Mannequin head Alessandro Adriani emphasises a rusty tang to his bare boned machine music on first new outing in years - a big one for Bunker and Helena Hauff fiends
As ringleader of Mannequin - a key catalyst in the resurgence of darkwave dance music - Adriani’s reputation precedes him as an encyclopaedic selector and maker of synth music that prizes the ancient methods of production. His ‘Four Tracks’ are hard-working body music tools subtly suffused with a quota of retro-futurist nostalgia and emotion. ‘Wounds’ snaps to a hard electro groove in the vein of classic Bunker black labels and brined with saltiest synth tang
‘Life reborn’ harnesses a killer sort of Italo-techno canter bound to put a cold sweat under rubber, and rounding off with ace flourish of Drexicyan pads. ‘Spectres’ dials up the darkroom sleaze with over-the-shoulder vox and scalding synths recalling Front 242 via Mono Junk, and ‘Digital Space Interface’ opens out the upper registers with synths tuned to the colour of stormy skies on a muscular EBM techno pulse.
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Mannequin head Alessandro Adriani emphasises a rusty tang to his bare boned machine music on first new outing in years - a big one for Bunker and Helena Hauff fiends
As ringleader of Mannequin - a key catalyst in the resurgence of darkwave dance music - Adriani’s reputation precedes him as an encyclopaedic selector and maker of synth music that prizes the ancient methods of production. His ‘Four Tracks’ are hard-working body music tools subtly suffused with a quota of retro-futurist nostalgia and emotion. ‘Wounds’ snaps to a hard electro groove in the vein of classic Bunker black labels and brined with saltiest synth tang
‘Life reborn’ harnesses a killer sort of Italo-techno canter bound to put a cold sweat under rubber, and rounding off with ace flourish of Drexicyan pads. ‘Spectres’ dials up the darkroom sleaze with over-the-shoulder vox and scalding synths recalling Front 242 via Mono Junk, and ‘Digital Space Interface’ opens out the upper registers with synths tuned to the colour of stormy skies on a muscular EBM techno pulse.
Mannequin head Alessandro Adriani emphasises a rusty tang to his bare boned machine music on first new outing in years - a big one for Bunker and Helena Hauff fiends
As ringleader of Mannequin - a key catalyst in the resurgence of darkwave dance music - Adriani’s reputation precedes him as an encyclopaedic selector and maker of synth music that prizes the ancient methods of production. His ‘Four Tracks’ are hard-working body music tools subtly suffused with a quota of retro-futurist nostalgia and emotion. ‘Wounds’ snaps to a hard electro groove in the vein of classic Bunker black labels and brined with saltiest synth tang
‘Life reborn’ harnesses a killer sort of Italo-techno canter bound to put a cold sweat under rubber, and rounding off with ace flourish of Drexicyan pads. ‘Spectres’ dials up the darkroom sleaze with over-the-shoulder vox and scalding synths recalling Front 242 via Mono Junk, and ‘Digital Space Interface’ opens out the upper registers with synths tuned to the colour of stormy skies on a muscular EBM techno pulse.
Mannequin head Alessandro Adriani emphasises a rusty tang to his bare boned machine music on first new outing in years - a big one for Bunker and Helena Hauff fiends
As ringleader of Mannequin - a key catalyst in the resurgence of darkwave dance music - Adriani’s reputation precedes him as an encyclopaedic selector and maker of synth music that prizes the ancient methods of production. His ‘Four Tracks’ are hard-working body music tools subtly suffused with a quota of retro-futurist nostalgia and emotion. ‘Wounds’ snaps to a hard electro groove in the vein of classic Bunker black labels and brined with saltiest synth tang
‘Life reborn’ harnesses a killer sort of Italo-techno canter bound to put a cold sweat under rubber, and rounding off with ace flourish of Drexicyan pads. ‘Spectres’ dials up the darkroom sleaze with over-the-shoulder vox and scalding synths recalling Front 242 via Mono Junk, and ‘Digital Space Interface’ opens out the upper registers with synths tuned to the colour of stormy skies on a muscular EBM techno pulse.
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Mannequin head Alessandro Adriani emphasises a rusty tang to his bare boned machine music on first new outing in years - a big one for Bunker and Helena Hauff fiends
As ringleader of Mannequin - a key catalyst in the resurgence of darkwave dance music - Adriani’s reputation precedes him as an encyclopaedic selector and maker of synth music that prizes the ancient methods of production. His ‘Four Tracks’ are hard-working body music tools subtly suffused with a quota of retro-futurist nostalgia and emotion. ‘Wounds’ snaps to a hard electro groove in the vein of classic Bunker black labels and brined with saltiest synth tang
‘Life reborn’ harnesses a killer sort of Italo-techno canter bound to put a cold sweat under rubber, and rounding off with ace flourish of Drexicyan pads. ‘Spectres’ dials up the darkroom sleaze with over-the-shoulder vox and scalding synths recalling Front 242 via Mono Junk, and ‘Digital Space Interface’ opens out the upper registers with synths tuned to the colour of stormy skies on a muscular EBM techno pulse.