Firnis DC
Firnis der Civilisation
Boomkat Product Review:
Perko’s burgeoning FELT grip Blackest Ever Black alum тпсб on his first outing as Firnis DC, chasing a curious thru-line of gritty ambient to cinematic levity, chamber music, avant folk and breakcore in the wake of label zingers by Carrier, Civilistjävel!, Mother, and more
After two years of FELT's aesthetic zig-zagging, one should know to anticipate the unexpected from Perko’s label. On ‘Firnis der Civilisation’ Köln’s Firnis DC plays to the label’s unpredictable form with a persistently surprising, shapeshifting 9-track suite that lures heads deep into its abstract narrative with a quietly masterful grasp of atmospheric tone and texture, fathoming a dream sequence of twilit romanticism from pastures beyond. It’s one of those albums that draws you into its folds and eventually spits you out somewhere quite different, without much of a clue how you got there.
‘Firnis der Civilisation’ displays the full spectrum of its creator’s talents for evoking imaginary spaces, juxtaposing textures, and unusual prompts to dance. Entering by a gauzy portal akin to a somnambulant Shapednoise in ‘Zweite Trommel’, the set continues to pull and restitch the rug around your feet, summoning analogies with Svitlana Nianio’s esoteric Ukrainian synth-folk in ‘Augen Offen’, and ascending blissed ambient cloud structures of ‘Funktion Form’, to imagine something like a 4th world lounge jazz in ‘Spigel Zeigen’, and sublime sci-fi ambient on ‘Parallel Strom.’
The arp saccades of ‘Photo Manipulation’ signals a switch-up sting in the tail toward nervy rhythm programming reminding us of his turns on the Low Company-related label, The News Cycle, or Carrier gone free jazz, and ‘Innozenz Jahr’ refines those urges into a sublime syncopation of Latinate drums and pads evoking Plaid’s deepest dreams and sound sensitive early ambient works by Terre Thaemlitz.
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Boomkat Product Review:
Perko’s burgeoning FELT grip Blackest Ever Black alum тпсб on his first outing as Firnis DC, chasing a curious thru-line of gritty ambient to cinematic levity, chamber music, avant folk and breakcore in the wake of label zingers by Carrier, Civilistjävel!, Mother, and more
After two years of FELT's aesthetic zig-zagging, one should know to anticipate the unexpected from Perko’s label. On ‘Firnis der Civilisation’ Köln’s Firnis DC plays to the label’s unpredictable form with a persistently surprising, shapeshifting 9-track suite that lures heads deep into its abstract narrative with a quietly masterful grasp of atmospheric tone and texture, fathoming a dream sequence of twilit romanticism from pastures beyond. It’s one of those albums that draws you into its folds and eventually spits you out somewhere quite different, without much of a clue how you got there.
‘Firnis der Civilisation’ displays the full spectrum of its creator’s talents for evoking imaginary spaces, juxtaposing textures, and unusual prompts to dance. Entering by a gauzy portal akin to a somnambulant Shapednoise in ‘Zweite Trommel’, the set continues to pull and restitch the rug around your feet, summoning analogies with Svitlana Nianio’s esoteric Ukrainian synth-folk in ‘Augen Offen’, and ascending blissed ambient cloud structures of ‘Funktion Form’, to imagine something like a 4th world lounge jazz in ‘Spigel Zeigen’, and sublime sci-fi ambient on ‘Parallel Strom.’
The arp saccades of ‘Photo Manipulation’ signals a switch-up sting in the tail toward nervy rhythm programming reminding us of his turns on the Low Company-related label, The News Cycle, or Carrier gone free jazz, and ‘Innozenz Jahr’ refines those urges into a sublime syncopation of Latinate drums and pads evoking Plaid’s deepest dreams and sound sensitive early ambient works by Terre Thaemlitz.
Boomkat Product Review:
Perko’s burgeoning FELT grip Blackest Ever Black alum тпсб on his first outing as Firnis DC, chasing a curious thru-line of gritty ambient to cinematic levity, chamber music, avant folk and breakcore in the wake of label zingers by Carrier, Civilistjävel!, Mother, and more
After two years of FELT's aesthetic zig-zagging, one should know to anticipate the unexpected from Perko’s label. On ‘Firnis der Civilisation’ Köln’s Firnis DC plays to the label’s unpredictable form with a persistently surprising, shapeshifting 9-track suite that lures heads deep into its abstract narrative with a quietly masterful grasp of atmospheric tone and texture, fathoming a dream sequence of twilit romanticism from pastures beyond. It’s one of those albums that draws you into its folds and eventually spits you out somewhere quite different, without much of a clue how you got there.
