Boomkat Product Review:
Sub Rosa’s vital Early Electronic Series yields a fascinating and unprecedented collection of Indonesian Electronic Music 1979-1992 with the 1st survey of work by Otto Sidharta; a graduate of music composition at Jakarta Institute of Arts, electronic music composition at Sweelinck Conservatorium Amsterdam, and recently a doctorate from Institute Seni Indonesia Surakarta.
A pioneering figure within Indonesian Electronic Music since his début composition Ngendau , Sidharta has operated amid a small network of prism pushers in relative seclusion from the power centres of electronic music for nigh on 40 years. Since the start of his oeuvre, Sidharta’s work has been concerned with environmental sounds, integrating natural and electronic sources in a way that could be said to reflect the sound ecology of his home land as much as his personal imagination.
As the first collection to reveal Sidharta’s work beyond his home country, this set serves an increasingly rare encounter by revealing a hitherto un or little-known, yet fully formed and genuinely new, perspective on electronic music ranging from deliquescent gong works to dense blocks of gamelan abstraction, computerised chimes and totally unearthly oddities.
Make no mistake though, this isn’t some sort of Hassell-esque 4th world simulation or recreation of traditional music with plugged-in means. Rather, it’s better regarded as a fine mix of academic rigour and methodical electronic music techniques realised at the service of romantic, esoteric notions of space and place; vividly conveying sensations of heat, psychedelia, violence - both natural and political - with an immersively dreamlike effect from both within and post Soeharto’s brutal dictatorship.
Simply, if 4th world music is too fluffy for ya, but you like its Eastern-oriented ideas of new tunings, rhythms, imaginary spaces, this one is strongly recommended, especially to fans of Coil, Rashad Becker, Gottfried Michael Koenig, Pauline Oliveros.