Æthenor's Daniel O'Sullivan impresses again with a second set of off-kilter library music. There's no breakbeats here - O'Sullivan tracks across vast musical territory skirting Indian raga, dense electronic ambient, early synth music, psychedelic folk, choral music and plenty more.
Following last year's silky smooth "Electric Māyā", O'Sullivan's latest library excursion is a deep dive into his meditative realm. It's hard to imagine a lot of this music being used for TV, but that's what makes it better than you'd hope.
O'Sullivan is at his best when he sounds most angelic, like on opening track 'Perpetual Ascension', the choral 'Palo Sagrado' and the striking, church-bell led 'Head in the Bellfry'. Paper Dollhouse's Astrud Steeholder assists on the latter, and on the poppy 'Orgone Attenuation' that sounds almost like The Knife.
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Æthenor's Daniel O'Sullivan impresses again with a second set of off-kilter library music. There's no breakbeats here - O'Sullivan tracks across vast musical territory skirting Indian raga, dense electronic ambient, early synth music, psychedelic folk, choral music and plenty more.
Following last year's silky smooth "Electric Māyā", O'Sullivan's latest library excursion is a deep dive into his meditative realm. It's hard to imagine a lot of this music being used for TV, but that's what makes it better than you'd hope.
O'Sullivan is at his best when he sounds most angelic, like on opening track 'Perpetual Ascension', the choral 'Palo Sagrado' and the striking, church-bell led 'Head in the Bellfry'. Paper Dollhouse's Astrud Steeholder assists on the latter, and on the poppy 'Orgone Attenuation' that sounds almost like The Knife.
24 bit
Æthenor's Daniel O'Sullivan impresses again with a second set of off-kilter library music. There's no breakbeats here - O'Sullivan tracks across vast musical territory skirting Indian raga, dense electronic ambient, early synth music, psychedelic folk, choral music and plenty more.
Following last year's silky smooth "Electric Māyā", O'Sullivan's latest library excursion is a deep dive into his meditative realm. It's hard to imagine a lot of this music being used for TV, but that's what makes it better than you'd hope.
O'Sullivan is at his best when he sounds most angelic, like on opening track 'Perpetual Ascension', the choral 'Palo Sagrado' and the striking, church-bell led 'Head in the Bellfry'. Paper Dollhouse's Astrud Steeholder assists on the latter, and on the poppy 'Orgone Attenuation' that sounds almost like The Knife.
24 bit
Æthenor's Daniel O'Sullivan impresses again with a second set of off-kilter library music. There's no breakbeats here - O'Sullivan tracks across vast musical territory skirting Indian raga, dense electronic ambient, early synth music, psychedelic folk, choral music and plenty more.
Following last year's silky smooth "Electric Māyā", O'Sullivan's latest library excursion is a deep dive into his meditative realm. It's hard to imagine a lot of this music being used for TV, but that's what makes it better than you'd hope.
O'Sullivan is at his best when he sounds most angelic, like on opening track 'Perpetual Ascension', the choral 'Palo Sagrado' and the striking, church-bell led 'Head in the Bellfry'. Paper Dollhouse's Astrud Steeholder assists on the latter, and on the poppy 'Orgone Attenuation' that sounds almost like The Knife.
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Æthenor's Daniel O'Sullivan impresses again with a second set of off-kilter library music. There's no breakbeats here - O'Sullivan tracks across vast musical territory skirting Indian raga, dense electronic ambient, early synth music, psychedelic folk, choral music and plenty more.
Following last year's silky smooth "Electric Māyā", O'Sullivan's latest library excursion is a deep dive into his meditative realm. It's hard to imagine a lot of this music being used for TV, but that's what makes it better than you'd hope.
O'Sullivan is at his best when he sounds most angelic, like on opening track 'Perpetual Ascension', the choral 'Palo Sagrado' and the striking, church-bell led 'Head in the Bellfry'. Paper Dollhouse's Astrud Steeholder assists on the latter, and on the poppy 'Orgone Attenuation' that sounds almost like The Knife.