For This From That Will Be Filled
Clarice Jensen
For This From That Will Be Filled
Boomkat Product Review:
Clarice Jensen, artistic director of the American Contemporary Music Ensemble (ACME), makes a gripping first solo mark on the cello with 'For This From That Will Be Filled', an expansive suite of Cello recordings alongside filigree electronics and tape loops designed to highlight and perceive the instrument’s unique fidelities. It notably features one striking work conceived with the late Jóhann Jóhannsson.
Ushering in Miasmah’s 12th year of operations in the nether fields of modern composition, Clarice’s début is exemplary of the intense, slow-burning aesthetic which connects many of the label’s releases. It unfold in four parts of languorously void-touching ideas, scaling and sustaining a sublime tension said to “explore the variable differences between acoustic and electronic sound as well as depiction of the simulated and the unconscious.”
Using an array of methods ranging from FX pedals to multi-tracking and tape loops, Clarice both gently and ruggedly severs the sound from its source and contrasts it against its own grain, conjuring a contemplative effect akin to gazing out of a bus or train window at night, with light reflecting and scattered at odd angles, distorting the view and providing fleeting, surreal glimpses of new dimensions in the process.
The effect really first comes into play on BC when the string cycle gradually disintegrates with the wilting warble of a GAS or Basinski work, whilst her performance of Cello Constellation, a work for multi-tracked cello and sine tones written for Clarice by Michael Harrison patiently shows her ability to distress the instrument, make it keen like a choir of cosmic banshees, before the staggering title track occurs on the B-side, from a glacial traverse of icy dissonance and cascading borealis light to something like the drone of a sub arctic seed bank nestling humanity’s future in the deepfreeze of For This From That Will Be Filled (B).
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Boomkat Product Review:
Clarice Jensen, artistic director of the American Contemporary Music Ensemble (ACME), makes a gripping first solo mark on the cello with 'For This From That Will Be Filled', an expansive suite of Cello recordings alongside filigree electronics and tape loops designed to highlight and perceive the instrument’s unique fidelities. It notably features one striking work conceived with the late Jóhann Jóhannsson.
Ushering in Miasmah’s 12th year of operations in the nether fields of modern composition, Clarice’s début is exemplary of the intense, slow-burning aesthetic which connects many of the label’s releases. It unfold in four parts of languorously void-touching ideas, scaling and sustaining a sublime tension said to “explore the variable differences between acoustic and electronic sound as well as depiction of the simulated and the unconscious.”
Using an array of methods ranging from FX pedals to multi-tracking and tape loops, Clarice both gently and ruggedly severs the sound from its source and contrasts it against its own grain, conjuring a contemplative effect akin to gazing out of a bus or train window at night, with light reflecting and scattered at odd angles, distorting the view and providing fleeting, surreal glimpses of new dimensions in the process.
The effect really first comes into play on BC when the string cycle gradually disintegrates with the wilting warble of a GAS or Basinski work, whilst her performance of Cello Constellation, a work for multi-tracked cello and sine tones written for Clarice by Michael Harrison patiently shows her ability to distress the instrument, make it keen like a choir of cosmic banshees, before the staggering title track occurs on the B-side, from a glacial traverse of icy dissonance and cascading borealis light to something like the drone of a sub arctic seed bank nestling humanity’s future in the deepfreeze of For This From That Will Be Filled (B).
Boomkat Product Review:
Clarice Jensen, artistic director of the American Contemporary Music Ensemble (ACME), makes a gripping first solo mark on the cello with 'For This From That Will Be Filled', an expansive suite of Cello recordings alongside filigree electronics and tape loops designed to highlight and perceive the instrument’s unique fidelities. It notably features one striking work conceived with the late Jóhann Jóhannsson.
Ushering in Miasmah’s 12th year of operations in the nether fields of modern composition, Clarice’s début is exemplary of the intense, slow-burning aesthetic which connects many of the label’s releases. It unfold in four parts of languorously void-touching ideas, scaling and sustaining a sublime tension said to “explore the variable differences between acoustic and electronic sound as well as depiction of the simulated and the unconscious.”
