Minimalist Canadian composer Martin Arnold leads on from performances of his work recorded by Quatuor Bozzini, Mira Benjamin, Philip Thomas, and Apartment House, to work with pianist Kerry Yong on this strikingly melancholic new work.
Arnold’s 3rd title with Another Timbre, ‘Flax’ was commissioned by Philip Thomas and recorded at the university of Huddersfield, aka the UK’s engine room for contemporary classical music. Philip was due to perform the work, but a bout of illness meant that Kerry Yong stepped in, reprising a relationship begun with Arnold’s music after playing organ in Apartment House’s recording of ’Stain Ballad’ (2016/2020).
This recording was made in October ’22, in the run-up to that year’s HCMF, where the piece was premiered the following month. The 79 minute work saunters, as if in a dream, along precisely icy melodies at the speed of slow-burning thought, with a stop/start punctuation that lets the notes sustain, linger on air in arcing, bittersweet cadence that plays around with a sense of naiveness and knowing, rustic and gothic as it patiently proceeds down the keyboard to brooding low notes.
“Born in Edmonton, Alberta in 1959, now based in Toronto. Arnold is a composer and performer who studied in Edmonton, Banff, the Hague, and Victoria, where his teachers included Frederic Rzewski, John Cage and Louis Andriessen. He is a founding member of the Drystone Orchestra and from 1995-2000 he was artistic director of The Burdocks. He also produces a variety of visual work.
A multi-instrumentalist as well, he plays guitar, banjo, melodica and live electronics in numerous bands and outfits. Martin works as a gardener and teaches in the Cultural Studies Department of Trent University.”
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Minimalist Canadian composer Martin Arnold leads on from performances of his work recorded by Quatuor Bozzini, Mira Benjamin, Philip Thomas, and Apartment House, to work with pianist Kerry Yong on this strikingly melancholic new work.
Arnold’s 3rd title with Another Timbre, ‘Flax’ was commissioned by Philip Thomas and recorded at the university of Huddersfield, aka the UK’s engine room for contemporary classical music. Philip was due to perform the work, but a bout of illness meant that Kerry Yong stepped in, reprising a relationship begun with Arnold’s music after playing organ in Apartment House’s recording of ’Stain Ballad’ (2016/2020).
This recording was made in October ’22, in the run-up to that year’s HCMF, where the piece was premiered the following month. The 79 minute work saunters, as if in a dream, along precisely icy melodies at the speed of slow-burning thought, with a stop/start punctuation that lets the notes sustain, linger on air in arcing, bittersweet cadence that plays around with a sense of naiveness and knowing, rustic and gothic as it patiently proceeds down the keyboard to brooding low notes.
“Born in Edmonton, Alberta in 1959, now based in Toronto. Arnold is a composer and performer who studied in Edmonton, Banff, the Hague, and Victoria, where his teachers included Frederic Rzewski, John Cage and Louis Andriessen. He is a founding member of the Drystone Orchestra and from 1995-2000 he was artistic director of The Burdocks. He also produces a variety of visual work.
A multi-instrumentalist as well, he plays guitar, banjo, melodica and live electronics in numerous bands and outfits. Martin works as a gardener and teaches in the Cultural Studies Department of Trent University.”