Düsseldorf’s 2nd best band restlessly explore rhythmelodic permutations of electronic rock and dance music, underlined as ever by the percussive suss of Detlef Weinrich aka Tolouse Low Trax/Toresch
‘Flood’ parts in two distinct sections that highlight the diversity of the long-running group’s focussed but wide-angled vision. The first half is definitively driven by the kind of slow, elegant rhythms that regularly appear in Weinrich’s solo output; saddling up with the almost spaghetti Western noir theme of ‘Eurydice’, and strutting like a saddle-sore cowboy at the disco with ‘Celeration’, while Khoes’ curling vocals on ‘Nesindano’ recalls Viktoria Wehrmeister’s Decha styles.
The other half is given to ‘Flood’, a conceptual cycle of five parts that sees them as “a ship of no port”, sailing from the still seas of part I to poetically exotic expressions on an imagined non-place, and swingeing downbeat rhythmic excursions.
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Düsseldorf’s 2nd best band restlessly explore rhythmelodic permutations of electronic rock and dance music, underlined as ever by the percussive suss of Detlef Weinrich aka Tolouse Low Trax/Toresch
‘Flood’ parts in two distinct sections that highlight the diversity of the long-running group’s focussed but wide-angled vision. The first half is definitively driven by the kind of slow, elegant rhythms that regularly appear in Weinrich’s solo output; saddling up with the almost spaghetti Western noir theme of ‘Eurydice’, and strutting like a saddle-sore cowboy at the disco with ‘Celeration’, while Khoes’ curling vocals on ‘Nesindano’ recalls Viktoria Wehrmeister’s Decha styles.
The other half is given to ‘Flood’, a conceptual cycle of five parts that sees them as “a ship of no port”, sailing from the still seas of part I to poetically exotic expressions on an imagined non-place, and swingeing downbeat rhythmic excursions.
Düsseldorf’s 2nd best band restlessly explore rhythmelodic permutations of electronic rock and dance music, underlined as ever by the percussive suss of Detlef Weinrich aka Tolouse Low Trax/Toresch
‘Flood’ parts in two distinct sections that highlight the diversity of the long-running group’s focussed but wide-angled vision. The first half is definitively driven by the kind of slow, elegant rhythms that regularly appear in Weinrich’s solo output; saddling up with the almost spaghetti Western noir theme of ‘Eurydice’, and strutting like a saddle-sore cowboy at the disco with ‘Celeration’, while Khoes’ curling vocals on ‘Nesindano’ recalls Viktoria Wehrmeister’s Decha styles.
The other half is given to ‘Flood’, a conceptual cycle of five parts that sees them as “a ship of no port”, sailing from the still seas of part I to poetically exotic expressions on an imagined non-place, and swingeing downbeat rhythmic excursions.
Düsseldorf’s 2nd best band restlessly explore rhythmelodic permutations of electronic rock and dance music, underlined as ever by the percussive suss of Detlef Weinrich aka Tolouse Low Trax/Toresch
‘Flood’ parts in two distinct sections that highlight the diversity of the long-running group’s focussed but wide-angled vision. The first half is definitively driven by the kind of slow, elegant rhythms that regularly appear in Weinrich’s solo output; saddling up with the almost spaghetti Western noir theme of ‘Eurydice’, and strutting like a saddle-sore cowboy at the disco with ‘Celeration’, while Khoes’ curling vocals on ‘Nesindano’ recalls Viktoria Wehrmeister’s Decha styles.
The other half is given to ‘Flood’, a conceptual cycle of five parts that sees them as “a ship of no port”, sailing from the still seas of part I to poetically exotic expressions on an imagined non-place, and swingeing downbeat rhythmic excursions.