Sully has his jungle hat on for another superlative tribute to the magick of mid ’90s jungle, this time for Fracture & Neptune’s Astrophonica label.
The references are all worn proudly but, it’s the way that Sully breathes his own life into their lush, sidewinding and rolling grooves that really matters as much as the elements he chooses to omit, augment or home in on.
Every bit as exquisite as 2014’s Blue EP for Keysound Recordings, Flock deals in premium ’94-96 vibes between the metallic tang and dusky pads of the title cut thru the flanging dread romance of Helios and the spine-owning Crystal Cuts yet, if there’s any one track that really marks the difference between then and now, it’s his use of beautifully soured electronic tones in Hours, Miles & Still, which you could never imagine being used back then but, which sound perfectly ripe for the dance right now.
A gem.
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Sully has his jungle hat on for another superlative tribute to the magick of mid ’90s jungle, this time for Fracture & Neptune’s Astrophonica label.
The references are all worn proudly but, it’s the way that Sully breathes his own life into their lush, sidewinding and rolling grooves that really matters as much as the elements he chooses to omit, augment or home in on.
Every bit as exquisite as 2014’s Blue EP for Keysound Recordings, Flock deals in premium ’94-96 vibes between the metallic tang and dusky pads of the title cut thru the flanging dread romance of Helios and the spine-owning Crystal Cuts yet, if there’s any one track that really marks the difference between then and now, it’s his use of beautifully soured electronic tones in Hours, Miles & Still, which you could never imagine being used back then but, which sound perfectly ripe for the dance right now.
A gem.
Sully has his jungle hat on for another superlative tribute to the magick of mid ’90s jungle, this time for Fracture & Neptune’s Astrophonica label.
The references are all worn proudly but, it’s the way that Sully breathes his own life into their lush, sidewinding and rolling grooves that really matters as much as the elements he chooses to omit, augment or home in on.
Every bit as exquisite as 2014’s Blue EP for Keysound Recordings, Flock deals in premium ’94-96 vibes between the metallic tang and dusky pads of the title cut thru the flanging dread romance of Helios and the spine-owning Crystal Cuts yet, if there’s any one track that really marks the difference between then and now, it’s his use of beautifully soured electronic tones in Hours, Miles & Still, which you could never imagine being used back then but, which sound perfectly ripe for the dance right now.
A gem.
Sully has his jungle hat on for another superlative tribute to the magick of mid ’90s jungle, this time for Fracture & Neptune’s Astrophonica label.
The references are all worn proudly but, it’s the way that Sully breathes his own life into their lush, sidewinding and rolling grooves that really matters as much as the elements he chooses to omit, augment or home in on.
Every bit as exquisite as 2014’s Blue EP for Keysound Recordings, Flock deals in premium ’94-96 vibes between the metallic tang and dusky pads of the title cut thru the flanging dread romance of Helios and the spine-owning Crystal Cuts yet, if there’s any one track that really marks the difference between then and now, it’s his use of beautifully soured electronic tones in Hours, Miles & Still, which you could never imagine being used back then but, which sound perfectly ripe for the dance right now.
A gem.
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Sully has his jungle hat on for another superlative tribute to the magick of mid ’90s jungle, this time for Fracture & Neptune’s Astrophonica label.
The references are all worn proudly but, it’s the way that Sully breathes his own life into their lush, sidewinding and rolling grooves that really matters as much as the elements he chooses to omit, augment or home in on.
Every bit as exquisite as 2014’s Blue EP for Keysound Recordings, Flock deals in premium ’94-96 vibes between the metallic tang and dusky pads of the title cut thru the flanging dread romance of Helios and the spine-owning Crystal Cuts yet, if there’s any one track that really marks the difference between then and now, it’s his use of beautifully soured electronic tones in Hours, Miles & Still, which you could never imagine being used back then but, which sound perfectly ripe for the dance right now.
A gem.