once a one-off project by Napalm Death drummer-turned-bassbin bully Mick Harris, that has been regenerated to acclaim in more recent years. Long a secret sauce in DJ sets, and the preserve of more ardent techno collectors, the original trio of Fret tracks have withstood the test of time by their minimalist, future-proofed production and a hefty, offbeat clank and bleached out tone that has come to dominate certain strains of techno, not least British Murder Boys and Regis solo works.
Between the dank warehouse voodoo of ’Stuck’ with its SAW II-alike atmosphere and resonant tump, the shifty sidewinder ‘Bike’, and the chain-flexing techno step of ‘Fuss’, you’re int he presence of proper darkside UK dance music that jogs the dots between original industrial and its contemporary echoes via the restless experimentalism of ‘90s techno and electronica.
Tight lines!
Mick Harris’ cult ’95 broken techno missiles as Fret find a new home on Simon Shreeve’s Osiris Music UK
Lodged somewhere between Caustic Window-era AFX and your darkest warehouse fantasies, lies Fret - once a one-off project by Napalm Death drummer-turned-bassbin bully Mick Harris, that has been regenerated to acclaim in more recent years. Long a secret sauce in DJ sets, and the preserve of more ardent techno collectors, the original trio of Fret tracks have withstood the test of time by their minimalist, future-proofed production and a hefty, offbeat clank and bleached out tone that has come to dominate certain strains of techno, not least British Murder Boys and Regis solo works.
Between the dank warehouse voodoo of ’Stuck’ with its SAW II-alike atmosphere and resonant tump, the shifty sidewinder ‘Bike’, and the chain-flexing techno step of ‘Fuss’, you’re int he presence of proper darkside UK dance music that jogs the dots between original industrial and its contemporary echoes via the restless experimentalism of ‘90s techno and electronica.
Tight lines!
Mick Harris’ cult ’95 broken techno missiles as Fret find a new home on Simon Shreeve’s Osiris Music UK
Lodged somewhere between Caustic Window-era AFX and your darkest warehouse fantasies, lies Fret - once a one-off project by Napalm Death drummer-turned-bassbin bully Mick Harris, that has been regenerated to acclaim in more recent years. Long a secret sauce in DJ sets, and the preserve of more ardent techno collectors, the original trio of Fret tracks have withstood the test of time by their minimalist, future-proofed production and a hefty, offbeat clank and bleached out tone that has come to dominate certain strains of techno, not least British Murder Boys and Regis solo works.
Between the dank warehouse voodoo of ’Stuck’ with its SAW II-alike atmosphere and resonant tump, the shifty sidewinder ‘Bike’, and the chain-flexing techno step of ‘Fuss’, you’re int he presence of proper darkside UK dance music that jogs the dots between original industrial and its contemporary echoes via the restless experimentalism of ‘90s techno and electronica.
Tight lines!