‘Firnis der Civilisation’ displays the full spectrum of its creator’s talents for evoking imaginary spaces, juxtaposing textures, and unusual prompts to dance. Entering by a gauzy portal akin to a somnambulant Shapednoise in ‘Zweite Trommel’, the set continues to pull and restitch the rug around your feet, summoning analogies with Svitlana Nianio’s esoteric Ukrainian synth-folk in ‘Augen Offen’, and ascending blissed ambient cloud structures of ‘Funktion Form’, to imagine something like a 4th world lounge jazz in ‘Spigel Zeigen’, and sublime sci-fi ambient on ‘Parallel Strom.’
The arp saccades of ‘Photo Manipulation’ signals a switch-up sting in the tail toward nervy rhythm programming reminding us of his turns on the Low Company-related label, The News Cycle, or Carrier gone free jazz, and ‘Innozenz Jahr’ refines those urges into a sublime syncopation of Latinate drums and pads evoking Plaid’s deepest dreams and sound sensitive early ambient works by Terre Thaemlitz.
Boomkat Product Review:
Perko’s burgeoning FELT grip Blackest Ever Black alum тпсб on his first outing as Firnis DC, chasing a curious thru-line of gritty ambient to cinematic levity, chamber music, avant folk and breakcore in the wake of label zingers by Carrier, Civilistjävel!, Mother, and more
After two years of FELT's aesthetic zig-zagging, one should know to anticipate the unexpected from Perko’s label. On ‘Firnis der Civilisation’ Köln’s Firnis DC plays to the label’s unpredictable form with a persistently surprising, shapeshifting 9-track suite that lures heads deep into its abstract narrative with a quietly masterful grasp of atmospheric tone and texture, fathoming a dream sequence of twilit romanticism from pastures beyond. It’s one of those albums that draws you into its folds and eventually spits you out somewhere quite different, without much of a clue how you got there.
‘Firnis der Civilisation’ displays the full spectrum of its creator’s talents for evoking imaginary spaces, juxtaposing textures, and unusual prompts to dance. Entering by a gauzy portal akin to a somnambulant Shapednoise in ‘Zweite Trommel’, the set continues to pull and restitch the rug around your feet, summoning analogies with Svitlana Nianio’s esoteric Ukrainian synth-folk in ‘Augen Offen’, and ascending blissed ambient cloud structures of ‘Funktion Form’, to imagine something like a 4th world lounge jazz in ‘Spigel Zeigen’, and sublime sci-fi ambient on ‘Parallel Strom.’
The arp saccades of ‘Photo Manipulation’ signals a switch-up sting in the tail toward nervy rhythm programming reminding us of his turns on the Low Company-related label, The News Cycle, or Carrier gone free jazz, and ‘Innozenz Jahr’ refines those urges into a sublime syncopation of Latinate drums and pads evoking Plaid’s deepest dreams and sound sensitive early ambient works by Terre Thaemlitz.
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Boomkat Product Review:
Perko’s burgeoning FELT grip Blackest Ever Black alum тпсб on his first outing as Firnis DC, chasing a curious thru-line of gritty ambient to cinematic levity, chamber music, avant folk and breakcore in the wake of label zingers by Carrier, Civilistjävel!, Mother, and more
After two years of FELT's aesthetic zig-zagging, one should know to anticipate the unexpected from Perko’s label. On ‘Firnis der Civilisation’ Köln’s Firnis DC plays to the label’s unpredictable form with a persistently surprising, shapeshifting 9-track suite that lures heads deep into its abstract narrative with a quietly masterful grasp of atmospheric tone and texture, fathoming a dream sequence of twilit romanticism from pastures beyond. It’s one of those albums that draws you into its folds and eventually spits you out somewhere quite different, without much of a clue how you got there.
‘Firnis der Civilisation’ displays the full spectrum of its creator’s talents for evoking imaginary spaces, juxtaposing textures, and unusual prompts to dance. Entering by a gauzy portal akin to a somnambulant Shapednoise in ‘Zweite Trommel’, the set continues to pull and restitch the rug around your feet, summoning analogies with Svitlana Nianio’s esoteric Ukrainian synth-folk in ‘Augen Offen’, and ascending blissed ambient cloud structures of ‘Funktion Form’, to imagine something like a 4th world lounge jazz in ‘Spigel Zeigen’, and sublime sci-fi ambient on ‘Parallel Strom.’
The arp saccades of ‘Photo Manipulation’ signals a switch-up sting in the tail toward nervy rhythm programming reminding us of his turns on the Low Company-related label, The News Cycle, or Carrier gone free jazz, and ‘Innozenz Jahr’ refines those urges into a sublime syncopation of Latinate drums and pads evoking Plaid’s deepest dreams and sound sensitive early ambient works by Terre Thaemlitz.
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