Longtime synth fondler Darwin Grosse gets intimately familiar with his Korg ARP 2600 FS, a remodel of the classic ‘70s semi-modular machine, for the One Instrument series
An experienced collaborator with Gregory Taylor for K. Leimer’s Palace of Lights, Darwin Grosse brings an elegant touch to his elected instrument, chosen because “he loves the ARP 2600 not for its complexity, but for the purity of its sound”, which flows from each of the eight tracks, from the dawning glow of ‘Bainbridge Sunrise’ to his painterly evocation of Japanese environmental music in ‘Water Lily’, tapping into a fine vein of new age sensitivity on ‘I Cry When I Think Of You’, and redolent of early 0PN in ‘Power Grid’, with a real standout moment in the plushly buoyant sub-bass strokes and iridescent chimes of ‘Translucent They’.
View more
Longtime synth fondler Darwin Grosse gets intimately familiar with his Korg ARP 2600 FS, a remodel of the classic ‘70s semi-modular machine, for the One Instrument series
An experienced collaborator with Gregory Taylor for K. Leimer’s Palace of Lights, Darwin Grosse brings an elegant touch to his elected instrument, chosen because “he loves the ARP 2600 not for its complexity, but for the purity of its sound”, which flows from each of the eight tracks, from the dawning glow of ‘Bainbridge Sunrise’ to his painterly evocation of Japanese environmental music in ‘Water Lily’, tapping into a fine vein of new age sensitivity on ‘I Cry When I Think Of You’, and redolent of early 0PN in ‘Power Grid’, with a real standout moment in the plushly buoyant sub-bass strokes and iridescent chimes of ‘Translucent They’.
Longtime synth fondler Darwin Grosse gets intimately familiar with his Korg ARP 2600 FS, a remodel of the classic ‘70s semi-modular machine, for the One Instrument series
An experienced collaborator with Gregory Taylor for K. Leimer’s Palace of Lights, Darwin Grosse brings an elegant touch to his elected instrument, chosen because “he loves the ARP 2600 not for its complexity, but for the purity of its sound”, which flows from each of the eight tracks, from the dawning glow of ‘Bainbridge Sunrise’ to his painterly evocation of Japanese environmental music in ‘Water Lily’, tapping into a fine vein of new age sensitivity on ‘I Cry When I Think Of You’, and redolent of early 0PN in ‘Power Grid’, with a real standout moment in the plushly buoyant sub-bass strokes and iridescent chimes of ‘Translucent They’.
Longtime synth fondler Darwin Grosse gets intimately familiar with his Korg ARP 2600 FS, a remodel of the classic ‘70s semi-modular machine, for the One Instrument series
An experienced collaborator with Gregory Taylor for K. Leimer’s Palace of Lights, Darwin Grosse brings an elegant touch to his elected instrument, chosen because “he loves the ARP 2600 not for its complexity, but for the purity of its sound”, which flows from each of the eight tracks, from the dawning glow of ‘Bainbridge Sunrise’ to his painterly evocation of Japanese environmental music in ‘Water Lily’, tapping into a fine vein of new age sensitivity on ‘I Cry When I Think Of You’, and redolent of early 0PN in ‘Power Grid’, with a real standout moment in the plushly buoyant sub-bass strokes and iridescent chimes of ‘Translucent They’.