Former Things
LoneLady strikes out completely alone on "Former Things", welding New Order, Kate Bush and Neneh Cherry influences in a collapsing cityscape of DIY funk.
When Julie Campbell started writing "Former Things", it was going to be techno, but as she added elements it developed into an electro pop opus. She constructed the record after moving from Manchester to work at London's Somerset house, recording completely alone for the first time. The result is a laser-focused collection of songs that highlight Campbell's influences and eccentricities perfectly.
'The Catcher' is stiff and funky, loosened by unusual samples and Campbell's bright, lighthearted-but-deadpan delivery. 'Former Things' sounds like the minimalist demo for an '80s pop hit, like Prince stripped down to the barest elements. 'Fear Colours' is more in line with Neneh Cherry's fwd-thinking pop run, but disrupted with angular robot-funk grit. If the future sucks, it's probably best to look back, right?
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LoneLady strikes out completely alone on "Former Things", welding New Order, Kate Bush and Neneh Cherry influences in a collapsing cityscape of DIY funk.
When Julie Campbell started writing "Former Things", it was going to be techno, but as she added elements it developed into an electro pop opus. She constructed the record after moving from Manchester to work at London's Somerset house, recording completely alone for the first time. The result is a laser-focused collection of songs that highlight Campbell's influences and eccentricities perfectly.
'The Catcher' is stiff and funky, loosened by unusual samples and Campbell's bright, lighthearted-but-deadpan delivery. 'Former Things' sounds like the minimalist demo for an '80s pop hit, like Prince stripped down to the barest elements. 'Fear Colours' is more in line with Neneh Cherry's fwd-thinking pop run, but disrupted with angular robot-funk grit. If the future sucks, it's probably best to look back, right?
LoneLady strikes out completely alone on "Former Things", welding New Order, Kate Bush and Neneh Cherry influences in a collapsing cityscape of DIY funk.
When Julie Campbell started writing "Former Things", it was going to be techno, but as she added elements it developed into an electro pop opus. She constructed the record after moving from Manchester to work at London's Somerset house, recording completely alone for the first time. The result is a laser-focused collection of songs that highlight Campbell's influences and eccentricities perfectly.
'The Catcher' is stiff and funky, loosened by unusual samples and Campbell's bright, lighthearted-but-deadpan delivery. 'Former Things' sounds like the minimalist demo for an '80s pop hit, like Prince stripped down to the barest elements. 'Fear Colours' is more in line with Neneh Cherry's fwd-thinking pop run, but disrupted with angular robot-funk grit. If the future sucks, it's probably best to look back, right?
LoneLady strikes out completely alone on "Former Things", welding New Order, Kate Bush and Neneh Cherry influences in a collapsing cityscape of DIY funk.
When Julie Campbell started writing "Former Things", it was going to be techno, but as she added elements it developed into an electro pop opus. She constructed the record after moving from Manchester to work at London's Somerset house, recording completely alone for the first time. The result is a laser-focused collection of songs that highlight Campbell's influences and eccentricities perfectly.
'The Catcher' is stiff and funky, loosened by unusual samples and Campbell's bright, lighthearted-but-deadpan delivery. 'Former Things' sounds like the minimalist demo for an '80s pop hit, like Prince stripped down to the barest elements. 'Fear Colours' is more in line with Neneh Cherry's fwd-thinking pop run, but disrupted with angular robot-funk grit. If the future sucks, it's probably best to look back, right?
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
LoneLady strikes out completely alone on "Former Things", welding New Order, Kate Bush and Neneh Cherry influences in a collapsing cityscape of DIY funk.
When Julie Campbell started writing "Former Things", it was going to be techno, but as she added elements it developed into an electro pop opus. She constructed the record after moving from Manchester to work at London's Somerset house, recording completely alone for the first time. The result is a laser-focused collection of songs that highlight Campbell's influences and eccentricities perfectly.
'The Catcher' is stiff and funky, loosened by unusual samples and Campbell's bright, lighthearted-but-deadpan delivery. 'Former Things' sounds like the minimalist demo for an '80s pop hit, like Prince stripped down to the barest elements. 'Fear Colours' is more in line with Neneh Cherry's fwd-thinking pop run, but disrupted with angular robot-funk grit. If the future sucks, it's probably best to look back, right?
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
LoneLady strikes out completely alone on "Former Things", welding New Order, Kate Bush and Neneh Cherry influences in a collapsing cityscape of DIY funk.
When Julie Campbell started writing "Former Things", it was going to be techno, but as she added elements it developed into an electro pop opus. She constructed the record after moving from Manchester to work at London's Somerset house, recording completely alone for the first time. The result is a laser-focused collection of songs that highlight Campbell's influences and eccentricities perfectly.
'The Catcher' is stiff and funky, loosened by unusual samples and Campbell's bright, lighthearted-but-deadpan delivery. 'Former Things' sounds like the minimalist demo for an '80s pop hit, like Prince stripped down to the barest elements. 'Fear Colours' is more in line with Neneh Cherry's fwd-thinking pop run, but disrupted with angular robot-funk grit. If the future sucks, it's probably best to look back, right?