Boomkat Product Review:
Gorgeous outsider/intimate parlour music - one of our most played/referenced/loved records of all time - an introduction to the wonderfully moving and expressive music of Belgium’s Dominique Lawalree who sadly passed away in 2019. He’d been recording since 1976, almost appeared on Brian Eno’s short-lived Obscure label and counts Gavin Bryars a long time friend and fan of his music, so consider this first-ever retrospective of his recordings an essential primer.
Entirely drawn from self-released titles recorded between 1978-1982 on Lawalree’s Brussels-based Editions Walrus (what a name?!), First Meeting reveals a quietly sublime and intimately idiosyncratic sound in nine parts - so quiet and intimate in fact that we feel like a privileged fly on the high ceiling of his apartment studio, twitching our antenna whilst the baby-faced maestro sups an Orval and strokes his keys and synths into thee sweetest tapestries.
In the enlightening liner notes by Britton Powell, Lawalree’s music is perfectly described as “wallpaper; ornate and repetitive” when compared with the music of Satie and Eno, with whom he clearly shares an affinity for subtle and meditative musicality, but the distinction lies in the inherent surreality of his music and its ability to entice and encourage closer listening, quite the opposite of background, Ambient music.
There’s a beautiful nuance of consonance to his music that tantalises the ear with its warbling harmonic complexity and elegant pacing, yet it’s never challenging; conveyed with an honesty that points to his equal appreciation of Satie, Feldman and Stockhausen as much as The Beatles or Led Zeppelin, the latter of whom Lawalrée analysed for a book of second-by-second analysis, culminating in a meeting with The Beatles’ engineer, Geoff Emerick, to whom he pointed out mistakes in the classic recordings which nobody else has ever noticed.
Ahh, this record is just a dream.