Using an array of methods ranging from FX pedals to multi-tracking and tape loops, Clarice both gently and ruggedly severs the sound from its source and contrasts it against its own grain, conjuring a contemplative effect akin to gazing out of a bus or train window at night, with light reflecting and scattered at odd angles, distorting the view and providing fleeting, surreal glimpses of new dimensions in the process.
The effect really first comes into play on BC when the string cycle gradually disintegrates with the wilting warble of a GAS or Basinski work, whilst her performance of Cello Constellation, a work for multi-tracked cello and sine tones written for Clarice by Michael Harrison patiently shows her ability to distress the instrument, make it keen like a choir of cosmic banshees, before the staggering title track occurs on the B-side, from a glacial traverse of icy dissonance and cascading borealis light to something like the drone of a sub arctic seed bank nestling humanity’s future in the deepfreeze of For This From That Will Be Filled (B).
Boomkat Product Review:
Clarice Jensen, artistic director of the American Contemporary Music Ensemble (ACME), makes a gripping first solo mark on the cello with 'For This From That Will Be Filled', an expansive suite of Cello recordings alongside filigree electronics and tape loops designed to highlight and perceive the instrument’s unique fidelities. It notably features one striking work conceived with the late Jóhann Jóhannsson.
Ushering in Miasmah’s 12th year of operations in the nether fields of modern composition, Clarice’s début is exemplary of the intense, slow-burning aesthetic which connects many of the label’s releases. It unfold in four parts of languorously void-touching ideas, scaling and sustaining a sublime tension said to “explore the variable differences between acoustic and electronic sound as well as depiction of the simulated and the unconscious.”
Using an array of methods ranging from FX pedals to multi-tracking and tape loops, Clarice both gently and ruggedly severs the sound from its source and contrasts it against its own grain, conjuring a contemplative effect akin to gazing out of a bus or train window at night, with light reflecting and scattered at odd angles, distorting the view and providing fleeting, surreal glimpses of new dimensions in the process.
The effect really first comes into play on BC when the string cycle gradually disintegrates with the wilting warble of a GAS or Basinski work, whilst her performance of Cello Constellation, a work for multi-tracked cello and sine tones written for Clarice by Michael Harrison patiently shows her ability to distress the instrument, make it keen like a choir of cosmic banshees, before the staggering title track occurs on the B-side, from a glacial traverse of icy dissonance and cascading borealis light to something like the drone of a sub arctic seed bank nestling humanity’s future in the deepfreeze of For This From That Will Be Filled (B).
Digipak, Limited Edition of 300 Copies.
Out of Stock
Boomkat Product Review:
Clarice Jensen, artistic director of the American Contemporary Music Ensemble (ACME), makes a gripping first solo mark on the cello with 'For This From That Will Be Filled', an expansive suite of Cello recordings alongside filigree electronics and tape loops designed to highlight and perceive the instrument’s unique fidelities. It notably features one striking work conceived with the late Jóhann Jóhannsson.
Ushering in Miasmah’s 12th year of operations in the nether fields of modern composition, Clarice’s début is exemplary of the intense, slow-burning aesthetic which connects many of the label’s releases. It unfold in four parts of languorously void-touching ideas, scaling and sustaining a sublime tension said to “explore the variable differences between acoustic and electronic sound as well as depiction of the simulated and the unconscious.”
Using an array of methods ranging from FX pedals to multi-tracking and tape loops, Clarice both gently and ruggedly severs the sound from its source and contrasts it against its own grain, conjuring a contemplative effect akin to gazing out of a bus or train window at night, with light reflecting and scattered at odd angles, distorting the view and providing fleeting, surreal glimpses of new dimensions in the process.
The effect really first comes into play on BC when the string cycle gradually disintegrates with the wilting warble of a GAS or Basinski work, whilst her performance of Cello Constellation, a work for multi-tracked cello and sine tones written for Clarice by Michael Harrison patiently shows her ability to distress the instrument, make it keen like a choir of cosmic banshees, before the staggering title track occurs on the B-side, from a glacial traverse of icy dissonance and cascading borealis light to something like the drone of a sub arctic seed bank nestling humanity’s future in the deepfreeze of For This From That Will Be Filled (B).
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