Azu Tiwaline, Forest Drive West
Fluids in Motion EP
Azu Tiwaline tempers the ruder club urges of Forest Drive West on a set of tight dub techno mutations with Livity Sound.
Reverberant subaquatic sound design meets offbeat rhythmic chicanery in four parts approaching a sweetspot between Tiwaline and FDW’s respective styles. The pair prove to be ideal collaborators, subsuming their strengths with equal measures of restraint and sensuality bound to work a treat on far-gone ‘floor.
The EP starts up weightless and range-finding with the Porter Ricks-esque sound design of ‘The Pitch’, before locking into three parts of ‘Fluids in Motion’ that slip from the subbass rumble and coruscating percussion of part 1, thru Fluxion-esque functions tumblin into offbeat dembow patterns on part II, and leavening the ballast to a more buoyant dub techno step and roll akin recent Peverelist productions on part III.
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Azu Tiwaline tempers the ruder club urges of Forest Drive West on a set of tight dub techno mutations with Livity Sound.
Reverberant subaquatic sound design meets offbeat rhythmic chicanery in four parts approaching a sweetspot between Tiwaline and FDW’s respective styles. The pair prove to be ideal collaborators, subsuming their strengths with equal measures of restraint and sensuality bound to work a treat on far-gone ‘floor.
The EP starts up weightless and range-finding with the Porter Ricks-esque sound design of ‘The Pitch’, before locking into three parts of ‘Fluids in Motion’ that slip from the subbass rumble and coruscating percussion of part 1, thru Fluxion-esque functions tumblin into offbeat dembow patterns on part II, and leavening the ballast to a more buoyant dub techno step and roll akin recent Peverelist productions on part III.
Azu Tiwaline tempers the ruder club urges of Forest Drive West on a set of tight dub techno mutations with Livity Sound.
Reverberant subaquatic sound design meets offbeat rhythmic chicanery in four parts approaching a sweetspot between Tiwaline and FDW’s respective styles. The pair prove to be ideal collaborators, subsuming their strengths with equal measures of restraint and sensuality bound to work a treat on far-gone ‘floor.
The EP starts up weightless and range-finding with the Porter Ricks-esque sound design of ‘The Pitch’, before locking into three parts of ‘Fluids in Motion’ that slip from the subbass rumble and coruscating percussion of part 1, thru Fluxion-esque functions tumblin into offbeat dembow patterns on part II, and leavening the ballast to a more buoyant dub techno step and roll akin recent Peverelist productions on part III.
Azu Tiwaline tempers the ruder club urges of Forest Drive West on a set of tight dub techno mutations with Livity Sound.
Reverberant subaquatic sound design meets offbeat rhythmic chicanery in four parts approaching a sweetspot between Tiwaline and FDW’s respective styles. The pair prove to be ideal collaborators, subsuming their strengths with equal measures of restraint and sensuality bound to work a treat on far-gone ‘floor.
The EP starts up weightless and range-finding with the Porter Ricks-esque sound design of ‘The Pitch’, before locking into three parts of ‘Fluids in Motion’ that slip from the subbass rumble and coruscating percussion of part 1, thru Fluxion-esque functions tumblin into offbeat dembow patterns on part II, and leavening the ballast to a more buoyant dub techno step and roll akin recent Peverelist productions on part III.
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Azu Tiwaline tempers the ruder club urges of Forest Drive West on a set of tight dub techno mutations with Livity Sound.
Reverberant subaquatic sound design meets offbeat rhythmic chicanery in four parts approaching a sweetspot between Tiwaline and FDW’s respective styles. The pair prove to be ideal collaborators, subsuming their strengths with equal measures of restraint and sensuality bound to work a treat on far-gone ‘floor.
The EP starts up weightless and range-finding with the Porter Ricks-esque sound design of ‘The Pitch’, before locking into three parts of ‘Fluids in Motion’ that slip from the subbass rumble and coruscating percussion of part 1, thru Fluxion-esque functions tumblin into offbeat dembow patterns on part II, and leavening the ballast to a more buoyant dub techno step and roll akin recent Peverelist productions on part III.