London's Church present a breezy but driving debut album from close associate, Viers.
'Feesia' plumbs a deeper line of modern UK techno-house, favouring an efficient lightness of touch and oneiric atmosphere over anything that could be described as harsh or brutalist.
In that sense it dovetails nicely with the the output of Germany's Giegling or Smallville Records, fanning out from the flanging swing of 'Finding Work' thru the hypnotically insistent pulse of 'Jiro' and the deft dub-techno of 'Moonlight' to the album's pressurised apex of Edit Select-style hydraulics in 'Haruka' and a vintage Carl Craig nod in 'Amber'.
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London's Church present a breezy but driving debut album from close associate, Viers.
'Feesia' plumbs a deeper line of modern UK techno-house, favouring an efficient lightness of touch and oneiric atmosphere over anything that could be described as harsh or brutalist.
In that sense it dovetails nicely with the the output of Germany's Giegling or Smallville Records, fanning out from the flanging swing of 'Finding Work' thru the hypnotically insistent pulse of 'Jiro' and the deft dub-techno of 'Moonlight' to the album's pressurised apex of Edit Select-style hydraulics in 'Haruka' and a vintage Carl Craig nod in 'Amber'.
London's Church present a breezy but driving debut album from close associate, Viers.
'Feesia' plumbs a deeper line of modern UK techno-house, favouring an efficient lightness of touch and oneiric atmosphere over anything that could be described as harsh or brutalist.
In that sense it dovetails nicely with the the output of Germany's Giegling or Smallville Records, fanning out from the flanging swing of 'Finding Work' thru the hypnotically insistent pulse of 'Jiro' and the deft dub-techno of 'Moonlight' to the album's pressurised apex of Edit Select-style hydraulics in 'Haruka' and a vintage Carl Craig nod in 'Amber'.
London's Church present a breezy but driving debut album from close associate, Viers.
'Feesia' plumbs a deeper line of modern UK techno-house, favouring an efficient lightness of touch and oneiric atmosphere over anything that could be described as harsh or brutalist.
In that sense it dovetails nicely with the the output of Germany's Giegling or Smallville Records, fanning out from the flanging swing of 'Finding Work' thru the hypnotically insistent pulse of 'Jiro' and the deft dub-techno of 'Moonlight' to the album's pressurised apex of Edit Select-style hydraulics in 'Haruka' and a vintage Carl Craig nod in 'Amber'.
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London's Church present a breezy but driving debut album from close associate, Viers.
'Feesia' plumbs a deeper line of modern UK techno-house, favouring an efficient lightness of touch and oneiric atmosphere over anything that could be described as harsh or brutalist.
In that sense it dovetails nicely with the the output of Germany's Giegling or Smallville Records, fanning out from the flanging swing of 'Finding Work' thru the hypnotically insistent pulse of 'Jiro' and the deft dub-techno of 'Moonlight' to the album's pressurised apex of Edit Select-style hydraulics in 'Haruka' and a vintage Carl Craig nod in 'Amber'.